We were on the train to Maidenhead, Zoë and I, and both of us realised that neither of us had been to the town in the best part of twenty years. Travelled through it on countless occasions, of course, as everyone has. Changed trains there a couple of times to go to Marlow, too – usually for indifferent meals out, come to think of it. But had either of us ever got off a train there, exited through the barriers and explored the place? I didn’t think so, and nor did Zoë.
We were there to visit Maidenhead’s shiniest, newest hospitality venue – not a restaurant, but the second branch of Windsor’s craft beer bar A Hoppy Place. Zoë wanted to write it up for the magazine she edits and having had her plans to attend the grand opening thwarted by the train strike, she was keen to pay it a visit as soon as humanly possible.
But where to eat beforehand? Maidenhead looked to be the town that restaurants forgot. A rummage through Tripadvisor – don’t judge, there was virtually nowhere else to look – suggested that most of Maidenhead’s restaurants were actually in the town’s affluent satellite villages. But then I guess if you lived near Bray or Cookham Dean, would you really go into Maidenhead of a night out? The town centre boasted a Kokoro and a Coppa Club, but I couldn’t say I fancied either of those known quantities.
And then I remembered my physio, who lives in Maidenhead, recommending Miyazaki to me. It’s a little restaurant at the unfashionable end of town which has been serving up Japanese food to the people of Maidenhead for something like seven years. No fuss, no drama, just uniformly good reviews on Tripadvisor and Google, all of which gave the vague impression that Miyazaki’s fans were quite comfortable with it remaining a well-kept secret. I phoned up on a Friday evening and was pleasantly surprised to find that they could fit in a booking for the following night.
It wasn’t the loveliest of walks from the station, and I sense that there’s an awful lot of development under way in Maidenhead. Miyazaki was on a little run of shops and restaurants, rubbing shoulders with pizza and kebab takeaways, just past the purgatorial horrors of “The Honey Pot” (remember when Reading had one of those?) and the thumping music of an O’Neill’s already in full swing. “There’s a reason why they always have an O’Neill’s near the train station”, said Zoë sagely.
Once we reached Miyazaki, though, it stood out like the opposite of a sore thumb. Nestled between joints called Sizzlers and Tennessee Fried Chicken, a building site on the other side of the road, it looked completely out of place. No garish shop front, no big red letters and brightly-lit laminated pictures of the food on display like its neighbours, just a simple space.
Inside, the neutral, unfussy tables couldn’t have seated more than twenty people at a push, and the long thin room was beautifully lit, the light from the summer evening pouring in through the curved, graceful floor to ceiling window. Tasteful prints and drawings were dotted on the plain white walls. Just two other tables were occupied when we got there at quarter to eight – which saddened me a little. But it was a very hot evening, and the restaurant was doing a roaring trade in takeaways, neatly packaged and on the table by the bar, waiting for delivery drivers to pull up outside and take care of them.
Miyazaki’s menu was the kind that reassured you instantly. Some people, spoiled by the compendious likes of Sushimania or Yo! Sushi, would have found it restrictive but I liked the fact that it did what it did, and didn’t try to offer everything. Just three types of sashimi, a few more nigiri and just over a dozen sushi rolls in two different sizes. There was also a selection of side dishes, along with a very small selection of what you might call mains – three curries, two different noodle dishes and a range of udon soup noodles.
And even with such a restrained selection I saw dishes I’d never heard of or tried. Yasai kakiage, a sort of vegetable tempura fritter. Sunomono, a crunchy, vinegary cucumber salad. Chicken nanban, a deranged-but-inspired-sounding dish of fried chicken in a tangy coating, served with, of all things, tartar sauce. If I have one regret about this meal, it’s that I can’t tell you what those three taste like: I’ll know after next time.
Instead we stayed on safer ground, but we were richly rewarded all the same. Salmon sashimi was as perfect an example as I can remember – rich, smooth, glossy diamonds of perfect pink, just needing a dab of soy to perfect them. We liked it so much we ordered another portion. Mackerel sashimi was a little less successful: the skin looked like it had been torched, and the slight tinge of vinegar suggested it was cured rather than raw. I liked it more than Zoë did, which might have been a factor in us ordering more salmon.
Sushi rolls kept up a high standard. With a relatively compact menu a lot of these were variations on a theme, but even so I enjoyed everything I had. The small avocado maki were the kind of dish I could gladly eat every day for the rest of my life, and the avocado was splendidly buttery – ripe but not overripe, no hint of those telltale brown edges that always fill me with sadness.
