Restaurant review: COR, Bristol

For once, I turned up for lunch in Bristol moderately ahead of the curve. COR, a cosy small plates restaurant in Bedminster, has only been open since October and, so far, has mostly been Bristol famous rather than nationally famous. Not completely, though: Tom Parker Bowles raved about it in the Mail On Sunday on a recent visit. And last month, when Square Meal listed its top 100 restaurants for 2023 COR made the list: not too shabby for a restaurant that’s been trading for about four months. Even so, stepping through the front door with my old friend Al for lunch during a weekend trip to my favourite city, I felt slightly closer to the zeitgeist than usual.

They’ve got a lovely site. It’s a corner plot, double aspect with big windows letting in plenty of light and despite being on the compact side all the space is used superbly. There are relatively few tables, but there are also excellent, comfy-looking stools up at the window letting you look out on the painfully cool passers-by, on their way to a café, the terrific looking natural wine bar or a smashing chocolate shop. The seats at the bar look like fun too, and some of them give you a view out back to the open-ish kitchen. The restaurant is passionate about always saving some room for walk-ins at the window or at the bar: like so much else about it, it’s admirable.

COR’s menu read extraordinarily well. I know small plates aren’t for everybody, but these were grouped and flowed effortlessly, from nibbles to charcuterie, on to seafood, to a selection of vegetarian and meat dishes and then a handful of larger, more conventional plates. Just the three, in fact. The nibbles and charcuterie were close to a fiver, the small plates generally hovered just under ten pounds and the bigger ones were around fifteen quid.

Now some people will look at that and think “ugh”, probably put off by bad experiences with the small plates concept in the past. I get that – I’ve had many of those too – but to me this just read like a dream, an edible Choose Your Own Adventure with no bad endings. Our waitress, who was positively brilliant throughout, told us roughly how many dishes people ordered per head, although I must say that she probably meant customers built like her, or Al, rather than built like me. We may have disregarded her sterling advice. She also told us they were down to their last portion of mojama, air-dried tuna, on the specials board, and nodded approvingly when we asked to bag it.

That turned out to be an outstanding decision, although in fairness so was practically everything we ordered. So was booking the place for lunch in the first place, come to think of it. I’m used to eating mojama up at the bar in Granada, thick slabs of coarse, salty tuna sprinked with almonds and drizzled with olive oil, as simple as they come. This, by contrast, was gossamer-light, with a judicious single almond, beautifully toasted, per slice and little segments of sweet, sharp orange to improve things still further. My mind may have been playing tricks on me, but I think the whole lot rested on a smudge of houmous. Every mouthful was delightful, and it never lost that sense of surprise: small plates, in fairness, find that easier.

As we rhapsodised Al sipped his white vermouth, I my Asturian cider – yes, we’re those kinds of wankers – and all my cares dissolved; Bedminster wasn’t Granada, not by a long chalk, but it had already earned twin city status, and we’d just gotten started.

Finocchiona, fennel salami, was more about buying well. But COR definitely bought well, and if their menu had listed where they’d got the stuff from I’d have ended up buying well too. It had a wonderful whack of aniseed and I liked it very much – it also wasn’t too ridiculously priced at a fiver. As you will discover, I had trouble finding fault with nearly anything that COR did so I might as well take my opportunity here: only two cornichons? Really? Have a word with yourselves.

That minor disappointment out of the way, the last of our first wave of dishes was also on the specials board and if I eat anything as small but perfectly formed again this year I’ll have done very well for myself. The last time I was in Bristol I was wowed by a canelé rich with honey, whisky and smoke. This time, I was even more dumbfounded by COR’s savoury canelé which came drizzled with a grassy olive oil, tarragon and thinly sliced mushroom. Cutting vertically through it prompted the reveal, that the whole thing had been filled with a creamy, savoury mushroom duxelles which made me beam. This was emphatically not for sharing: Al and I scoffed one each, and I had half a mind to order another after dessert.

Another thing I really loved about COR was that they took our orders and artfully sequenced them almost like a gastronomic mixtape. None of this “your dishes will come out when they’re ready” bollocks that treats you to feast or famine, instead we got things in a carefully structured order that showed every dish off to its best advantage. Take this for example, Jerusalem artichokes fried until golden and sticky-edged and served on an earthy pool of artichoke velouté. It was simply magnificent, and if I couldn’t really detect much truffle in the truffled pecorino I was having far too much fun to give a shit. I have to really fancy Jerusalem artichoke to order it in a restaurant because of its legendary side effects. Here I did it anyway, and the side effects never materialised. That’s what I call winning at life.

Equally delicious was the next dish, slow-cooked pork shoulder crammed into radicchio and topped with ribbons of pickled fennel (and some slightly pointless dill). The pork was splendid, with the texture ignorant people are prone to describe as unctuous. This vegetation-as-taco concept seems to be a Bristolian one: I had something very similar, albeit far smaller, at Wilson’s late last year. But this was the size you actually wanted it to be – and well portioned for sharing. Did I wish I was eating them both to myself? I like to think I’m a decent friend, but yes. Yes I did.

By this point, Al and I were suffused with a warm glow, catching up for the first time in months, enjoying glasses of surprisingly fruity and accessible Cataratto (“do you know, that’s the only wine I like?” said our waitress, charm personified without necessarily realising it). And we got to talking about superlatives: Al has the misfortune to spend some of his time surrounded by people from Gen Z who only ever use one superlative – “stunning” – and use it all the time. About everything. Everything, he told me, is their “new favourite dish”, whether it’s a special occasion or some spaghetti hoops out of a tin. Even hearing about this perpetual state of wide-eyed wonder, I’m afraid, made me want to kick something very hard.

But we were both rather running out of adjectives by the time our next dish arrived. Tropea onions, cooked to soft, caramelised wonder, drizzled with a hazelnut beurre noisette and crispy sage leaves was another knockout, even without the three dollops of goats cheese (Ragstone, apparently) providing a little agriculture to offset the sweetness. I gave Al the spare onion: I told you I was a good friend, although he did let me have the extra Jerusalem artichoke, and I thought that one of the nicest things about sharing dishes is that you can both have virtually the same superlative experience. If there’s a better thing to do with an old friend than go to an excellent restaurant, I’m not sure I know what it is: I know some people like watching the football, or playing squash, or bloody golf, but for me this is as good as it gets.

“Would you describe it as stunning?” I asked. Al grinned.

“Definitely. New favourite dish.”

My new favourite dish – and in fact it stayed that way for the rest of the meal – was the next one. A really generous portion of cuttlefish, cooked sous vide and then finished on the grill I believe, was ludicrously tender and came already sliced into ribbons. I could imagine serving this with ‘nduja, or with salsa verde, but matching it with both, along with some capers, in a dazzling, dizzying tricolore was a stroke of genius. This dish would be at the apex of nearly any meal, and if I could find anywhere closer to home that served something like this I’d be there all the time, even if it was only half as good.

