Restaurant review: Buon Appetito

A couple of Mondays ago I was walking through town around lunchtime, and I noticed that every table outside Bill’s was occupied. The sun was shining, and Bill’s has one of the best al fresco spots in Reading, but even so: every single table? Then I walked past Jollibee on Broad Street, with a queue outside, just like every day since it opened. As I looped back down Friar Street I noticed, through the windows, that Wendy’s was packed.  We can congratulate ourselves on promoting an independent, thriving Reading, through the money we spend and the businesses we amplify on social media, but the fact remains that chain restaurants have a huge hold on our town and its customers. 

The struggle is real, and relentless. Recently a branch of Sri Lankan themed chain The Coconut Tree opened, and influencers surfaced on Instagram raving about how good their (free) food was. It is next door to South Indian restaurant Pappadam’s, which has been there for years. Last week Gordon Ramsay opened a restaurant in the Oracle – one of five new burger restaurants coming to Reading – and gave out a thousand free burgers. Berkshire Live ran a breathless story enthusing about the opening. Of course they did, because it’s easier to Ctrl-C, Ctrl-V some guff from a PR company than it is to write a real story (although in Berkshire Live’s defence they subsequently reviewed the burger, and didn’t rate it).

The uncomfortable reality, even if we wish it wasn’t so, is that chain restaurants in general, and American ones in particular, do well in this town. Last month Deliveroo revealed Reading’s five most frequently-ordered dishes. Who made the list? Taco Bell, Wingstop, Shake Shack and Five Guys. The only thing preventing a clean sweep by American chains was the holder of the top spot, from German Doner Kebab. They wouldn’t make my top hundred dishes in Reading, let alone take the crown. Maybe Reading’s favourite illness is dyspepsia. Or dysentery, you never know.

If you’re reading this you probably have at least a passing interest in Reading’s independent restaurants, so perhaps you’re mystified (or depressed) by the continuing popularity of places like Taco Bell. It’s easy to forget, in an echo chamber that buys local, supports indie businesses and slopes off to the farmer’s market a couple of times a month, that most people in Reading would still rather queue for Wendy’s.

Even if you support independent businesses, there are other ways to be out of step. I’ve never quite “got” some of Reading’s fêted indies. I freely admit that Sweeney and Todd is one of them, Quattro is another. A third, the subject of this week’s review, is Buon Appetito. It’s always been highly rated on TripAdvisor, yet when I went there over five years ago I was bemused by the rave reviews. Years later the wonderful Tuscany opened down the Oxford Road and I had another, better pizza option; I never returned to Buon Appetito.

Yet here we are in 2021, Tuscany closed over two ago, and Buon Appetito is still going strong. It’s still highly rated on Trip Advisor. More to the point, the pictures on its Instagram account look a world away from the greasy, cheese-sodden edible cardboard I waded through back in 2016. Flicking through them made me feel decidedly peckish. So I decided to take another look, accompanied by my friend Nick, fresh from his previous appearance in this blog and not put off by the whole experience of being immortalised in print.

Buon Appetito has made the best of an unlovely spot. Like many canny businesses they’ve done great things with their outside space, with plenty of tables and some little booths with circular pub tables and heaters on the wall. Everything was covered by a corrugated plastic roof, and more corrugated plastic formed a partition closing off much of the view of Chatham Street. It will set them up perfectly for winter, and the overall effect made me feel like I was on holiday. That sensation was only accentuated by the soundtrack, which sounded like hotel lobby jazz covers of popular songs. I started out thinking the music was deeply naff, but by the end it had won me over and I’d used Shazam to work out who the band was (The Cooltrane Quartet, since you asked).

Service was bright, friendly and immediate. Rather than relegate it to the end of the review it deserves to be mentioned early and often, because the woman who looked after us all evening was brilliant. Every restaurant should have a front of house like this: warm, enthusiastic, likeable and with opinions about the dishes you ought to try. She brought us a couple of pints of Peroni (the drinks selection isn’t the widest at Buon Appetito) and we began the process of picking through the menu.

“I’m not a fussy eater, but there are four things I won’t eat” said Nick.

“What are they?” I mentally ran through my own list of no-nos, but apart from the obvious ones, like tripe, I could only come up with sweetcorn and dried fruit.

“Blue cheese, obviously. It’s mouldy. You’re literally eating mould.”

I couldn’t help but feel Nick was missing out, but I didn’t interject.

