About five years ago, a very nice lady called Elizabeth came to the last ER readers’ lunch of the year, at Clay’s Hyderabadi Kitchen, back when it used to be on London Street. I assumed she must have had a terrible time for some reason, as she never came to another. But then this year she returned, attending one at Clay’s new home in Caversham, and the most recent lunch at Kungfu Kitchen’s new home. She’s brought both her husband and her son to lunches this year, so I guess perhaps she likes them after all.
Elizabeth is American, and her accent has that drawl of somewhere in the southern states, although I’ve never asked exactly where. And at my lunch in the summer I discovered that Elizabeth and I were as good as neighbours. Because, just like Kungfu Kitchen, I moved house this year and it turns out that Elizabeth lives just around the corner from me – in, I might add, a really handsome-looking house. She lives so nearby, in fact, that she told me that if she’d known when I was going on holiday she’d have taken my bins out for me: I was reminded of something the great Barry Crocker sang, nearly forty years ago.
Anyway a couple of weeks back I got an email from Elizabeth, telling me I should review Zotta Deli. It was on my radar already, an institution run by father and son Rocco and Paolo Zottarelli. It made the local news this year when it announced that it was closing its Winnersh premises in July after 10 years trading there, relocating to a new site on the Basingstoke Road, just opposite the holy trinity of Aldi, the Victoria Cross pub and that massive Morrisons. Now Reading residents, they opened their doors in their new spot at the end of September: all the best people seem to be moving house this year.
I knew people who raved about Zotta as a deli, and I have a feeling it used to supply arancini to the likes of Shed, but the move from Winnersh to Whitley was more than an alphabetical one: Zotta was also changing angle somewhat, going from being a pure deli to a spot where you could eat and drink, as well as picking up produce to take home. So a combination of Mama’s Way and Madoo, you could say, just around the corner from Minas Café and Whitley’s legendary New City Fish Bar.
The comparison with Minas Café was an apt one, and part of the reason why I was so keen to get to Zotta before the year was out. Because despite all the money owners have chucked at Siren RG1 and The Rising Sun in the town centre, the gems of the last couple of years in Reading have been far more likely to be found in the less fashionable parts of town, on the Oxford Road or Northumberland Avenue.
And in particular, they were more likely to be discovered in a new breed of cafés like Minas and DeNata Coffee & Co offering proudly regional food, with a crowd-pleasing full English on the side, just to keep the locals happy. After all, that was a model that had worked well in Reading ever since Kungfu Kitchen took over the old Metro Café on Christchurch Green in 2018, keeping the breakfast menu going while cooking up authentic Szechuan dishes into the bargain. And look what happened to them.
So Elizabeth already had my interest, but she also told me that she was a big fan of Zotta’s lasagne. “They’ve just moved, and a good review from you might help”, she added. “I’ll even drop you off there sometime if you want.” I could hear Barry Crocker clearing his throat again. Now, I may not be as motivated by altruism as I should be, but I’m definitely motivated by lasagne. So on a drab and overcast Saturday afternoon I hopped on a number 6 bus and made my way down the Basingstoke Road with carbs and comfort uppermost in my mind.
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Every year, without fail, a handful of new U.K. restaurants get hyped beyond measure. Every critic goes there, usually within the space of a fortnight, and every critic raves in their own hyperbolic way. Those places become impossible to book, if booking them were ever possible in the first place, and move into the heart of smugness: proper “if you know, you know” territory. These London restaurants – it’s always London, of course – are invariably hailed as evidence that it’s the most exciting food city in the entire world, mainly by restaurant reviewers living in London and writing for the national papers (or, perhaps more understandably, the Evening Standard).
So last year, it was all about Mountain in Soho and Tomos Parry’s cooking over fire (“can a dish be too good for itself?” wibbled Tim Hayward in the FT). Or Bouchon Racine, Henry Harris’ bistro. Jay Rayner described himself as a “huge dribbling admirer”, presumably to put people off booking a table, or for that matter ever eating again. And of course, there was Kolae, but you already know whether that’s good, don’t you?
And this year? Everyone has lost their collective marbles over Josephine Bouchon, Claude Bosi’s earthy Lyonnais restaurant on the Fulham Road, and Giles Coren, Tom Parker Bowles and Jay Rayner all went to the Hero in Maida Vale seemingly in the same fortnight. Giles Coren dined with Camilla Long, which means that for once he might have had an even worse time than his dining companion. I have a friend who everybody loves, who never has a bad word to say about anybody: you should hear his vitriol on the subject of Camilla Long.
Of course, the hype beast to end all hype beasts, this year, has been the Devonshire, the Soho pub run by the chap behind Flat Iron and Oisin Rogers, the closest thing the U.K. has to a celebrity pub landlord who isn’t Al Murray. Nearly all of the U.K.’s broadsheet restaurant reviewers descended on the Devonshire, mystifyingly all being able to land a table despite it being nigh-on impossible to do so, unless you’re famous. It’s almost as if there’s one rule for civilians and one rule for everyone else. Almost.
Coren even went all meta, writing in his review about being desperate to file his copy first despite seeing Tom Parker Bowles and Charlotte Ivers in there literally at the same time as him (Grace Dent, always at the cutting edge, finally got round to it last month). Still, nobody was going to match Coren for overstatement: “It’s just insane, what they’re doing” he gushed, about a pub taking the unprecedented steps of serving beer and cooking food.