Our main courses involved the only misstep, and by “misstep” I mean “eight out of ten dish”. Al had decided to try the manicotti, a pasta dish, and he was encouraged in this by our waitress when he told her he was torn.

“It’s one of my favourite dishes, it’s like something your grandmother would make.”

“Your grandmother must be a better cook than mine was” I said, fighting back memories of wan fish, floured and fried, served on the kind of brown smoked glass plate every household had in the seventies. Still, she did at least cook proper chips in a chip pan, something nobody does now.

I think the dish was better than anything Al’s grandmothers could have conjured up either, but it wasn’t as much a tour de force as everything else had been. Manicotti are big sleeves of pasta, thicker and bigger than canelloni but the same kind of thing. Whereas this was a single giant tube, folded rather than rolled, and the overall look of it was somewhere between canelloni and some kind of pasta calzone, if I haven’t mixed my metaphors to death by saying that. It was stuffed with ricotta, topped with braised tomato, parmesan and rocket and it managed to look hearty, well-done and somehow unspecial.

“It’s okay” said Al. “It just doesn’t match everything that’s gone before. The braised tomatoes are fantastic, though. I just should have ordered the same thing as you.”

I mean, he should have. Because while I watched him eat a big sheet of pasta with some cheese in it pretending to be a Mobius strip, I was diving into a marvellous piece of onglet, as yielding as you like, with lashings of intense jus and – the icing on the cake – a dauphinoise of interlayered potato and celeriac, all topped with quite a lot of gruyere. It was just the most incredible thing, and when I saw on the menu that it clocked in at under sixteen pounds I thought there must have been a typo.

But there wasn’t. That whole plate of food for sixteen pounds was outrageously generous, charitable even. And speaking of charitable, even this dish had been served in a way that encouraged sharing, with the steak cut into substantial slices. I let Al have as many as he wanted to dull the food envy, because I’m not a monster: I suspect he would have had more, but it would have made the envy worse, not better. He consoled himself with some exceptional hand cut chips, dipped in a tarragon mayonnaise so herb-heavy it was the colour of guacamole. I had some too. Of course I did, it was world-beating.

We’d come all this way, so not having dessert would have been madness. The dessert menu is nicely compact – although they also have a selection of eight different cheeses – and Al had clearly learned from his mistake because, like me, he opted for the chocolate mousse. I think it’s an underrated dessert at the best of times, but this was at the very best of times – a hulking scoop of the stuff, dense yet airy, studded with plates of almond dentelle like the spines of a stegosaurus. That enough would have made it exquisite, but sprinkling it with flakes of sea salt and drizzling it with olive oil was the final touch.

“That chocolate mousse was so good” I told our waitress as she took our bowls away and we sipped our dessert wines (like I said, those kind of wankers), fighting the almost primal urge to order a savoury canelé for the road.

“Thank you so much! I actually made that yesterday, I spend some shifts in the kitchen as a pastry chef. I can’t actually eat it myself, it’s a bit too rich for me.”

I can’t imagine the level of self-restraint involved in being able to make something like that and not eat it, but then that’s why some people are slim and I’m not. Al, on the other hand, eats like a horse and is still as skinny as he was when I first met him about thirty years ago; this is why some people are jammy bastards and I’m not. But anyway, despite being thin, talented and impossibly young our waitress was a class act. All the people who served us throughout lunch were, actually: friendly, passionate about the food, with opinions on all of their favourite dishes, they were a real credit to the restaurant. How does anywhere get this good after just four months? It was quite miraculous.

Our waitress asked where we were from, and I mentioned Reading, and she proudly told us she’d been there. Once. Then of course the truth came out, that she’d passed through it recently on a train to London to watch a gig. It was the first time she’d ever been to London on her own, she said, at the tender age of twenty. And suddenly Al and I felt very old indeed, and seized with a sneaking suspicion that we should hightail it out of Bedminster and find an old man pub to hunker down in to carry on our gossiping session. The natural wine bar would just have to wait for another time. Our meal for two, with a very richly deserved service charge included, came to just under a hundred and ninety pounds. There was literally nothing to begrudge, except any of their punters who only paid ten per cent service.

As I was writing this review, I messaged Al, mainly to reminisce about what a phenomenal meal it was. What a stunning array of dishes I sent him, hoping to get a cheap laugh.

“One of my objections to the S word is the cognitive dissonance” he replied. “Stunning implies losing your senses, but with food that good your senses are very much alive. Sorry, you can tell I’ve thought about this too much.”

He’s right, though. What I loved about COR the most was having my senses awakened and reawakened time and again over the course of such a glorious lunch – old favourites, new combinations but always real integrity and imagination. Nothing was boring or humdrum, which I can say because I didn’t have that pasta dish, and in terms of the sheer number of hits I think it ranks as one of the best meals I can remember, at home or abroad.

I’m sure you know the drill by now with this kind of review. Bristol, Bristol, Bristol, hyperbole hyperbole hyperbole. But I like to think I’ve been here enough to sift the hypebeasts from the real contenders. The last time I was in Bedminster I ate at Sonny Stores, which was raved about by literally everybody but left me cold. And the last time I was in Bristol I went to Wilsons, which I raved about to literally anybody who’d listen.

And positioning COR relative to those two is pretty easy – it is miles better than Sonny Stores, a neighbourhood restaurant with a touch of the Peter Principle about it. But actually, although the number at the bottom is marginally lower than the one I gave to Wilsons, if you’re only having one meal in Bristol I would go here instead. Wilsons is a take it or leave it menu, a set seven courses, and when it’s on form it’s incredible. But I have friends who went there off the back of my review and although they loved the flavours, they found it a carb free zone and, I’m sorry to say, they left hungry. That will never happen to you at COR, and you will have an awful lot of fun deciding exactly how you want to become full. That’s what restaurants should all be about.

And how does COR compare to Reading restaurants? There’s nowhere in Reading even remotely like it. That is, and continues to be, the problem. You might get bored of hearing me say so, but it’s important to have goals. Reading’s should be to attract at least a couple of restaurants in approximately the same ballpark as this. I really hope it happens. It’s starting to get a tiny bit embarrassing.

COR – 9.5
81 North Street, Bedminster, BS3 1ES
0117 9112986

https://www.correstaurant.com

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Restaurant review: Asado, Bristol

The venue for this week’s review was partly chosen as a result of circumstances: our train back from Bristol left mid-afternoon on Sunday, so we needed somewhere that would do a good lunch but not necessarily a leisurely one. For me this is where casual dining so often comes into its own, when you want something decent but not too expensive, briskly paced but not fast food. And this being Bristol, even that sector of the market is awash with attractive, interesting options so you never have to opt for the comfort zone of a chain restaurant. Could Asado, a burger restaurant at the top of the Christmas Steps, be the answer?