“And raw coriander. It’s awful, it just tastes soapy. It’s genetic, you know.” Having been closely associated with a coriander hater in the past, I’d been told this fact more times than I cared to recall. Can’t you just tell restaurants you’re allergic? I used to ask: apparently not.

“What are the other two?”

“Olives! They just always taste so bitter to me, it doesn’t matter what colour they are. And the last one’s marzipan.”

I could eat marzipan by the block, cutting it like cheese – I have, in my day – but I let that pass. I looked at the menu and mentally struck a virtual red pen through all the items with olives or blue cheese in them: it was more than a few (I was surprised, given our last meal out, that snails hadn’t made the list).

The menu was mainstream but better and more well put together than the one I remembered from my previous visit. It was compact in the right places – only four pasta mains, for instance – and more expansive where that made sense. It’s okay to have many different pizzas because ultimately many of the core ingredients are frequently the same. Pricing was consistent and reasonable – nearly all the pizzas and pasta dishes ranged between ten and fourteen pounds and starters were around the seven pound mark, or more expensive and big enough to share.

Pizzas were a mixture of recognisably Italian combinations – plenty of ‘nduja on there, and the classic Neopolitan pizza with anchovies, capers and olives – and options from further afield. The Honolulu and the Hawaiian, both of which featured pineapple, constituted the lunatic fringe. “I quite like pineapple on pizza” said Nick, “but I won’t order it: you’ll get hate mail from Italians.” I wondered what Italians would make of a vegetarian pizza called “Garden Of Eatin”, but perhaps they’d made their peace with that.

If all of our meal had been like our starters, the rating you’ve already scrolled down to check would have been lower. Calamari was decent, though: it mightn’t have had the tenderness of ultra-fresh squid, but it wasn’t rubbery either. It came with a gentle aioli: a bigger honk of garlic wouldn’t have gone amiss. Even so, it was better than the same dish at the Fisherman’s Cottage a few months back, by which token it was better than most calamari I’ve had in Reading over the years.

The other dish, king prawns with chorizo, was merely pleasant. They were nice plump prawns, three of them, with plenty of sweet flesh once you’d yanked off the head and opened up the shell. The problem was everything else. I know chorizo isn’t Italian, which made the dish potentially slightly incongruous. But worse, this chorizo was nothing special – thick, coarse and bouncy without heat or the terrific crimson oil that colours everything it touches. The menu said that this was cooked with garlic and extra virgin olive oil, but I got little or no garlic, just an anonymous orange puddle under the prawns that didn’t taste of enough.

I began to worry that history would repeat itself: I haven’t doled out a poor rating this year, and I’m somewhat dreading the first time I have an iffy meal on duty. But then our pizzas arrived and those worries, and indeed any other cares I might have had, dissipated in a cloud of carbs. Based on what I’d seen on social media I fully expected Buon Appetito’s 2021 pizzas to be an improvement on the one I had in 2016, but what I wasn’t prepared for is just how improved they would be. They weren’t just better than the previous one I’d eaten at Buon Appetito, they were better than any I’ve had in Reading and many I’ve had further afield.

Now, I can understand you being sceptical: it was only a few weeks ago that I said I might have discovered Reading’s best sandwich, and here I am saying that Buon Appetito does Reading’s best pizza. I couldn’t blame you for thinking I’m busting out hype for the sake of it. But I try hard to be sparing with the superlatives – not everywhere can be the best ever – and by any standards Buon Appetito’s pizza was extraordinary. The base was night and day compared to what I’d eaten before, with a beautifully bubbled, puffy crust with a little leopard-spotting and a deeply satisfying chewiness. 

The toppings – I’d gone for the Napoli, which has always been my ideal pizza – were superb. A great tomato base, just enough cheese, lots of salty anchovies, a judicious helping of sharp, tangy capers and those black olives Nick was so averse to. I think this particular pizza is the choice of salt and vinegar fans everywhere and when it’s perfectly in balance, as it was here, it’s a full-on, sing-at-the-top-of-your-voice truly joyous thing to eat. Better than Papa Gee’s, better than The Last Crumb’s, better even than Tuscany used to be. I loved it, and knowing I could rock up to Buon Appetito any time and order this pizza again for a mere eleven pounds was both a wonderful and a dangerous discovery. 