It would be temping to review The Devonshire, if I could ever get a table. I used to know Rogers, a little, over a decade ago, and even got drunk with him a couple of times; he’s enormous fun, and a very canny operator. You have to take your hat off to someone who has always managed to keep in with whoever is making the weather in the notoriously bitchy world of London food, and Osh has managed simultaneously to be on good terms with everybody from Fay Maschler to the restaurant bloggers of the late Noughties and early Tens, all the way through to those tacky toffs from Topjaw. He’s always known exactly who to have onside, and is possibly even better at doing that than he is at running a pub.
But actually, I’d be more likely to go to his previous place, the Guinea Grill, which everybody thought did the best Guinness in London before Rogers jumped ship, and which also does the kind of steaks, puddings and pies people associate with the likes of Rules. All that without having to bump into the likes of Ed Sheeran? Count me in. And it’s interesting to me, that: you have places like Rules, or St John, that have been there for ever, and you have places like the Devonshire that are the new upstarts. Between those two types of restaurant? Sometimes it feels like there’s nothing at all.
But how can restaurants ever go from being the hot new thing to becoming institutions when everybody’s attention spans have been destroyed by social media, influencers and restaurant critics desperately craving the new? And what becomes of the flavour of the month when things settle down and the bandwagon rolls on to the next place, and the place after that? That’s why this week, after meeting Zoë from work up in the big smoke, catching the Elizabeth Line to Farringdon with what felt like a thousand West Ham fans and gulping down a handful of Belgian beers at the beautiful Dovetail pub, we mooched across to Brutto for our evening reservation there.
Brutto, you see, was one of The Restaurants Of 2021. Critics flocked to it that year, not necessarily because a trattoria modelled on the restaurants of Florence was what the capital was crying out for, but because this was the comeback restaurant of restaurateur Russell Norman. Norman’s Polpo group of restaurants, fifteen years ago – no reservations, small plates, typewritten menus on brown paper, Duralex glasses – probably did as much as any other to change the way people ate in London. It’s just insane what they did, as Giles Coren might have ineptly said.
I went to Polpo a little just after it opened, and offshoot Polpetto after that, and they were brilliant places to eat, although they never entirely overcame that feeling, when the bill arrived, that you’d spent too much on too little. But then came the unwise expansion, including branches in Bristol and Brighton, and then came the crash: Norman made his exit in 2020, and now only two branches remain.
And then, pretty much a year ago, Norman died suddenly and was mourned by seemingly everybody in the food world. Yet even if you never ate at one of his places, the likelihood is that in the last fifteen years you have eaten at least somewhere that has done something differently because of one of Norman’s restaurants from all that time ago, and that in itself is an interesting and far-reaching legacy.
Reading all that back it sounds like a bit of a downer, but I find it hard to imagine anybody walking into Brutto would feel down for long. I can think of few dining rooms that make you feel happier to be in them – it was simultaneously snug and buzzy, with tables full of people thoroughly enjoying their Saturday nights and others sitting up at the bar, making the most of Brutto’s fabled £5 negronis.
The dining room is kind of split level, and I guess the room at the front would be the one you’d ideally want to be sitting in, with its banquette and framed pictures arranged haphazardly on the teal wall behind (“it’s like Alto Lounge, but not shit” was Zoë’s take). But we were closer to the bar at a surprisingly good table next to a pillar, and although there was a distinct hubbub, and an effortlessly cool soundtrack seemingly pitched at Gen X duffers like me, it was never uncomfortably loud.
It really was a marvellous place, from the gingham tablecloths to the napkin lightshades to the candles stuffed into wicker-chianti bottles, and I loved it. It had that feeling of otherness I adore, the restaurant as a cocoon, where for the next couple of hours you could kid yourself that you’d walk out of the door at the end of your meal and be somewhere completely different.
It was, however, and I might as well get this out of the way now, dark. It started out as atmospheric, but as the evening went on it started to reach Dans Le Noir levels of stygian gloom. A lovely spot to be in, to drink and talk, but the practicalities of doing some of the things you ideally want to do in a restaurant, like read your menu or see what you were eating, were severely curtailed.
A solitary votive candle in the middle of our table wasn’t really going to help with that, even if the staff – who were on it throughout – replaced it very efficiently when it sputtered and went out. I got told off for getting the torch out on my phone to try and read the menu. Zoë told me that I was ruining the atmosphere for everybody, and I’ve since discovered that this is allegedly a boomer thing to do, for which I can only apologise.
Once Zoë had taken some pictures with her phone, in night mode, naturally, and AirDropped them over to me, I managed to get a decent look at the menu, which was of course typewritten. It was everything you’d want it to be, mostly: compact, affordable and interesting. Starters were mostly under a tenner, pasta dishes were closer to twenty and so were the secondi, with the exception of Florentine steak which is sold by weight. I think in the past I’ve seen these listed up on a blackboard, so as to say that when they’re gone they’re gone. Maybe they’d already gone, because our server didn’t mention them to us.
The thing you don’t notice on the menu, at first, is that there’s no fish to be seen anywhere. I saw it written on a mirror in the dining room that Brutto doesn’t serve fish, and although it’s often not my first choice it was still odd to see it completely excluded. It gave the dishes on offer a certain brownish hue, or that could have been the dim lighting, but I suppose it worked on a nippy evening with London well on its way to winter. And it’s not as if I minded, much. The negroni was fierce and medicinal and, lest we forget, only a fiver and, on top of those Belgian beers from earlier on, positively knocked the edges off the day.