That arguably undersells Asado’s standing though, as if I’d merely looked at a map of the city and tried to find something affordable within walking distance. In fact, it has built a formidable reputation since it opened five years ago, with many people thinking it arguably does Bristol’s best burger (a title awarded to it last September – although only by the local Reach plc website, so perhaps not carrying that much cachet after all).

Its pedigree is decent too – the owner is an alumnus of Patty & Bun, who for my money served probably the best burger I’ve ever had. He moved to Bristol determined to offer something a little different, and Asado’s selling point when it opened was that the burgers were cooked over a wood-fired grill. The menu also had a mixture of traditional and South American influences, and the hype was considerable: this was back when Bristol had quite a few restaurant blogs, although the last review of Asado I can find from anywhere is nearly four years old.

Having survived the pandemic Asado made a properly leftfield move when it came to expansion – the owner decided to move to Barcelona, so they just opened a second branch there. As you do. There’s something quite admirable about that – I know we often look at restaurants outside Reading and wish they’d expand in our direction, but given a choice between, say, the Ding and Barcelona who can blame them for heading south?

Anyway Asado seemed to be thriving in its original branch, and although we were the first customers there when it opened at one by the time we left plenty of the tables were occupied with groups, big and small, working their way through the menu (and drinking cocktails in many cases, which made me feel about a hundred years old).

The restaurant is made up of two rooms – a narrow front room, also home to the bar, which has a snugger, more conspiratorial air and a back room which feels more open and spacious due to a lovely big skylight. Furniture was the kind of standard-issue mixture of distressed chairs and what looked like old school chairs, and the overall effect was a little like a classier version of Bluegrass BBQ. We sat in the back room, and what it gained in natural light it lost because of a certain lingering chilliness.

The menu was encouragingly concise, with a limited number of variations on a theme. So you can have the beef burger as it comes, or enhanced with pulled beef, pastrami or skirt steak. The chicken burger either comes with guacamole and chipotle mayo or with hot sauce (Warning! Hot is very hot, the menu said) and blue cheese dressing. There are two options for vegetarians, with the burgers made by Huera – from pea protein, as far as I could tell by Googling – with pulled jackfruit if you fancy it.

Both of those can be made vegan by request, although you miss out on the West Country cheddar: Asado makes much of using proper local cheese rather than plastic American slices. Burgers tend to range from fourteen to eighteen pounds and come with fries and slaw, and you can double up anything apart from the chicken burgers for three quid.

As is generally the case with this kind of restaurant the smaller dishes were labelled as sides rather than starters, although the woman serving us did give us the option of having them separately as starters if we wanted, a nice touch. Service, incidentally, was superb, bright and enthusiastic; she started out by complimenting Zoë’s make up, which is a great way of getting anybody on side. From what I could tell she was bilingual as well, because the Spanish names of our dishes were pronounced flawlessly and I’m pretty sure I heard her talking to a neighbouring table in Spanish.

She brought over a couple of beers for us – the draft beer here is by local New Bristol Brewery – and from that point onwards I felt in very capable hands. We tried the table beer, Three Falling (it’s three per cent ABV, you see) and I thought it did a great job of packing a lot of flavour into a pretty sessionable strength. By that point in the weekend I was simultaneously sworn off drinking for quite some time and thinking three per cent is hardly booze at all: it’s surprisingly easy to hold both those ideas in your head at the same time.

If I had a fiver for every time I’ve written Zoë ordered better than me on this over the last four years, I could probably review quite a few restaurants in 2023 without putting my hand in my pockets. And so it proved here, because the Pollo Libre, Asado’s (more) basic chicken burger, was fantastic. A lot of hefty chicken thigh, fried in a nicely seasoned, crunchy and craggy coating, would have been pretty unimprovable even on its own, but the extras took it just that little bit further. “This guacamole is great” said Zoë, “and it’s positively singing with lime”. I was allowed a bite, which was enough to confirm that she was right and to make me slightly regret my own choice.

I’d decided to go for the entry level burger, the eponymous Asado. It’s the most stripped-down one they do but it still has plenty going on with the patty, that West Country cheddar and plenty of different sauces – chimichurri, confit garlic mayo and ketchup and some pickled red onions on top. And I liked it just fine, but it didn’t blow me away as I’d hoped. Part of that might just be expectation management: I thought that the burger itself would have a wow factor from having been grilled over fire but I didn’t get a huge amount of char or caramelisation, or the smokiness I was expecting. And it didn’t feel to me like all those sauces were working in harmony – less might have been more, in that respect. I liked it, but I didn’t love it.

Credit to them, though, for making a burger that you could just about eat without unhooking your jaw, in a not-too-sweet brioche that had the structural integrity to keep it together. Perhaps I should have had it with extras, but I wanted to think that the burger could stand on its own two feet without that. Instead I had some of the smoky pulled beef on top of my rosemary fries and it was positively transformative – a beautiful tangle of savoury, smoky and sweet strands of slow-cooked beef that quite made my afternoon. You can have these on your burger if you order the El Don, and next time I probably would. The slaw, which was dressed rather than with mayo, felt a little underdressed and felt like it was there mainly for appearances. It did look pretty, though.

If that was the whole story, it might have been a little underwhelming but it was the sides and the extras that lifted Asado into more interesting territory. I’ve already raved about the pulled beef, but I also adored our grilled courgettes. Asado used to do courgette fritti but this was much more vibrant and interesting – batons of courgette just-cooked but blackened on the outside, striped with a well-balanced sriracha mayo. More virtuous than yet more fried stuff, but still indulgent. I could have eaten a bucketload more of this.

Speaking of fried stuff, the sides and bar snacks section of the menu featured croquetas with more of that pulled beef in them and morcilla nuggets – breadcrumbed spheres of black pudding fried until crispy and dished up with a chimichurri mayo. The latter are three pounds each or four for eight pounds fifty, and when we only asked for a couple the waitress asked if we were sure. And when we said we were she took our order, although I wish with hindsight that she’d said “Seriously, you should reconsider: they’re fucking amazing”. Because they were – the perfect snacking size, possibly two bites maximum of deep, delicious black pudding only slightly lightened by the mayo. If I’d known how manageable they were, I’d have ordered four. To myself.

And if I’d known how small they were, I would have made room for the four morcilla nuggets by passing on the chicken wings. They were decent enough, although again the smoke didn’t really come through on them at all, and I loved the sweetness of the pineapple and agave glaze, with a little heat. But they reminded me of everybody I’ve ever worked with who had short man syndrome: small and stubborn, to the point where however nice they might be you did find yourself thinking is this worth the effort? On balance, perhaps not. I could have had some of those pulled beef croquetas instead, or saved room for dessert. There’s only one on the menu, a passion fruit cheesecake, but I bet it’s marvellous.