Nick’s pizza showcased that great base in a completely different direction. The “Calabrian” manages to appear on the menu twice, once halfway through and once at the end of the list of pizzas. But it was a masterpiece of pared-down simplicity – tomato sauce, mozzarella, clusters of ‘nduja, basil leaves: nothing else. Nick had never had ‘nduja before – in 2021, can you believe it? – and though he ordered it with abandon, he approached it with trepidation. “Yes, it’s hot, but it’s good” he said, just before our waitress came up and asked, part sympathetically, part playfully, whether he needed a glass of milk. “We have chilli oil, if you want to make it hotter” she added. But Nick was happy with his choice: from where I was sitting it looked a smart one.

“That was good, wasn’t it?” Nick said.

“It really was. Hold on, is that a Latin jazz cover version of Never Gonna Give You Up?”

“Certainly sounds like it.”

We asked for the dessert menu, because I’ve always felt it’s rude not to at least look. It was on the right side of too big, with four desserts and some variations on the theme of gelato and sorbetto, along with an espresso martini which had wandered over from the cocktail menu. “The panna cotta and tiramisu are the best ones” our waitress told us. “Although our banoffee pie is very good too. We import it from Italy, along with our Torta Rocher”. I suspect they come in frozen from a company called DiSotto, which also provides Buon Appetito’s ice cream and sorbet.  

We took our waitress’ advice. Nick’s tiramisu was a hefty helping, on the rustic side with huge, boozy savoiardi biscuits (or lady fingers, as you probably should no longer call them) and loads of mascarpone under a blanket of cocoa powder. He liked it, but was too full to make significant inroads into it. I gallantly stepped up purely so I could tell you what it was like, namely serviceable. Only now, looking at the DiSotto website, do I clock that they sell a defrost-it-yourself tiramisu which looks strikingly like this one. I’d love to think Buon Appetito makes its own, but I wouldn’t bet on it.

The panna cotta was a strange one: I’m used to it turned out and quivering on the plate whereas this one had been imprisoned in a little sundae dish. There was an enjoyable pistachio mousse underneath, the beautiful crunch of a candied pistachio crumb on top. All tasty enough, but it felt more like an upside-down, out-of-kilter cheesecake than a panna cotta. I’m not sure the panna cotta element – hemmed in, unable to wobble freely – worked.

“Pretty good” said Nick, “but not as good as Laura’s panna cotta.” I tried his other half’s panna cotta not long ago: he’s right.

The restaurant had a steady flow of customers throughout our meal without ever seeming busy. But it was a Wednesday evening close to payday: perhaps that was a factor. “Inside is very nice too, you should eat there next time” said our waitress as she brought the bill, along with a couple of shot glasses of a Kermit-green pistachio liqueur like next level Bailey’s. Three courses and two and a half pints each came to seventy-eight pounds, not including tip.

As I said, night and day; I still think that the place I went to five years ago left a lot to be desired, but aside from being in the same building and doing Italian cuisine I don’t see many remnants of the Buon Appetito that left me nonplussed. They’ve created a properly lovely space, the service is spot on and if part of the menu were merely not bad or even so-so, the plusses outweighed that in spades. The biggest of those plusses is the pizza, which for my money is one of the best I can remember.  

I wish there were more sunny days ahead, because few pleasures can match pizza and beer on a sunny day, but those little booths will be very inviting when the nights draw in, especially for those of us who aren’t sure how much indoor dining we plan to do in what remains of 2021. With Buon Appetito, Chef Stevie’s Caribbean Kitchen and the Nag’s Head, that little piece of West Reading is looking like the best gastronomic micro-climate the town has to offer. Chatham Street, a food hub: who’d have thought it?

Buon Appetito – 8.0
146-148 Chatham Street, Reading, RG1 7HT
0118 3276947

https://www.buonappetitoreading.co.uk
Delivery available: via Just Eat, Deliveroo, UberEats

Restaurant review: Marmo, Bristol

What’s your favourite restaurant? Your absolute favourite, I mean. I ask because a couple of weeks ago I was sitting in my friends James and Liz’s back garden in Bristol, drinking white wine on a sunny afternoon and having exactly that conversation. The wedding we’d been to the day before – on a Wednesday, no less – was that miraculous thing, a wedding where you’re not hung over the morning after, and so the day stretched out in front of us, feeling partly like a Sunday, partly like something else.