I don’t sense that Brutto’s menu has changed enormously since it was first reviewed three years ago, because many of the dishes on offer were talked about in those initial reviews. One definitely was – coccoli, which translates as “cuddles”, and is little fried bits of dough with prosciutto and a small pot of tangy stracchino cheese. Remember when I said that these restaurants attract bucketloads of hype? Jimi Famurewa, then of the Standard said that they were “one of the year’s best dishes”.
I don’t know about that, but they were rather enjoyable. More doughnut than doughball, and pleasant enough with little slivers of ham and a small dollop of the cheese; there wasn’t enough stracchino, but I imagine there never is. But the problem with hype, however old it is, is that it almost sets you up against something. I bet the people who raved about these would have sneered at good old Pizza Express. It reminded me of a restaurant in Shoreditch I used to love called Amici Miei which did a similar dish to this, but far better and completely unsung. But then it hadn’t been opened by Russell Norman, that was the problem.
The other starter was three things that in isolation are hard to beat. Very fine, extremely salty anchovies, with decent salted butter and sourdough from St John just down the road. It’s impossible to argue with this really, even if it involves no cooking, and all three things were good. Zoë adored it, I wasn’t convinced it was really any more than the sum of its parts. In fairness though, this dish was just over a tenner and even in Andalusia seven anchovies of this quality might well set you back more than that.
By this point we were on the red wine, The wine list is all Italian, with lots to enjoy, provided you can read the bastard thing. Bottles start at thirty-six pounds and ascend quickly into three figures from there, and we settled for a Montepulciano closer to the shallow end for sixty-two pounds. which retails for eighteen quid online. Was it worth sixty-two pounds? We’ve established over eleven years that I don’t know a lot about wine, but I’d say maybe not.
For me the pasta dishes were probably Brutto’s greatest strength, and easily the thing I most enjoyed. I’d been tempted by pappardelle with rabbit, but in the end the classic tagliatelle with ragu was too hard to resist. And it was as close to perfect as this dish gets in this country, fantastic al dente ribbons of pasta and a rich, sticky ragu that hugged its curves closely. I’ve always been somewhat sniffy about this widely-held belief that there should be more pasta than sauce, but eating this, for once, I got the point. Everything felt like it was completely in order, in absolutely the right proportions.
Because Brutto is a homage to the trattoria of Italy, they left a bowl of grated Parmesan at your table, with a spoon. But because we were still in London, there wasn’t a lot of Parmesan in it.
For me if anything, Zoë chose even better. Her gramigna, a little spiral shape from Emilia-Romagna, came – as it does in that region – tumbled with sausage and friarelli and was a real joy. But don’t be fooled by the brightness of these pictures from Zoë’s iPhone: by this point it was getting more and more difficult to see what was going on. Even so, these two dishes, to me, highlighted that when it came to pasta dishes restaurants like Brutto or Bancone are still light years ahead of well-intentioned pretenders like Little Hollows in Bristol or bandwagon jumpers like Maidenhead’s Sauce And Flour.
I complained recently that Reading was still lacking a really good Italian restaurant and someone popped up and said “what about Vesuvio?”. And I said that I was looking for somewhere more genuinely Italian and less like a better reimagining of Prezzo, with more interesting secondi. But actually, I got that wrong: what’s really missing is brilliant pasta like this. Pepe Sale had that, back in the day. So did San Sicario. But since then, this kind of carb-centric comfort has been missing from Reading, and it’s a poorer place for it.
Speaking of secondi, to eat that course at Brutto it does help if you like beef. Three of the options are beef-driven (possibly four, depending on what’s in the bollito misto) and the roasted squash, virtuous though it doubtless was, just didn’t appeal. I had chosen the peposo, a slow-cooked stew of beef shin in a sticky, reduced sauce shot through with whole black peppercorns. And I liked it – it sort of reminded me of a stifado, although with no reliance on tomato or those maverick shallots that make the Greek dish such a delight.
But you know how you feel when you see a picture of a moment you don’t fully remember and you’re not sure if the photograph itself is inventing a memory you didn’t really have? Usually that experience dates back to childhood, but I have it when I look at the picture Zoë took of my main course. I know this is what I ate, the photo has my hand in it and the date stamp to prove it. But for me it was just a pool of blackness. You never quite knew what you were eating, or whether this would be your last big chunk of beef. I’ve always understood the saying that you eat with your eyes, but maybe not as well as I did after having this dish at Brutto. And however convivial the atmosphere was, this is where it took something away for me.
I didn’t need a great view of the roast potatoes I’d ordered on the side to know that they weren’t the best roast potatoes. Decent enough, but lacking that contrast of crunch and fluff that would have come if they’d been parboiled, and scuffed up, and cooked properly in really hot fat. Without that, they were just ballast.
Zoë infinitely preferred her main, which was a variation on the same theme. The same roast potatoes, which she viewed more kindly than I had. A slab of pink roast beef, the fat on the outside mellow and puckered, sitting in a little pool of jus. It needed the peas with pancetta that she ordered with it – I’d have liked these à la Française, with a little cream, although I know that’s missing the point in a Florentine trattoria. Anyway Zoë loved it, although she did admit that it was a tad dry. But if there’s anything our marriage proves – six months and counting – it’s that she has far lower standards than I do.
We had a fair bit of wine left, so we drank that and chatted about all sorts before making any decisions about desserts. Now Zoë works in London she is there every Saturday, and usually knocks off at eight o’clock, so by the time our evening begins, most weeks, it’s time for bed. A rare date night in the capital was a precious thing, and so neither of us was in a rush to bring it to an end. But desserts also meant digestivi, and that meant a Frangelico for her and an Amaro del Capo for me. It’s one of my favourite amaros, with something like 29 botanicals, though the one that leaps to the surface for me is mint.