With us done and dusted, all that remained was to settle up. Our meal for two with a couple of pints, probably more sides than we needed and including a needlessly low ten per cent optional tip, came to just over seventy six pounds. We were out the door more quickly than planned, so we wandered across to Bristol’s branch of C.U.P. on Park Street, a little slice of home from home, and sat outside with one of their peerless mochas, looking down the hill and imagining what it would be like to live in Bristol. Would it still be so amazing then, or is the grass always greener at the other end of the M4?

Summing up this review is difficult. My Bristolian readers (and it seems I have more than I thought) will probably already know about Asado and have firm opinions about it. Especially if they also read Bristol’s Reach plc website, which looks almost as trashy as ours. And for the rest of you, it’s a little more difficult. If you are absolutely mad about burgers I would say yes, you should definitely go. One of the best burger restaurants in Bristol is very likely, on paper, to be one of the best in the country. And if you happen to be in Bristol and you want a quick meal, not far from the train station, it’s very easy to give Asado an unqualified recommendation.

Is it enough to build a visit to Bristol around the way that, say, Wilsons, Marmo or Caper and Cure are? No, probably not. But that’s no bad thing. Not every restaurant can be Lionel Messi. Somebody has to be Luke Shaw, and there’s no shame in that. And it’s definitely a level above Honest, which is most people’s Reading benchmark.

“I saw you went to Wings Diner” said Gurt Wings’ James when I went to Blue Collar the following Friday for my regular dose of his Japanese fried chicken. That figured: Mr Gurt always has an eye out on Instagram and never misses a trick so he’d seen all my meals in Bristol, even the ones I didn’t write about.

“Yeah, it was really pretty good. Especially the Korean dip.”

“You know where you should go in Bristol? There’s a place called Seven Lucky Gods and their Korean fried chicken is out of this world.”

See? It never ends. Nonetheless, I made a note for next time.

Asado – 8.2
90 Colston Street, Bristol, BS1 5BB
0117 9279276

Restaurant review: Wilsons, Bristol

I’m sorry to start proceedings with what looks suspiciously like a humblebrag, but last month I was on holiday in Belfast and as a treat, we booked a table at Ox, one of the city’s Michelin starred restaurants. But it was a hugely disappointing evening, which will please those of you who don’t like humblebrags. Everything was not quite right; nothing was actively terrible, but the whole thing felt far from optimal. We left underwhelmed, slightly peckish and feeling as if our wallets had been mugged in a dark alley, and wandered away from the scene of the crime in search of a pint.

I’ve never understood people who collect Michelin starred restaurants – too humblebraggy even for me – or restaurant bloggers who loftily describe meals they’ve had as “easily one star food”, as if somebody died and promoted them to inspector. Get over yourselves: it’s just one set of opinions, from an organisation so shrouded in secrecy and obscurity that they make the Freemasons look like the Good Law Project. For what it’s worth, I’ve always thought the Bib Gourmand is a better indicator that you’ll have a good and interesting meal.

The subject of this week’s review is Wilsons, a little restaurant in Bristol which doesn’t have a Michelin star, but which served me one of the very best meals I’ve had in the last five years. Not only did it get everything right that Ox got wrong, but it made me think about what excellence in restaurants really means – and how little of it has anything to do with being fancy.

Take the room, for example. At Ox, we walked past the lovely, twinkly, atmospheric downstairs room – which had free tables in it – only to be walked up the stairs to an unlovely mezzanine floor, all hard surfaces and dead air, the overflow car park of hospitality. It was boiling hot, the aircon stayed resolutely switched off and even blowing out the candles didn’t seem to alert the staff to what a stuffy, unpleasant place it was in which to have a meal. Wilsons has just the one dining room. It’s plain, simple, dignified and stylish with nothing on the walls except chalkboards and a lovely stained glass sign hanging in the full-length window. Good restaurants, ideally, have no shit tables. Wilsons has no shit tables.

This extended through to the menus. Ox doesn’t have a menu, so you are surprised on the night. Instead, they hand you a rather pretentious-looking sheet of paper which lists all the elements and ingredients that will feature in your meal, without telling you how or where. The menu is on their website, so even as gimmicks go, it’s pointless. Wilsons also offers a single menu but it’s written on the chalkboard each day for everybody to see. You can have the whole lot for sixty pounds – twenty pounds less than Ox – or a stripped-down version at lunch for twenty five quid (I read a review where someone said “that’s less than you’d spend on a pair of socks”: I’m as fond of conspicuous consumption as the next person, but what a knobber).

A mystery menu wouldn’t be a problem if the service brought the meal to life. Again, Ox was disappointing: everything was mechanical and muted, and much of it was hard to hear in that unforgiving and joyless space. Detail was scant, and there was more warmth in the room than in the welcome. And again, Wilson’s was outstanding. All the staff abandoned zonal marking for the hospitality equivalent of total football, which meant that our dishes were brought by a huge variety of friendly faces.

All of them could talk with huge knowledge and enormous enthusiasm about every single detail of every single dish: a better reviewer than me would have taken notes. On another night in Belfast we went to Edo, an incredible tapas restaurant and our waiter, almost immediately after we took our seats, said “well obviously I know the menu inside out so I can answer any questions you have”: that’s how you do it.

The food at Ox was also muted and bland, but that’s quite enough talking about restaurants other than Wilsons. Let’s talk about their food instead, because everything was stunning, more or less. We went for the full monty, and it started with a beautiful, clever piece of work – a gorgeous feather-light gougère packed with cheddar and leek and topped with a little beret of pickled onion purée. The whole thing imploded in the mouth leaving nothing but joy, an accomplished disappearing act.

Bread was made by the restaurant and came to the table still warm with a puck of butter which the restaurant cultures itself. This was accompanied with a vivid little dish of cod roe, pastel pink with a little iris of bright herb oil. There was powdered something-or-other on top, and if I’d made notes I’d be able to tell you what it was. All of this was lovely, incidentally, although the bread was sliced a tad too thick which made it difficult to use all the butter and cod roe. Zoë ran her finger along the bowl, and I pretended to be shocked.

At the same time, we had one final snack which the wait staff playfully described as a taco – a chicory leaf with chicken liver parfait, preturnaturally smooth, topped with powdered beetroot and the pop of toasted pearl barley. So much effort gone into making something so small, gone in an instant but remembered for days: truly magical stuff.

The next dish was one of the best things I ate that day, which makes it one of the best things I’ve eaten full stop. A savoury custard made with squash was sweet, glossy and perfectly spiced. Again, texture and pop was beautifully added with seeds, toasted in some of the same spice mix. But then the other elements added layer on layer of complexity and cleverness – tiny shimeji mushrooms, pickled in sherry vinegar, and a mushroom consommé poured over at the table, submerging the custard under something phenomenally savoury. Again, if I’d made better notes I could tell you what the leaves were: sorry about that.