Larger spicy tuna rolls with a little dab of fiery red sauce inside had a surprising kick, as did the pale ribbons of ginger on the plate – it’s always encouraging to see this more natural colour, rather than the standard-issue hyper-real pink ginger you so often get. And assembly was pretty good: there were a few ragged bits of nori here and there but generally they were put together deftly, and just the right size that you could eat them in one glorious go.
All the larger sushi rolls hovered around the eight pound mark, which struck me as very good value. Another set with both avocado and salmon were probably my favourite, and so much more than the sum of their parts, speckled on the outside with black and white sesame. I’m always reminded, when I eat food like this, how nice it can be to eat something almost-virtuous, so pure-looking. That feeling always dissipates by the time the next portion of fried chicken comes along but it’s nice to experience it all the same, however fleeting.
It helped, I’m sure, that the setting was so pared-back and ascetic, but also it’s so rare – for me at least – to find really healthy food that I actually like. By this point it was nearly quarter past eight and we were the only customers left in the restaurant, and I would have felt guilty about keeping the staff if it wasn’t for the still-steady stream of takeaway dishes coming out of the kitchen. Their work was far from over, so Zoë drank a second bottle of Sapporo, I had some sweet, fresh plum wine in a glass tinkling with ice and we ordered one last wave of dishes.
Doing so proved, if nothing else, that the period between fried chicken dishes – in my life, at least – is never that long. Karaage chicken is a staple order of mine, in Japanese restaurants and anywhere else I can find it on a menu, but Miyazaki’s was one of the best I’ve had anywhere. Normally it comes plain with some mayo on the side (and I’m absolutely fine with that) but this had been tossed in a tangy red sauce which took it somewhere even better. All soft thigh meat, crunchy coating and gnarled edges with a little spike of heat, it was up there with the nicest things I’ve eaten this year. Chicken gyoza felt a little more boilerplate, but even boilerplate chicken gyoza are still better than the majority of things you can pop into your mouth.
It’s a shame that I saved the worst til last, but our final two noodle dishes suggested that the kitchen’s strengths lay elsewhere. You can have soba or udon noodles with chicken katsu, fried prawns or vegetable korroke, but either way the underlying dish didn’t quite come together. My soba noodles – a neatly petite portion – were nice enough I suppose, but the sauce they had been lightly stir fried in had a slightly off-putting sweetness when I was hoping for more savoury depth. And my three breaded prawns, tasty though they were, didn’t feel like they really went; I resorted to eating those with my fingers and then ploughing through the noodles, but it didn’t feel like a cohesive dish, or a hugely enjoyable one.
I think Zoë picked better with the katsu chicken, which was nicely done, but other than the gauge of her noodles her dish was subject to much the same problems. These two dishes are only available at dinner time, but to be honest when I go back I’ll probably just order more sushi, because that felt like where Miyazaki truly excelled. Or I might just leap into the unknown reaches of the menu, and see whether Japanese fried chicken with tartar sauce is as chaotic and magnificent on the plate as it is in my imagination. Either way, I also plan to sample their extensive and impressive selection of sake.
I know it’s a little perverse of me to review a restaurant in Maidenhead this week, because Reading has had two Japanese restaurants open in quick succession: Intoku, where the Tasting House used to be, at the end of May and Iro Sushi, replacing Raayo on Friar Street, at the beginning of July (a third, You Me Sushi, opened a few doors down from Iro yesterday). But I thought Miyazaki was worth exploring, because restaurants that have been doing their stuff for years with no fuss are often overlooked in favour of shiny new places. Or, possibly, bandwagon-jumpers.
And it was right that I did, because Miyazaki is quietly splendid and well worth celebrating. I’m not inclined to let those final two dishes detract from what was a truly wonderful meal a twelve minute train ride from Reading in surroundings that really couldn’t be more incongruous. Service was flawless, the room has a sort of touching humility which I liked very much and if our meal wasn’t cheap – it came to just over ninety pounds for all that food and a couple of drinks each, not including tip – it was worth every penny.
And if you need somewhere to go in Maidenhead for a post-dinner drink, I can thoroughly recommend A Hoppy Place which has excellent outside seating and had two phenomenal imperial stouts on keg when I visited, both of which I enjoyed a great deal. You could go to O’Neill’s instead of course, but you don’t need to leave Reading for that, although you would need to take leave of your senses. I will get to the likes of Intoku and Iro in due course, but the standard they have to reach has already been laid down, in a little sanctuary a matter of minutes away on the Elizabeth Line. And if they turn out to be disappointing, I know exactly where I’ll go to get over it.
Miyazaki – 8.1
63 Queen Street, Maidenhead, SL6 1LT