I could have nursed that for some time, and maybe even had another, but the dessert menu only had a few things on it (putting pear and almond cake on there twice, once with ice cream and once without isn’t fooling anybody). Anyway, one of the items on the dessert menu was tiramisu, which meant that we were both contractually obligated to have one. Is it the dessert I order most often when I’m on duty? It definitely feels that way, and Brutto’s is up there with the best I’ve had – miles better than Little Hollows’, better than Sonny Stores‘, better than anything I’ve had in Reading, even including the wonder of Sarv’s Slice or the sadly departed Buon Appetito.
It properly contained multitudes, managing to be substantial yet airy, innocent yet boozy, simultaneously just the right size and nowhere near big enough. I loved it, and it reminded me that on the many occasions that I skip dessert when eating on duty I’m leaving the play before the final act, taking the book back to the library with the last fifty pages untouched. Brutto understands that a good meal has a beginning, a middle and an end, and that tiramisu was a more than worthy way to bring the curtain down.
With all that done, it was time to settle up and pray that the Elizabeth Line could get us back to Paddington before we were forced to catch one of those final trains back to the ‘Ding, the ones everybody refers to as the Burger King Express.
Our meal – a couple of negronis each, that bottle of wine, four courses each and a pair of digestivi – came to just over two hundred and fifty pounds, including an optional 12.5% tip. I know that’s a fair amount of money, but we had plenty of food and didn’t stint on the wine. Personally, I think Brutto is keen value, although probably more so in its starters and pasta than in its mains or wine list. I could have spent less and enjoyed myself just as much, and if I went again I imagine I would.
But would I go again? That’s the question, isn’t it. And it prompts the time-honoured answer, which goes like this. London is so blessed with restaurants – there are easily a handful of other great places to eat less than a ten minute walk from Brutto – that places have to be truly amazing to keep you visiting time and again. That drives quality, I’m sure, and it makes restaurants work hard for custom.
And maybe that also goes to answer the other question, of why it’s hard for anything to become an institution when somewhere else is always, always coming down the tracks. Back when I was on Tinder (what a fun three months that was) I deplored the way it effectively made you channel hop human beings, with their own lives and aspirations and back stories. Whatever. Next! But the way the food media works does the same thing with a lot of restaurants: one minute you’re the hottest ticket in town, the next you’re old hat.
So I had a lovely meal at Brutto and it taught me a lot about what restaurants do at their best and their worst. I have rarely felt, in a restaurant in the U.K., more like I was part of something brilliant and bigger than me. But ultimately one of the many things that united us that night was being together in the darkness. If that’s not a metaphor for something I don’t know what is. Maybe I’m just too old for all that.
Brutto felt like a neighbourhood restaurant in search of a neighbourhood. And speaking of neighbourhoods, if somewhere like Brutto opened in Reading you can bet I would be there on its opening night, and often after that. The fact that Reading can’t attract and maintain restaurants like this really puts the lie to all the old tut spouted by the likes of Hicks Baker that the town centre isn’t dying on its arse.
But while Reading still doesn’t have places like this, it still has that one thing Reading-haters always extol the virtues of: a train station you can use to get anywhere else. You could do a lot worse than make a reservation, hop on a train and find yourself here, in a place that isn’t quite Italy, isn’t quite London, but most definitely isn’t Reading. I know that’s not exactly hype, but it’s the best I can do.
Six years ago I wrote a piece on the blog, a listicle really, talking about the five things Reading still badly needed. Don’t worry, I won’t send you scurrying off to read it, but the tl:dr version is that, back in 2018, I thought Reading was still missing a proper cooked breakfast place, a tapas restaurant, a gelataria, a cafe that was simultaneously comfy, did good coffee and good food and, for want of a better expression, a “special occasion restaurant”.
Without going into detail, I personally would say that in the intervening six years we haven’t got a great deal closer to having any of those things. But that’s not why we’re talking about Storia in Maidenhead this week: we’re talking about Storia because when I posted about this on Facebook a couple of weeks ago somebody commented saying that, in addition, Reading was lacking a decent independent Italian restaurant. And that comment stopped me in my tracks because – you know what? – that person was right.
Granted, away from the town centre you have the likes of Vesuvio out west and Papa Gee north of the river. And in town you do have pizza options, in the shape of Sarv’s Slice and Zia Lucia. But the demise of Pepe Sale earlier in the year does mean that, for the first time in a very long time, all the Italian restaurants in the town centre are chains: the likes of Zizzi, Carluccio’s and Bella Italia have a stranglehold on central Reading. And the more recent trend of pasta specialists, starting in London with the likes of Padella and Bancone and now cropping up elsewhere, like Little Hollows in Bristol, has also passed Reading by completely: no, town’s short-lived dalliance with Coco Di Mama really doesn’t count.
The one exception, arguably, is Mama’s Way. But although I love it I’m not sure that a restaurant with a capacity of half a dozen (and I’m being generous) is really even in the same ballpark as what we lost when Pepe Sale closed. And the closest thing I can think of to Pepe Sale is miles away to the west – Newbury’s Mio Fiore is a downright lovely spot, but that can be a half hour train journey.