By this point we were a couple of glasses into a fantastic bottle of natural Gruner Veltliner (the same one, actually, that I’d had at Goat On The Roof: it’s far more attractively priced at Wilsons) and I was already beginning to realise that this food was like very little I’ve eaten in other restaurants. I couldn’t recall anywhere I’ve eaten where the flavours were so pinpoint, where things had been so refined and perfected to make everything taste of its truest, best self. And as it turned out, I hadn’t seen anything yet.

Next to come was possibly the most disappointing course. Jigged squid – I have no idea what jigging is, and this time it’s not because I didn’t take notes – came in a rich and salty broth with rainbow chard. The squid, cut into ribbons to resemble udon, was among the freshest I’ve had and this dish made me love rainbow chard, something beyond the talents of most kitchens. The broth bringing it together had absolutely everything, and again it was that precise, super-concentrated hit that makes you sit up and pay attention, eat more slowly, take it all in. But this was the first time a portion felt stingy and doubt crept in: four ribbons of squid, and it’s not a good sign that I counted them.

Was it enough to dumbfound your tastebuds if you left a restaurant hungry? And yet my tastebuds were so dumbfounded – not least by a little tuile made from squid ink, as black as night and dotted with herb emulsion (I probably should have mentioned that much of the produce Wilsons use comes from their garden). It was a perfect mouthful, in a meal full of perfect mouthfuls and in a world where the word perfect is much devalued, not least by me. “It’s like the best crisp ever” said Zoë, who usually sums these things up better than I do.

More was to come, and the fish course proper was a proper marvel. A little cylinder of pollock, a notoriously recalcitrant fish, was cooked bang on and topped with another symphony of herbs, alongside a silky parsnip puree, the whole thing bound together with a superb vin jaune sauce which delivered more salt and less funk than I was expecting. I’ve talked about the half-life of dishes before and this had a long one – each forkful carefully calibrated to prolong the enjoyment. But again, the lack of carbs troubled me. What was the point of these beautiful sauces, dips and oils when there wasn’t always the substance to transport them into your gob?

I should have trusted in the process, because the next course made everything right. Crown of pheasant, cooked and then, I think, finished on the barbecue, glazed with some kind of emulsion and dotted with the smallest, punchiest capers I’ve ever eaten was a thing of rapture, as was the pheasant sauce and the wedge of just-cooked cabbage (there was also something called Tokyo turnip, but I thought that was a Steven Seagal film so what do I know?)

But where are the carbs? you might ask. But this is where Wilsons completely won me over by bringing a bowl of the best mash I’ve ever eaten. It was, the waiter told us, fifty per cent potato and fifty per cent butter. He also told us this is the only way to have mash, and I fear he might be right. It’s profoundly ruined me for other mash: I’ve already used the words ‘silky’ and ‘glossy’ in this review, so to save me reaching for the thesaurus let’s just settle for ‘exceptional’ here.

And there was still time for one more extra, one more whistle and bell to show that the kitchen left no stone unturned. We were also brought two pieces of what the waiter called “Kentucky Fried Pheasant”, little nubbins of pheasant thigh coated in the restaurant’s secret blend, deep fried and then drizzled with a ranch dressing including some of the same spices. You might wonder who goes to all that trouble, and I wouldn’t blame you. Wilsons do, that’s who. I may never get to try Eton Fried Swan (once we have a republic I really think this is a franchise that could take off) but until then this will tide me over nicely.

Having had some of the best, most interesting courses of my restaurant-going life, presumably things would dip for dessert, right? They so often do, after all. Well, think again: Wilsons’ dessert was also a desert (or even dessert) island dish. On paper it just sounded weird – celeriac, fermented honey and truffle. And it might not have been to everyone’s taste, but it absolutely knocked my socks off. The celeriac was an ice cream, more a semifreddo really, with a pool of fermented honey lurking in its hollow. All around it were toasted grains adding crunch and sweetness, and then on top were little truffle shavings.

I don’t know who thinks to put all those flavours together, and it’s a highwire act where any of them could have backfired. But none of them did, and this is the dish, more than any other, that I’ve thought about since that meal. I’ve had parsnip ice cream before but never celeriac, and it worked better than I thought it would. But what I loved was the harmony. Truffle isn’t a team player, nor is anything fermented. But the kitchen deftly drew all of that together into something delicious, remarkable and perhaps slightly mad. And yet not a note was out of place.

Now in Michelin-land, if they haven’t given you a minuscule pre-dessert they tend to send you on your way with some petits fours. They’re not big but they are clever, and they’re another way of making you feel like you’ve had something for free even though all of that luxe is very much priced in. So I adored Wilsons for instead bringing over a hulking great canélé de Bordeaux for each of us.

Now, I’ve had these many times because Reading is lucky enough to have Davy of Wolseley Street Bakery fame, and this is one of his specialities which he supplies to various places, most notably Geo Café. I like a canélé. But this was a completely different beast, and I wasn’t in Kansas – or Caversham – any more. This had been elevated with whisky and tonka, and the sweetness and richness was like little I’ve experienced. This level of sensory opulence is something I associate more with fragrance than with food, and I can’t put it more strongly than this: if somebody sold an eau de parfum that smelled how that canélé tasted, I’d buy a bottle. They were so good I can even forgive Wilsons for putting the napkin underneath them, although I still think that’s baffling.

My meal – two aperitifs, a bottle of wine and all those terrific experiences and memories – came to two hundred pounds including service, and I’d do it all over again in a heartbeat. If Wilsons did vouchers I’d just ask for some for Christmas, and as it is I’m struggling to imagine going to Bristol without eating there again. More to the point, I’m wondering how quickly I can justify going back. As it was, we left knowing it would take a while to process just how good our meal was, and fell into a beautiful nearby pub called the Good Measure which, as luck would have it, was doing a tap takeover by our very own Siren Craft. It was Friday afternoon, I was full and happy and I’d had a miraculous lunch. Life rarely gets much better.

I’m sorry-not-sorry for putting you through this catwalk show of beautiful dishes and purple prose. Sorry because it’s a lot to rattle through, and also arguably sorry if I’ve made you hungry (although, also, not sorry: this is what restaurant reviews should do). Sorry that I’ve rhapsodised about a restaurant that’s a train and bus trip from Reading. But also not sorry, because this is one of the best restaurants I’ve been to in years of trying, and that deserves to be mentioned. I’m sorry because Reading doesn’t have somewhere to match Wilsons and, in fact, I don’t think it ever has. But I’m also not sorry because when people ask me what Reading needs I might stop talking about tapas restaurants, ice cream cafés and good wine bars and just say: it needs somewhere like Wilsons.

Wilsons – 9.6
24 Chandos Road, Redland, Bristol, BS6 6PF
0117 9734157

https://www.wilsonsbristol.co.uk

Restaurant review: Caper and Cure, Bristol

I don’t know how many restaurant reviewers you read – apart from yours truly, naturally – but the shocking truth is that I don’t really bother with any of them. I’ve no interest, for instance, in reading Giles Coren wanking on in his Corenesque way about another country pub near his house in the Cotswolds, peppering it with his usual contrarian casual racism. If I want to be bored shitless by an edgelord, I’ll just fire up Twitter.