James refused to take part: he didn’t believe in picking a single favourite. So we talked instead about possibly allowing everyone to choose three. But if anything, that made it more difficult, because then you had to pick at least one from your home town and then you were forced to choose just the two restaurants from everywhere else you have ever been. 

Liz said that you couldn’t pick somewhere you’d only been the once, but that didn’t help either. Zoë started waxing lyrical about Eetkaffee De Lieve, a little gem in the sidestreets of Ghent, and I daydreamed about sitting outside at Uvedoble in Malaga, demolishing a little brioche stuffed with suckling pig. But which restaurant in Bologna to pick? And how could you leave out Paris? It was just too much of a puzzler.

“I think my favourite restaurant right now is Marmo” said Liz – with a hint of trepidation, because we had a table booked there that evening. And I understood that nervousness better than most, because there’s little as nerve-wracking as telling people that somewhere is good, knowing they’ve gone there because of you and then sitting there waiting to find out whether they’ve lost all faith in your good opinion. I get that all the time.

We went to Marmo with Liz and James’ friends Ed and Ben, a very entertaining couple they’d been telling me about for some time. It was clear straight away, as we took our seats at a Belgian beer bar in the old city, that they liked the finer things in life, which always makes me feel like I’ve found my tribe but also brings out the imposter syndrome.

On our walk to the restaurant Ed and Ben asked me which restaurants I liked in Bristol, and I couldn’t help but feel that this was a test. I didn’t go to Bristol often enough to be on top of the latest developments, but then I mentioned my love of the sadly departed Wallfish, a little neighbourhood restaurant a stone’s throw from Clifton Suspension Bridge, and there was a tacit nod that indicated that I might have just about scraped a pass.

Marmo is a single, buzzy room – all handsome white wood panelling and framed prints on the walls that you daydream about nicking (I also would have loved one of the branded wineglasses, come to think of it). There’s a tiny kitchen at the back, clearly in view, where all the magic happens. Our table was in the heart of things, close to the bar, and I tried to remember what this place had looked like in its previous incarnation as Bar Buvette, a wine bar I’d loved that made you feel like you were somewhere in the eleventh arrondisement.

The menu made you want to order everything, and was compact enough that we nearly did. There were a few snacks and then a 3-4-2 formation of starters, mains and desserts respectively, with one fish dish and one vegetarian dish on offer for each course. The menu looked carb light, but the waiting staff explained that you could have an intermediate pasta course to fix that, as the Italians do, or just have some bread. Starters were around nine pounds, the most expensive main was eighteen pounds fifty. The wine list – of which Marmo seems particularly proud – had a superb selection of red, white and orange wines, with a few producers I’d heard of and many I fancied trying.

In short, it was a menu to get lost in, and we did that while drinking glasses of Muz vermouth, served properly with ice and a wedge of orange. I loved it, and said that the tangy, fruity note in it was strangely reminiscent of brown sauce. There was an awful moment while I waited for someone to tell me I was talking bollocks, and then to my huge relief there was agreement around the table (Zoë didn’t enjoy the rest of the vermouth from that point onwards: “I tried”, she told me later, “but all I could taste was the vinegars”).

Aperitivi deserve accompaniment, so we kicked off with Marmo’s textbook sourdough. It came with butter, which no doubt would have been fantastic, but we were all more keen to dip it in smoked cod roe, perfectly salty and pastel pink, with a pool of olive oil at its centre. Also pastel pink was the mortadella, draped over gnocco fritto, little fried parcels of joy. I’ve never liked mortadella, not even in Bologna, but I loved it here; Marmo, like the best restaurants, can make you enjoy ingredients you wouldn’t normally look at twice.

We’d been torn between a couple of white wines – one from Jura which would have had more funk, and a more conventional Riesling from Staffelter Hof, a producer I recognised because one of their wines crops up on Clay’s fancy new wine list. I tried to palm the casting vote off to Ed, who clearly knew his wine, and he eventually plumped for the Riesling (I’m sure the fact that it was called “Little Bastard” was an unintended bonus). 

But then the staff came over and said that they only had one bottle of Riesling left, so we went for one of each. Those of us who tried the Riesling were delighted by its cleanness, the slight effervescence on the tongue. Those who decided to drink the Jura were pleased to have picked something so unusual, with agricultural notes of scrumpy and sherry knocking about harmoniously in the same glass. We all changed ends at half time, tried the other white wine and in the end decided that they were both terrific.