No, that person commenting on my Facebook post was spot on – it’s a big gap in the market in Reading, and it’s striking that nobody has rushed to fill it. Perhaps in the fullness of time Zi Tore, which is going to take over the Grumpy Goat’s site on Smelly Alley, will redress the balance. But it’s hard to get excited about a place boasting Italian street food when the last place to attempt that shtick was Wolf. So this week I decided to check out Maidenhead’s Storia, which had been recommended to me by more than one reader of the blog, in the company of my good friend Jerry (regular readers will be pleased to hear that his digestive issues are now a thing of the past).
The strange thing is that Maidenhead already has a perfectly acceptable if unexciting Italian restaurant in the shape of Sauce and Flour. And Storia is a stone’s throw from that, literally two minutes’ walk away. Not for the first time on a visit to Maidenhead I wondered it if was just rubbing it in that it had some of the things Reading still lacked. Tapas bar El Cerdo was testament to that, as were our very enjoyable pre-dinner drinks at A Hoppy Place. I even had to walk past a branch of Coppa Club on my way to Storia, although that’s maybe less enviable.
That said, Storia is independent but that doesn’t mean it isn’t a chain. It’s the only Berkshire outpost of a group of six restaurants, with others scattered across Surrey, Hertfordshire and, randomly, the edge of Essex. I think that showed in the polish of the place when we arrived – it’s a handsome building which was welcoming from the off and the service was very slick. It was a grown-up space, too, quite classy with good use of mirrors and lighting to make up for what I imagine, in daytime, is a relative lack of natural light.
The tables along the walls were the ones you really wanted, all plush banquettes, but actually I didn’t mind missing out on those because our generous-sized table gave us a great view of the big and buzzing dining room. The whole thing had a feel of affluent happiness about it. It was Friday night, the weekend had arrived and Storia was going to do its damnedest to make sure people thoroughly enjoyed it.
There was very little to dislike about the menu but, simultaneously, I was surprised by how unexciting it was. Storia plays it safe with a menu that very much replicates the likes of Coppa Club down the way with very little sign of quirk or anything especially regional: half a dozen starters, a “raw” section made of up carpaccio and a strangely conspicuous ceviche, some pasta dishes, half a dozen pizzas and as many secondi.
I found it disappointing that all the pasta dishes were priced, and presumably sized, as main courses only – which again, felt more like the stuff of the bigger chain restaurants. And pricing also felt very conventionally done: starters around ten pounds, everything else between fifteen and twenty.
It made me wonder, not for the last time that evening, whether I was just jaded. Because I saw loads of things I could eat but nothing I was dying to try, and that in turn made me think about San Sicario, which closed last year, and what a terrible pity that was. And it also made me think of the interesting, resolutely all-Italian wine lists at San Sicario and Pepe Sale: would they have been seen dead having, as Storia did, an Argentinian Malbec, a Chablis and a Rioja on there?
We ordered a bottle of Valpolicella at £42. They brought a posher bottle by mistake, one twenty pounds more expensive, and I just managed to stop them before they opened it. Our wine was quite nice, but throughout the meal I wondered what the costlier one would have been like.
Jerry loved his starter – a sardine bruschetta with two filleted sardines perched on a pile of roasted peppers and aubergine, punchy with harissa. It was a riot of colour, and ironically one of the best things about it was the bread – properly golden and grilled, the perfect vessel. I got to try a bit and I liked the sardines a lot – in fairness I always do – but the rest of the dish felt a little incongruous, like an attempt to do something North African rather than the more obvious caponata. I quite enjoyed it, but it made me crave caponata more than anything.
“I’m in Lisbon towards the end of the year. Would you like me to bring you back a couple of tins of sardines?”
“That would be marvellous!” beamed Jerry.
My starter was the best thing I ate all evening. Storia’s calamari was very, very good – fresh, not bouncy, with a crispy, craggy coating which felt like it had some polenta flour in the mix. The whole thing was lightly scattered with red chilli and the decision to serve it with black garlic aioli rather than its more prosaic sibling was an excellent one, even if the smear slightly detracted from the undeniable visual appeal. It made me wish that Storia did a fritto misto, or perhaps it made me wish that Storia was the kind of restaurant that had fritto misto on its menu.
The secondi on Storia’s menu, I’m sorry to say, are really stuff. Forget your lamb rump, your saltimbocca or your suckling pig, because you won’t find them here. Instead there’s a chicken Milanese, a grilled chicken breast dish with marsala, a couple of fish dishes, steak and a risotto. I suspect that, rather than a craving for carbs, is what sent Jerry and I scuttling for the pizza and pasta.
Jerry absolutely adored his pizza salsiccia, a very well-trodden combo of salami, ‘nduja, chilli and basil. Again, he was kind enough to let me try some and I had to agree that it was a very solid effort. Slightly better than Zia Lucia’s – and a darned sight less wet and floppy – and not quite as good as the finest examples from Sarv’s Slice. A bit wayward with the toppings and with a lot of crust, crust that wasn’t quite as puffy, airy or leopard-spotted as the very best examples.
It was a nice pizza, and if I ate in Storia again I might well order one. It was not, however, as good as the one you can get in Knead, a five minute walk away.
I’ve saved possibly the most disappointing until last. When it comes to pasta, I often find myself ordering a carbonara these days. There are probably two reasons for that. One is that it’s a very good benchmark and a sign of whether a kitchen knows its stuff: does it come out glorious and golden, or closer to the magnolia horror of Cozze? But an even better reason – durr! – is that when it’s good it’s one of the happiest, most comforting things you can eat. And now there was a nip in the air I found myself drawn to it, far more than some chicken and pesto concoction that had a whiff of Prezzo about it or a conchiglie dish with yet more of that harissa.