That’s rich coming from me, I know. The irony isn’t lost on me, and if everybody thought the way I do I’d probably have the grand total of about three readers. But there you go: with some of the big names I have a peek to see where they’ve reviewed, and I might scan through to see if they liked it – if it’s somewhere I might one day go – but beyond that I don’t really pay much attention. 

So for instance I know that Grace Dent from the Guardian had a meal in Maidenhead not too long ago that she really enjoyed. As a result I’ve added the venue to my to do list, but I won’t be poring over her deathless prose line by line before I go. Similarly the subject of this week’s review, Caper and Cure, received rave reviews in the Sunday Times and the Financial Times recently. I didn’t read them (because paywall, Rupert Murdoch etc.), but when I happened to be in Bristol for the weekend I made a beeline there to see what the fuss was about.

And yes, that means another Bristol review, which in turn means that some of you will look away now – or, more likely, didn’t click on the link in the first place. But I make no apologies, because for many years now Bristol has had, for my money, the most interesting food scene in the U.K. Cities and towns like Brighton (back in the day) and Margate always strike me as trying to be London-on-Sea, but what I love about Bristol is that it ploughs its own furrow, with no interest in being anything other than itself. 

Places that want to develop a food culture, like Reading, could learn a lot from that: if we got even a fraction of the kind of restaurants in our town centre that Bristol seems to say hello to every month, we’d be a much richer place for it. Besides, it’s just over an hour away by train. 

So Zoë and I turned up on a Saturday lunchtime to check it out. Caper and Cure is in Stokes Croft, a short stroll from Cabot Circus, the city’s main mall, at the point where Bristol starts to get properly lively and interesting. Beyond Caper and Cure, Stokes Croft becomes the Cheltenham Road and then the Gloucester Road, a fascinating indie-land of bars and restaurants, shops selling every kind of beer or wine and charcuterie (and a special prize surely has to go to the splendidly named Bristanbul, a Turkish bakery).

On the walk to the restaurant I saw the parts of this area that have defeated gentrification: the patch of land called Turbo Island still sports a couple of shabby sofas whose best days were decades ago, and the people sitting on them were already a few cans of lager to the good by early afternoon. The last time I was here I had a fantastic brunch at nearby Jamaica Street Stores: it closed last month after five years, partly because of growing issues with Turbo Island.

But Caper and Cure, a handsome blue and gold fronted restaurant on the corner, still felt relatively genteel; Stokes Croft institution Café Kino is next door, and the gorgeous Elemental Collective sells coffee and pastries the other side of the road. The building Caper and Cure is in used to be a chemist, back in the Twenties, and the room retains exceptional bones – generously proportioned floor to ceiling windows letting in tons of light, and a compact, almost-triangular dining room with about twenty covers. 

A fetching button-backed banquette ran along one side – we were seated at the slightly less attractive tables on the other side of the room, but it didn’t feel like there were any truly duff seating choices. There was a small counter at the back, the open kitchen beyond, and along one wall was a map of Europe showing the provenance of some of the ingredients used in the kitchen: a nice touch. Why was Bristol so good at making excellent dining rooms and kitchens out of such modest spaces, and why had none of that genius ever made it down the M4 to us?

For that matter, why were Bristol restaurants so good at putting a menu together which was simultaneously compact but where you wanted to order everything? Four starters, five mains, three desserts, a cheeseboard and a couple of specials. Starters around a tenner, mains fifteen to twenty quid, desserts maxing out at eight pounds. Absurdly streamlined, really, compared to the overkill of so many restaurants, and yet I could have ordered any combination of dishes (I should mention, too, that this being Stokes Croft vegetarians and vegans also had decent, imaginative choices). There’s a real talent to assembling a menu like this, to hitting all the bases and keeping it lean and appealing, and I for one wish more restaurants had it.

But before we made those agonising yet enjoyable decisions, we tried a couple of things from the snacks section of the menu. Cauliflower cheese croquetas were a real piece of wizardry, with spot on crunch and the smoothest, glossiest core, tangy with cheese and the sweetness of cauli. Each of them sat under a little Johnsonian toupée of Parmesan, each was stupendous. A ridiculous five pounds for these, and it took all my strength not to order more. 

But even better was the sourdough with jamon butter. The words “jamon butter” rather sell short what you got, a quenelle of salty, savoury spreadable jamon with a texture somewhere between whipped butter and rillette. It was one of the most moreish things I’ve eaten in years, and if they’d sold it over the counter I’d have walked out of the restaurant at the end of my meal with a tub of the stuff the size of my head, knowing full well that it wouldn’t survive the rest of the weekend. 

The bread that came with it was decent enough, but its one role was to provide a vehicle for eating the jamon butter that was more civilised than just devouring the stuff with your bare hands. If I’m being ultra-critical, one of the slices of bread was as much air as bread and if I’d been in the kitchen I wouldn’t have served it. But it upped the jamon butter to bread ratio, so it wasn’t all bad.  

A high standard had been set, and the starters just vaulted over that as if it was nothing. I’d chosen the sweetbreads, because I love them and they don’t turn up on menus in this country anywhere near often enough. Caper and Cure’s might well be the best I’ve ever had: pert and tender, in a dish where they played the starring role but with excellent support. That meant fresh, nutty peas, translucent slices of radish and some braised baby gem, but more importantly it meant a chicken butter sauce bringing the whole thing together triumphantly. It supplied another intense umami hit, fortified with little nuggets of pancetta just in case you weren’t having enough fun already. 

As we discovered over this and our other dishes, Caper and Cure specialises in those high-gloss, super-reduced sauces that speak of patience and expertise. Having finished my starter I was frustrated to see far too much sauce still in the high-sided bowl, but without prompting one of the wait staff asked if I needed some more bread. I didn’t think twice, and Caper and Cure’s bread with the remnants of my chicken butter sauce was, on its own, tastier than ninety per cent of the starters I’ve eaten in nine years of writing this blog.

Zoë was equally happy with her decision to order the burrata. It’s an ever-present on menus now, but I doubt many restaurants pair it with tomatoes quite as good as these (from the Isle Of Wight, of course). And more importantly I doubt many restaurants plonk the whole thing on their own exemplary tapenade, with the perfume of deep purple olives. I had a forkful of this, and although I couldn’t have not ordered the sweetbreads it also had much to admire.  

By this point I knew beyond doubt that we were in very good hands, and the only remaining question was just how special the rest of the meal might be. Our main courses answered that question emphatically. Hake, one of the two market fish on the blackboard, was cooked just right and perched on top of an absolutely glorious layer of pickled fennel, just sweet enough and just sharp enough: I’ve never had pickled fennel before, and now I’m just counting the days until the next time. 