By this time the starters had turned up, and I got my first sign that I was in for an evening of sustained brilliance. I had gone for smoked eel, beautifully muscular and only lightly smoked, on an oblong of crunchy fried polenta. So far so delicious, but teaming it up with bright cubes of beetroot and blackberries with a balsamic sweetness was a killer blow. I could have eaten this all the live long day, and it left me wanting more – or, to be more specific, another portion. That’s what great starters do.

Although it was the most popular starter, a couple of us tried something else. Liz spoke highly of her marinated peppers, buried under an avalanche of Ticklemore, and I could see that I would have been equally happy with that. Ed had chosen the beef tartare, topped with chives and a slow-cooked egg yolk, flavour soaking into the bread below. How could you have food envy when you’d enjoyed your own starter so much? 

I was sitting between Ed and Ben – the kind of civilised couple who don’t have to sit next to one another all evening – and, being a civilised couple, they passed plates back and forth across me, or behind me, or through me so that neither of them felt left out. But I was having such a good evening that I was more than happy to be the proverbial dumb waiter. 

They were in the holiday mood – Ed’s mother was visiting their cottage in the Chew Valley over the weekend and then they were off to Cornwall for a well-earned break eating and drinking their way around that part of the world. They would spend much of the following week in their own favourite restaurants. I recognised kindred spirits, the kind of people – like me – who plan a holiday entirely around lunches and dinners, who enjoy going to places they know and love, experiencing the comfort, familiarity and total relaxation that comes with a pilgrimage like that. At the tail end of my own holiday, I couldn’t help but feel envious.

Given that Marmo was at least nominally Italian, I felt like we should have at least one Italian wine with our meal, so I chose a Tuscan red called Infraded, a deep, velvety Syrah. Ordering wine had been delegated to me by this point, but I was almost merry enough to be happy with that. Again, I felt like I’d committed a faux pas when the waiter told us this one was best served chilled, but Ed reacted with delight and I decided that on balance, I’d got away with it. It was, as you can probably guess by this point, predictably wonderful, and I made a mental note to see if there was anywhere you could buy some when I got home and Bristol was just a distant, happy memory.

The main courses brought more fireworks. I’ve always heard Mangalitza pork spoken of in hushed tones as the Kobe beef of the pork world, but I’d never tried it before so I was keen to pick it off the menu. It came in glorious marbled slabs, just-pink and tender with the most beautiful melting fat: eating it I could understand why the Italians got so excited about lardo, and the idea of eating fat on its own. It was served simply with a handful of other elements, a wonderful caponata given a fresh edge with the judicious addition of fig, some good oil and a little slick of yoghurt. It was as good a single dish as I’ve eaten this year: I looked over at James, who had ordered the same thing, and saw him lost in a reverent silence.

That silence was eventually broken by Ed telling a story from the time when he used to manage a bookshop in Oxford.

“We had lots of celebrities in while I was there, but the best rider we ever had was from Roger Moore. And Roger Moore only asked for two things.”

“Really?” I tried to imagine exactly what vintage of Château Mouton Rothschild would feature in Sir Roger’s demands. “What were they?”

“A bottle of Jacob’s Creek and a Pret crayfish sandwich. That was all, every time. And by the end of a signing he was always absolutely fucked.”

This couldn’t help but make me warm to the great man. And of course, Ed had a picture on his phone of him with Jacob’s Bond, although it wasn’t clear how much wine had been taken by that point. Ed’s main course was a very attractive-looking pollock dish with mussels, and although he was taken with it, it it didn’t give me any buyer’s remorse about the Mangalitsa pork. Liz had chosen the vegetarian option, a very accomplished spinach and ricotta ravioli dish. Again, although it looked the part, missing out on it didn’t fill me with regret.

There were only two desserts on the menu and we all fancied the same one, the chocolate and hazelnut fritter, so five of us went for that while Ed nursed a grappa. It was an exemplary way to end the meal, a deep, smooth chocolate mousse, sharpened with cream and sandwiched between layers of the lightest of batters. Looking at the picture, it resembles nothing more than a witty dessert take on the ubiquitous burger: would that it was anywhere near as easy to get hold of, but it seems you have to travel to Bristol. We accompanied this with a sweet, fresh and generous glass of Coteaux de Layon (always a better bet than Sauternes, if you ever see it on a menu) – although Zoë had a negroni, because she’s developing a taste for them.