It could have lived up to that promise, and nearly did. The taglioni were beautifully al dente and toothsome, so easy to anchor with a spoon and swirl with a fork, capturing all the sauce you needed. The sauce was good stuff – no adulteration with cream or egg whites here – and topping it with a strip of crispy pancetta was a nice touch, if an obvious one.
But the other star of the show is guanciale, and it needed to be crispy nuggets of the stuff that disrupted all that unctuousness (I mean that in its true sense, by the way) with spikes of smokey salt. And this was underdone, a bit too bouncy, a bit too fatty, falling short. If this dish had been the platonic ideal of a carbonara the rating at the bottom would probably have been a whole point higher and I would be making plans to return before Christmas. But it wasn’t, so the search goes on.
We nearly ordered dessert, but we were that terrible combination of not hungry enough and not fussed enough. But we were having a lovely time, and we had wine left, so we did the next best thing and ordered coffee, just to keep the evening alive that little bit longer. Latte came in a walled glass and was really surprisingly good, so much better than I thought it would be.
Like my old friend, it was sweet without a hint of bitterness, and it made for the perfect end to a brilliant evening. The food had facilitated that, but never even threatened to upstage it; although in fairness I expect I could have a wonderful time with Jerry eating doner meat off a bin lid. Anyway, our meal came to just over a hundred pounds, not including tip: the service very much deserved a tip, so tip we did.
As I said earlier on, I wonder whether I am just jaded about the kind of thing Storia does, even though Storia does it very well indeed. If you want a mid-range, casual dining Italian meal which isn’t going to offend or disappoint anybody, some of which will be good and some of which will be quite nice, you can go to Storia and it will deliver exactly that.
On a good day, so will Coppa Club I imagine, or Zia Lucia. On a good day, Jamie’s Italian used to manage that too. Is that enough? I suppose for many people it will be, and if Storia does that, without fail, time and again, it will no doubt build up a happy and loyal customer base and do extremely well – as it has, I suspect, in Tring and Radlett, in Redhill and Shepperton. History has taught us that there’s definitely a place for that kind of thing.
I guess what Storia reminded me of, strangely, is Strada – remember Strada? – back when Strada only had two branches, before it was possessed by the dread spirit of private equity and went the way some promising small restaurants do. As I think I’ve said before, I used to go to the one in Richmond with an old friend of mine, long since lost in the mists of divorce, and I always loved it. I came away, every single time, wishing Reading had one.
But when it did, it was no longer the Strada I loved but just Zizzi with a different colour scheme. Storia isn’t that, yet it wouldn’t take a lot of imagination to see how it could get there. And maybe that’s what they’re aiming for – I hope not, but everybody needs to make money. Especially nowadays when the bastard stuff seems to be so very thin on the ground.
So it’s not Storia, it’s me. If you’re like me, you would probably enjoy your meal there. But if you’re anything like me, Storia might also leave you feeling that, even though there’s nothing technically wrong with it, you just want something more these days.
Without question, Mama’s Way is the smallest venue I’ve ever reviewed. There are three stools outside on Duke Street, looking out on our thriving branch of Ryman: I suppose you could sit there with an Aperol Spritz, but best of luck eating at them. Inside, up at the window, there are three more stools with a ledge in front of them. The bits of the ledge that aren’t accommodating goods on display, that is.
And there are goods on display literally everywhere in that little room. Chocolate eggs hang from the ceiling this time of year, the wall nearest the door is lined with Italian wine, amaro, vermouth – even mirto, the Sardinian liqueur. Under the counter, lit enticingly, is a cornucopia of cheeses, again all Italian, and a delectable range of cured meats just asking to be sliced. On the counter is a makeshift wall of panettone, and above that glasses hang down, ready to be filled with Aperol or Crodino.
It doesn’t stop there. Eye level might be buy level but if you stoop, there are multiple types of balsamic vinegar and oil, black rice, snails in jars, every kind of paté or pesto you could want. On the far side another fridge gently hums, keeping burrata and scquacqerone cool, next to them sit ’nduja, blocks of bottarga, fists of sausages crammed with fennel. You could get lost in the place, walk out with countless treats you weren’t intending to buy. Perching on a stool next to Zoë, people watching the passers-by heading into town, I fantasise about lock-ins, imagine the fun you could have.
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San Sicario closed in August 2023. i’ve left the review up for posterity.
“What was this place before it was Cozze?” said Zoe as we flipped through the menus at San Sicario, the newish Italian restaurant at the bottom of the Caversham Road which has replaced Cozze’s central Reading branch.
“How long have you got? Before Cozze it was a Mexican restaurant called Maracas. And before that it was another Italian place called Casa Roma. Casa Roma and Maracas were owned by the same people…”
“…and they changed it to Maracas because they could use all the letters from their old sign? You’ve told me that story before.”
I smiled, although I did wonder if it was a good thing to have reached the you’ve told me that story before stage in our relationship.
“Yes, and before that it was a Lebanese restaurant called El Tarboush. That wasn’t bad actually – this would have been around 2009. Before that it was a place called La Fontana, but they moved out to Twyford.”
“Another Italian?”
“More generic Mediterranean, really. And before that it was a restaurant called Chi’s Oriental Brasserie. Now that was a restaurant! It was run by a chap called Wayne Wong from Cardiff, of all places. I still remember their XO chilli prawns. They ended up moving to the spot where Buon Appetito is now. I did karaoke there once, would you believe.”