A tangle of samphire heaped on top added a little saltiness and if the skin wasn’t as crispy as I’d have chosen, that was probably because the whole thing was swimming in a superbly glacé lobster sauce. It wasn’t all perfect, mind you; I’d personally have liked the orzo, the base of the dish, a little closer to al dente and the lobster sauce was more muted than it could have been. But those would have been minor niggles at the best of times: on such a successful plate of food, coming in at a ludicrous twenty-one pounds, they were just the only things I could find that fell short of flawless. It was still one of the most marvellous dishes I’ve eaten all year.

Zoë had absolutely no reservations about her rump of beef, and the couple of forkfuls I had were easily enough evidence to understand why. It was a beautiful piece of meat, cooked medium-pink but with a nice crust, but again it was all about how that ingredient played nicely with the delightful company it was keeping. In this case that meant another sticky, glossy sauce – peppercorn this time – little puddles of onion purée and banana shallots, also with a little char. And to add a little ballast, a perfect slab of Pommes Anna, as enticing and multi-layered as a great novel. This might have been one of the most marvellous dishes I didn’t eat all year, but at least it went to a truly deserving home

We had some Parmesan and truffle fries with our mains – completely unnecessary but also impossible to resist – and they were themselves a fascinating experience. It’s a dish that crops up on menus a lot lately, from Buon Appetito to the Last Crumb and beyond, but in most places it’s a way to tart up bought-in French fries and flog them for a fiver. Here they were the real deal, and when we’d finished our mains and used the fries to clean up the last of our respective sauces we picked at the rest with slightly oily fingers and glad hearts.  

Dessert was the point at which things stopped being spectacular and settled for merely being rather good: technically there are only really two desserts on the menu along with a couple of cheeses and chocolate sorbet with coffee liqueur which felt like a distant cousin of the affogato. I rather liked my panna cotta, which had a pleasing wobble, tons of crumbled pistachio on top and a moat of strawberries and sweet syrup. But the advertised wild honey was the quietest of whispers, and without it the whole thing felt a little run of the mill.

I thought Zoë chose better than me, but she wasn’t wild about her choice either. A rum brûlée was served denuded of a ramekin – how often does that happen? – with plenty of pineapple and coconut sorbet. I liked it, although again the rum was a little muted, and I thought it all worked well together. Zoë was less convinced, and I think on another day would have had the chocolate sorbet. But we were both being restrained, with a boozy evening ahead and (in my case) a gin sodden one behind me, so we steered clear of booze.

That means I can’t tell you anything about the wine list, which is a matter of some regret for me as it had plenty to appeal – and three special wines available by the glass, including a Georgian orange wine by Tbilvino which sounded well worth trying. But instead I’m afraid we were well behaved – I had a very good alcohol free pale ale by local Bristol Beer Factory and Zoë had soft drinks. Next time I go, which I anticipate will be the next time I visit Bristol, I’ll try it properly.

I haven’t really talked about service, but it was very much of a piece with everything else: smooth, efficient, friendly and good at making everything look easy. Offering me some bread with my starter was a great example, but really the whole thing seemed effortless. Caper and Cure wasn’t as busy as I expected but it had a real mixture of tables and types of diners, with more people coming in for lunch as we were leaving, and the whole thing had a nice flow and rhythm to it. I imagine it would be a truly enchanting place to have a boozy evening meal with friends, and next time I go there that’s exactly what I plan to do.

Our bill came to a hundred and twelve pounds, including a twelve and a half per cent service charge, and when the owner came to take our payment I pointed out that they’d slightly undercharged us. Before we left he asked where we came from, and if he was fazed that people had come all the way from Reading he concealed it well; I looked him up afterwards, and it turns out he’s also a professional actor (“you can just tell” said Zoë as we ambled up the Cheltenham Road in search of caffeination).

This is the second critically acclaimed Bristol restaurant I’ve visited this year, and the contrast with Sonny Stores couldn’t have been more marked. Restaurant critics like to talk about Bristol growing these restaurants – small, unpretentious places with short, magnificent menus and interesting wine lists – as if in a laboratory. And it’s true that the place is a Petri dish for culinary creativity, more than anywhere I know.

But I think it doesn’t do Caper and Cure justice to make it sound like just the latest place to fall off some gastronomic assembly line. There’s something uniquely special about it, and re-reading this review I’m not sure I’ve truly captured it in what I’ve written. It’s worth going to these places, even if they’re an hour and a quarter away by train, to remember what we have to aim for in Reading and that for all the Kungfu Kitchens, the Bakery Houses, the Lyndhursts and the Clay’s we still have some distance to travel.

If a restaurant like Caper & Cure opened in Reading it would be packed to the rafters every night and lauded as far as the eye can see. And yet in all the time I’ve been writing this blog, the best part of a decade, nowhere even slightly like Caper and Cure has opened here. At some point, we might all have to stop and think about why that is. Reading has the money, it has the prosperity and it has a discerning demographic. Why don’t we have the restaurants?

Caper and Cure – 9.2
The Old Chemist, 108a Stokes Croft, Bristol, BS1 3RU
0117 9232858

https://www.caperandcure.co.uk

Restaurant review: Cotto, Bristol

I know, I know, another Bristol review. I’m sorry. This is meant to be Edible Reading, you might say. Why doesn’t he stay in his lane? Or perhaps you’re one of the If you like Bristol so much why don’t you live there brigade. I do understand, and I know a fair few people take a week off reading the blog when they see the name of the new post and realise it has a place name in the title, the name of Somewhere Outside Reading. I get it.

But the problem is that, when you write about food – or even if you don’t – you want to try the very best stuff. And when eating out is a passion you plan your holidays around it, your weekends around it. I’m away in a couple of weeks and the process is always the same: book the flights, book the hotel and then book the restaurants. And then you have to go through the usual dance: how many meals out is too many? Is two in a day overkill? Maybe your holidays aren’t like that, in which case I simultaneously envy you and think that, on some level at least, you’re missing out. You probably go to more galleries and museums than I do on a city break, to be fair.

And the thing about the very best stuff is that you – by which I mean I – actively want to write about it. Take the violet aubergine caponata I had as part of my lunch at Cotto, a restaurant in Bristol’s old city, a stone’s throw from the food market. I’ve had caponata before, but nothing that matched this. Everything was in high definition – the aubergine sweet, sharp and comforting all at once, the basil perfumed, the olive oil grassy and the pine nuts a joyous surprise in every forkful. Each flavour was somehow separated out and distinct, the gastronomic equivalent of listening to a well produced record on very expensive headphones. You might not give a monkey’s, but how could I not review that?

I’m probably getting ahead of myself by starting there, but given that I’m not usually a Bristol reviewer and you’re most likely not a Bristol reader I can probably skip the preamble with all the namedropping. The bit that talks about Cotto being the latest in a group of Bristol restaurants, the Bianchis Group, and mentions all the others (spoiler alert: I’ve not yet been to any of them). And I could tell you the name of the chef – I know some reviewers really start dribbling at that point – but it didn’t mean anything to me and it probably wouldn’t to you either.