If I haven’t talked much about service it’s because they were so good. Completely unobtrusive but always there when you needed them, really friendly and enthusiastic and very good at what they did. We needed to pay at the same time as ordering our dessert so Ed and Ben could make their taxi on time, and all of that was no trouble and very efficiently sorted. 

Our meal for six, including a discretionary ten per cent service charge, came to just over four hundred and ninety pounds, or something like eighty-two pounds a head. That might sound like a lot, but we really went for it – aperitifs, snacks, a three course meal, plenty of wine and dessert wine. You could spend less and I have no doubt you’d still have a superb meal, and if you find yourself in Bristol at lunchtime they have a set menu which is even more impressive value. But either way I had no regrets – a couple of nights before I’d eaten at Paco Tapas, Bristol’s Michelin starred tapas restaurant, where I spent significantly more, eaten and drunk considerably less and not had quite as much fun. You pay for a meal, but you pay for memories too.

Even as I was eating at Marmo, I knew that the marker had been set down for the rest of this year and probably most of the next: as complete, satisfying and perfect three course meal as I could imagine. I would go to Bristol to eat here again, and I would plan trips to Bristol just so I could. It’s not my favourite restaurant – if only because you can’t give that accolade to somewhere you’ve only eaten at once – but it was my favourite meal for a long time. And if you ever wonder why I don’t give out higher ratings more often, this is why. I save the big guns for the great meals, and this is the kind of standard Reading restaurants need to aspire to, slowly but surely. I still hope we’ll get there. But in the meantime, we’ll just have to hop on a train.

Marmo – 9.4
31 Baldwin Street, Bristol, BS1 1RG
0117 3164987

https://www.marmo.restaurant

Restaurant review: Pepe Sale

“I’m looking forward to the full Edible Reading experience” James said when I met him at the station. He made it sound as if joining me to review a meal was some kind of theme park. The Edible Reading Experience: you have to be this smug to ride.

“It’s nothing special. There are just two rules – don’t mention the blog when we’re in the restaurant and take photos of everything you eat. Zoë’s meeting us there. Do you want to know where we’re going?”

“Don’t tell me, I don’t want to spoil it.”

“I’ve saved a good one for you. And it’s the perfect one to review this week – it’s a revisit of the first place I ever reviewed, and it came under new management last year. And it’s an Italian restaurant, which is topical after last night. Let’s hope they don’t gloat too much.”

“Sounds perfect” said James, and we ambled through town, past the side of the Broad Street Mall. James is unflappable, but he almost did a double take. “Ah, you have a Taco Bell.”

“I’m afraid so. Its popularity is a continuing mystery to me.”

Later James told me that Taco Bell’s beef is only technically 88% beef because it contains so much other gubbins. He’s full of useful information like this – with hindsight I don’t know why I didn’t invite him to come with me on duty before. He likes the finer things in life: this is a man who flew to Korea for a weekend just to learn how to cook Korean barbecue, a man who has converted his garage into a micropub. Just the person to bring along to bolster my “man of the people” credentials. 

He was also the perfect person to take to Pepe Sale, the subject of this week’s review: he’d joined Zoë and me on holiday in Bologna two years ago and we’d rhapsodised together over ragu and porchetta, each meal as superb as the last. Our last holiday before lockdown was with James and his other half Liz in Copenhagen, eating magnificent food, attending a wild beer festival out in the docklands, stumbling out of brewpub after brewpub, enjoying the driverless subway trains and being too smudged to appreciate the Design Museum. We talked about coronavirus on that holiday, but with no real appreciation of what was coming, unaware of the gathering storm.

Although Pepe Sale changed hands last year the buyers kept that news quiet, presumably because they wanted a smooth transition and to retain as many regulars as possible (perhaps wisely: I remember the panic a couple of years ago when Pepe Sale showed up as for sale on a listings website). It became more apparent this year, as previous owner Toni Sale set up his “Pasta Academy”, running classes out of his gorgeous-looking kitchen, and the new owners made a small but significant change by opening on Sundays. Prior to that, Pepe Sale only opened on one Sunday every year, namely Mother’s Day. 

A few people told me last year, after visiting Pepe Sale, that it didn’t feel the same: not necessarily better or worse, but that something had changed. And that made sense, really. Toni was a big presence in the kitchen, his wife Samantha ran front of house superbly: with both of them gone, it was bound to be a different experience. When I looked at all the restaurants I’ve reviewed, trying to gauge which ones needed a repeat visit, Pepe Sale was high on the list. And so, nearly eight years after my previous review, Zoë, James and I went on a Monday lunchtime to see how different it was.