Suddenly I had memories of nights in that restaurant over twenty years ago. At the time, I was going out with a woman who took great pride in stealing a six inch, brushed steel soap dispenser from Chi’s Oriental Brasserie’s ladies’ toilets: it was, with hindsight, one of many indicators that we wanted different things out of life.
“It keeps defaulting to Italian, I suppose.”
“Sort of. I guess Italian is a go-to option in this country – it tends to be mid-priced, it’s easy to do multiple pizzas and pasta dishes. Even now we still tend as a nation to have Italian out and Chinese or Indian food for a takeaway.”
That doesn’t tell the whole story, though, because before this place was San Sicario it was San Carlo – same location, same owners, but a name they had to cease and desist from using barely a month after they opened last November because of a large national chain of Italian restaurants called San Carlo.
I felt for San Sicario when I heard that – a far from auspicious start in a site where, if history was anything to go by, the owners would need every lucky break they could get. That’s when I made a mental note to pay San Sicario a visit sooner, rather than later.
“It’s got to be better than Cozze, anyway.”
Zoe was right about that – Cozze, San Sicario’s predecessor, had been terrible. I still remembered my meal there, eating carbonara paler than Cate Blanchett. It was a mystery how they’d ever expanded to three branches.
The interior of San Sicario was especially jarring: the glassware might have been different – and rather fancy – but the furniture, the banquettes, the exposed brick-effect wallpaper and the faux Kandinsky wall art had all been inherited from Cozze. Literally inherited: they’d lightened up some of the colour scheme, but it was fundamentally exactly the same.
It was a big room, and the owners hadn’t really done anything to break it up into zones or to soften the noise – a room which really had to be full not to look a bit strange, although full it would have been deafening. On a Saturday lunchtime it was far from packed, with about three other tables occupied. Another three or so groups came for lunch after we sat down.
The first sign that this was a very different beast from Cozze came when I paid attention to the menu. I was never sure just how Italian a restaurant could be when it did chicken wings and burgers, but San Sicario’s menu left you in no doubt that it was a Proper Italian Restaurant. The menu was big – possibly too big – but it didn’t feel like it was chasing customers from Prezzo or Zizzi; the chef has cooked at Pepe Sale, and that felt far more the ballpark here.
That doesn’t mean that San Sicario didn’t sell pasta and pizza – far from it, they did – but the pasta was an interesting range of sauces and shapes rather than a boilerplate way of flogging the two in an almost infinite number of combinations (just typing this reminds me, by the way, how little I miss Wolf Italian Street Food). But there was also a reasonably priced set lunch menu, which they even offered on Saturdays, a specials menu with five additional dishes on it and a Valentine’s Day menu, which I assume they hadn’t got round to removing yet.
The main thing I thought, looking at the menu, was that these were classic dishes and combinations, and that if the restaurant could pull them off it would be the kind of restaurant Reading hasn’t had for some time. I know many people miss Dolce Vita, and others miss what Pepe Sale used to be before the original owners sold up. Some, for that matter, still talk about Nino’s. But really, I’m not sure Reading has had a truly classic Italian restaurant since Topo Gigio closed.
Our first dishes came as we were making inroads into a couple of very servicable drinks – a powerful negroni for her, a G&T made with fragrant Italian gin for me – and they made for an excellent start. According to the restaurant’s social media they make their own bread and focaccia every day, and they were both pretty decent, especially the focaccia which came sliced into little cubes, perfect for dipping in oil and balsamic vinegar, just enough salt scattered on the crust. We saved the bread for mopping, showing uncharacteristic foresight.
I picked the best of the starters, which is something I don’t get to say often enough. White crab meat came heaped onto what could have been crème fraîche or mascarpone, the whole thing sitting on a potato rosti. Simple, elegant, pristine flavours, and if the advertised watercress was nowhere to be seen I was hardly complaining, as it would have thrown the whole thing out of kilter.
It wasn’t perfect – the rosti could have done with more lightness and crispness, and felt more like a latke, and I had a few bits of shell in the crab – but none of that detracted from just how delightful it was. And could I think of anywhere else in Reading where this dish would end up on the menu? Not really.
That was one of the specials, as was Zoë’s starter. Calamarata, a shape of pasta I’ve never had before, are short thick rings of pasta thought to resemble calamari (they were obviously named by somebody who’d never eaten a packet of Hula Hoops, that’s all I’m saying). They were paired up with a tantalising-sounding ragu made with beef, lamb, pork and veal. Four different animals on one plate: just imagine!
For what it’s worth, I enjoyed this dish more than Zoë did – just as well because, as a generous-sized starter, I got to finish it. The sauce hugged the pasta better than I was expecting and I quite liked the ragu which was studded with tender meat. But I agreed with Zoë that the ragu was a little unbalanced – it was underseasoned, which meant the sharpness of the tomato was more prominent than it should have been. A carpet of parmesan couldn’t save it, although maybe it would have done if it had been a lot thicker.
A final starter sounded so good, and looked so good online, that we were greedy and ordered it to share. A pile of wild mushrooms – accurately described for once – was sticky and reduced, topped with a crispy breadcrumbed egg. The egg was cooked just right, with only a little over-wobbly egg white, and when cut open the yolk worked its magic spreading across the mushrooms, an edible sunrise.
Again, it was a dish so close to superb but not quite there – I wanted more savoury depth in the mushrooms, and that was missing. I didn’t mind that it was on the small side, and I didn’t mind that it was a tiny bit pricey (it was just under a tenner), but I did mind that. If the flavour had been spot on, none of that would have mattered in the slightest.