I mean, why should you care? I’d heard good things, so I thought I’d check it out for lunch while I was spending a few days in Bristol and I’m writing it up even though it probably won’t interest many of you. I’m selfless like that.

It was a lovely dining room. From the photos I’ve seen it looks lively in the evenings, with a certain convivial glow. But stopping there on a Friday lunchtime, the room less than half-full, it had a wonderful serenity – all muted terra cotta walls, framed cartoons and Robin Day polyprop chairs (they’ve come up in the world since my generation perched on them in double maths back in the Eighties, that’s for certain). 

It bills itself as a wine bar and kitchen, and you could sit up at the bar looking out on St Stephen’s Street with a glass and a small plate, I suppose, although given how good the menu looked that would feel a bit like having half a wank. It was all tempting, to the extent where the difficult part wasn’t choosing what to eat but what to forego; on another day I’d have wound up telling you all about the coppa and pickles, the vitello tonnato, the fermented courgette with hot honey. 

But in this parallel universe I tried that caponata, and I could hardly complain. It cost six pounds fifty, fifty pence of which went to one of the restaurant’s chosen charities. There were three dishes marked as including that contribution and one of the others was the bread and butter – four slices of decent, robust sourdough which maybe felt slightly steep at just over four pounds. It was however vital for sauce moppage (it’s a word now: I say so) so what can you do?

The bread also came in handy for our third starter, from the specials board. I read somewhere that Cotto cures its own charcuterie and makes its own sausages, and on this showing that involves some real talent. Salsiccia came in earthy, hefty pieces and although I didn’t get masses of the advertised soave and chilli, the gremolata that crowned each diabolically delicious diagonal slice made the whole thing positively sparkle. Again, eight pounds felt slightly steep for a solitary sausage – but that might be the curmudgeon in me so by all means just tune this sentence out.

Our starters finished, we sipped our drinks happy in the knowledge that we were in safe hands. Good starters will do that, building up a bank of credit most restaurants know better than to squander. And our drinks were gorgeous, too: Zoë continued her current negroni phase with a negroni sbagliato, a “broken” negroni made with Prosecco rather than gin, and I had a soft and uncomplicated Italian red about which I remember precious little. But the wine list was excellent – nearly all European, covering a good range of price points with a wide selection available by the glass.

Mains came a little quicker than I’d have chosen – about ten minutes after our empty starter plates were taken away – but were a welcome sight all the same. Gnocchi with rabbit is a combination of two of my favourite things, and what turned up in front of me more than lived up to the promise of those words on the menu. The gnocchi managed to steer clear of stodge and were the perfect vehicle for a sauce of tangled strands of rabbit and firm, almost nutty broad beans, the whole thing lifted with a spike of aniseed, from tarragon I expect. A halo of Parmesan was the icing on the cake, and eating it I got that high-definition thing again, that sense of a kitchen conducting things with aplomb so every flavour had its moment in the spotlight.

Zoë’s chicken involtini was even more a thing of wonder. I have a real soft spot for this kind of dish, but I’ve rarely had a version as good as Cotto’s – chicken wrapped in ham, everything cooked just right, in thick rounds with baby gem, the edges blackened and charred, the whole thing liberally dressed with a vibrant, racing green salsa verde. A spot of balsamic and instant sunshine from more of that olive oil completed a beautiful picture. It was unfussy but superb: as usual, Zoë had picked better than me.

Our waiter – who was absolutely brilliant throughout, incidentally, despite seemingly looking after the whole room on his own – had suggested that the chicken dish needed some carbs. And I’m thoroughly glad that he did, because the Jersey royals we’d ordered for backup were an utter delight. Burnished and bronzed, tossed in oil, garlic and oregano they would have been a knockout on their own, but when paired with a generous puddle of aioli I could have gladly eaten these all the live long day. Have a look at the picture below: if it doesn’t make you peckish you’re beyond my help.

By this point in the meal I was polishing all of my superlatives, so to speak, but my ardour was slightly dampened by the desserts. I would say that they felt like an afterthought, but they were both on the specials board so you couldn’t even say that. We had some Montbrú cheese, which our waiter told us was a goat’s cheese with a texture closer to a Comté or a Gruyère. And that’s true, and a very nice cheese it was too, but three small slices for seven quid felt stingy. This could have done with some carbs: crackers or bread, some or indeed any vehicle for getting the stuff into your gob. That was especially the case because the whole shebang was drizzled with honey which made picking it up a tricky business. And who wants to eat cheese with a knife and fork? You just end up looking like a lemon.

The chocolate truffles were a different kettle of fish. They were excellent – deep and rich and perhaps ever so slightly larger than your average truffle. They were also five pounds fifty. For two. And again, I know this probably sounds a bit like a moan but even so: I know food is getting more expensive, and I didn’t begrudge the price of most of the things we ordered at Cotto. But every now and again the pricing of a dish felt out of whack, and the desserts were where that was more noticeable. Our bill, for three courses and two drinks apiece, came to just over a hundred pounds, which included an optional ten per cent service charge, and all told we were in and out in just over an hour.

Does that matter, in the scheme of things? Well, yes and no – I’ve thought about it a lot since the meal, weighing up the pros and cons. And this is something a lot of restaurant reviewers don’t do – they’ll gush about the dishes but not think about what it was like as a meal, or talk about how much it cost (often because, in their own weasel words, “I didn’t see a bill”). And that’s where Cotto falls down ever so slightly, because despite some truly gorgeous touches and some plates which were up there with anything I’ve eaten this year the whole thing was a little too sharply priced and too briskly paced, especially for lunchtime.

Would I go again? It’s a good question, and one that was thrown into perspective when I realised, walking down St Stephen’s Street, that Cotto was literally two doors down from Marmo, the Bristol restaurant I visited last year that received my highest ever rating. If you picked Cotto up and dropped it in Reading, it would do very well, and I expect from time to time you’d find me there. But as an infrequent visitor to Bristol, it would be difficult to choose it over Marmo: in fact I had dinner at Marmo the night of this visit, and Cotto didn’t quite match it.

That’s how fortunate Bristol is: on one street you can find neighbouring restaurants, either of which would grace a town like Reading with its presence. And it’s not just St Stephen’s Street, you could experience the same phenomenon at Wapping Wharf, on Cotham Hill, in no doubt countless other parts of the city. How do the residents of Bristol not get blasé or complacent, the jammy blighters? But then there’s always someone better off than you, as my friend who lives near Swindon never tires of telling me (usually over Gurt Wings at Blue Collar Corner). Never mind: normal service will be resumed next week with a review back in the ‘Ding, of a place that went a long way towards restoring my faith. Something to look forward to, I hope.

Cotto – 7.9
29-31 St Stephen’s St, Bristol, BS1 1JX
0117 3292560

https://www.cottowinebarandkitchen.co.uk