All that said, main courses were pretty good. Zoë’s lamb rump was expertly cooked, far better than at, say, London Street Brasserie, and four really generous slices of it were fanned out on top of a very creditable caponata with plenty of black olives, the whole thing bathed in jus. The salsa verde was denser than Owen Jones, but considerably more appetising (and like Owen Jones, a little went a very long way). This dish wasn’t cheap at just over twenty-five quid, but I thought it was probably about its money. Again, Zoë found it a smidge underseasoned. She might have been right.
Saltimbocca has always been one of my favourite dishes, and since Dolce Vita closed nearly five years ago I’ve never found one that came close. San Sicario’s, I’m pleased to say, did – three pieces of veal, topped with prosciutto and luxuriating in butter and sage is one of the loveliest, simplest plates of food you can eat. Again, I feel a bit like I’m kicking a puppy saying this but it needed more – more butter, more sage, more seasoning, more oomph. The courgettes it was served with were pleasant enough, and certainly not cooked to mulch, but they felt like a bit of a plod without plenty of that butter to trawl them through. In my mind I was hoping for courgette fritti, but it wasn’t to be.
We did, however, make an excellent choice of side. Potatoes were wonderfully bronzed cylinders, all crinkled edges that spoke of a far healthier relationship with fat than I’ve ever managed. They were more fondant potato than roast potato, and all the better for it. Three pounds fifty, too, which is ludicrous value. “This is a lot better than that medley of veg you get at Pepe Sale” said Zoë. I couldn’t agree more.
By this point the restaurant was as full as it was going to get at lunchtime, and it was interesting how that exposed some problems with the service and the space. We eventually ordered some wine – a glass of barbera for Zoë and a sauvignon blanc for me – after we finished our starters. Both were lovely, but by the time they’d arrived our mains were in front of us. We hadn’t specified what size we wanted, he hadn’t asked and he brought us large glasses, which isn’t really what we wanted.
We didn’t make anything of it, it wasn’t a biggie, but there were a few niggles like that. The waiter was absolutely lovely, and quite up front about his limited English – still, of course, infinitely better than my Italian – but there was just the one of him and he did seem to struggle a little with half a dozen tables demanding his attention. And the room was so big, and the tables were so spaced out, that it could be difficult to grab him when you needed him.
I would say desserts are San Sicario’s weak point. The menu sensibly only has half a dozen, but they don’t bowl you over. Having ordered tiramisu at practically every Italian restaurant I’ve reviewed since 2019 we gave it a miss this time, although it turned up at a neighbouring table and looked good. Zoë chose a cheesecake, and enjoyed it without ever going into raptures. It was billed as a vanilla lemon cheesecake with berry compote – talk about covering your bases – but actually it was a slab without compote and with a layer of fruit jelly on top. I didn’t try it, but tellingly I didn’t especially want to.
I’d picked an affogato, prompted by fond memories of the one Tamp Culture used to do back in the day. It was entry level – two scoops of vanilla ice cream that could have been Walls, a jug of burnt-tasting espresso and, allegedly, some amaretto. It looked like the ice cream might have had a few molecules of the stuff splashed over it, but not enough to taste of it. When a dessert is this simple, every aspect of it should be good. With this one, none of it really was.
Our bill for all that food, a couple of drinks each and a post-prandial espresso came to one hundred and thirty pounds, not including tip, and took a fair old while to conjure up. I actually think quite a lot of what we had was pretty decent value, and it’s also worth pointing out that for the time being the restaurant is offering 20% off food Tuesday to Thursday via their Facebook page. After we settled up we went to Phantom for a drink, and it was hosting some kind of punk pop festival which made me feel ancient – I’m old enough to remember Basket Case the first time round – so we hopped into a taxi, went to Double Barrelled and had a very pleasant couple of hours working our way through the pales on offer. A perfect Reading Saturday.
If it’s brave to open a restaurant in the winter of 2022, knowing everything we know, it’s especially brave to open the kind of restaurant San Sicario is. I think the lower end of the market, your Franco Mancas and Zizzis, are possibly better protected from the economic shocks of the moment than somewhere unapologetically upmarket like San Sicario. And that’s before you factor in that their site is enormous. That their site is in a location that’s not in town or in Caversham, with limited parking. That it’s a site that has proved to be a poisoned chalice for so many restaurants. Then consider all the faff and palaver of revealing your name in November and having to change it literally on the 3rd of January – talk about New Year, new you – and San Sicario starts to look positively heroic.
And yet I really hope they make a go of it. It’s truly encouraging to see somewhere trying to offer what Reading doesn’t have – a genuine, interesting, high-end Italian that doesn’t just pile up the pizza and pasta, lazy variations on a theme, and try to take easy money. Some of the dishes I had I simply wouldn’t have been able to get elsewhere in Reading, and the fundamentals of the restaurant are solid. They need to tighten up the service a little, and I’d like them to be a little more liberal with the seasoning, but in honesty there’s nothing wrong with San Sicario that a few more customers wouldn’t solve.
Restaurants run better busier, and if I’d been there on a Saturday night, all buzz and bustle, I suspect it could have been fun enough to quite make me forget the glory days of Chi’s Oriental Brasserie. I will be back, and I sincerely hope San Sicario breaks the duck of one of Reading’s unluckiest sites. After all across town, in an equally ill-starred space, their compatriots Madoo have proved that it can be done.
Edible Reading 