Visually, you’d barely notice the restaurant has changed hands. The decor is unaltered, all high-backed chairs and marble-topped tables. The restaurant is split-level, with the smaller space up top looking out on Queens Walk and the lower level a bigger room that I’ve always found harder to like. The only real difference was that the space by the front door where Toni used to roll fresh pasta every day has been replaced by another table. No specials menu either, that I could see, which was a shame – although it might have been because we were there on a Monday lunchtime.

I might find myself saying “it might just have been that we were there on a Monday lunchtime” many times during this review, so let’s take it as read from now on. The three of us were the only customers that afternoon, and there was a nicely sleepy pace to things with our waiter (the only staff member that I saw) giving us plenty of time to sip our water, read our menus, catch up and eventually get round to making our choices.

“Were you celebrating last night?” James asked him, ever the diplomat.

“I had four Peronis and a bottle of pinot grigio” he said, his eyes smiling, even if you couldn’t see a grin behind his mask. “But I wanted England to win. I’ve lived here for so long, and my kids were born here. My little boy was devastated this morning.”

The menu hasn’t been changed one iota under the new management, so it’s virtually identical to the one I ordered from back in 2013 and probably much the same as it was when they opened. The wine list, though, printed on the other side of the menu, was far smaller than the one I’m used to. Pepe Sale’s wine list was always a selling point – a huge range, across all price points, the majority of it coming from Sardinia. It’s now a one pager, although it’s all still Italian. Perhaps Pepe Sale has a separate, bigger wine list but if so, I wasn’t shown it and I didn’t think to ask; I can well believe, though, that the events of Brexit might have reduced the amount of wines the restaurant can economically import. 

In any event, we had a very nice red from Piedmont called Otto Bucce, which was peppery and smokey and felt like good value at around twenty-seven pounds. We took those first happy sips, we broke off pieces of rosemary-studded pane carasau and we began the serious business of chatting and gossiping. Italian music was playing in the background – another change, I think – and even though James, technically, was the only person who was on holiday, somehow we all felt like we were. I love it when restaurants do that to you.

Before our starters arrived, there was a spanner in the works: our waiter materialised to let us know that they were out of avocados. Would we like to order something different, or wait ten minutes while they nipped out to get some new ones? We opted for the latter, and all I can say is that I’d like to know where they bought them from. It certainly wasn’t a supermarket – I’ve lost count of the number of times a “perfectly ripe” avocado meant “perfectly ripe in a couple of weeks” – so I’m guessing they nipped round the corner and got some from the kerbside cornucopia of the Oxford Road’s magnificent Best Foods. 

Anyway, Zoë’s starter of avocado and mushrooms in a dolcelatte sauce was a marvellous, indulgent thing and easily worth the additional wait. The avocado was ripe and buttery and the sauce, which added just enough salt and funk, was so good that Zoë looked ruefully over at the empty bread basket and wished she’d saved a couple of pieces to mop it up.

James ordered a starter I ate on my visit all those years ago, mozzarella baked in radicchio with anchovies, olives and cherry tomatoes (if you want a pointer that Pepe Sale resolutely resists trends, here it is: burrata is nowhere to be seen on the menu). James enthused about it and although I didn’t try any, it looked as good as I remembered. As a rule I think the worst thing you can do to mozzarella is heat it up, but there’s something about those precious parcels of molten cheese and bitter leaf that’s properly charming, especially teamed with the hit of anchovy and the sweetness of little tomatoes. 

If that description makes you think I was suffering from starter envy, you’re probably right. I had gone for malloreddus, a Sardinian pasta speciality, which are best described as halfway between gnocchi and conchiglie, tightly curled shells, in a spicy tomato sauce with chunks of sausage. Everything worked, on paper – the sauce had a good heat, it clung nicely to the pasta and the sausage tasted decent. But somehow, it started to feel like a chore by the end, a tiny bit one-note compared to the other starters at the table. Perhaps I’d have felt differently if the sausage meat had been crumbled, finer in texture, rather than big slices of the stuff.

There was a nicely civilised pause between courses, and our mains arrived just as we were ready for them – a relief, as kitchens without much to do often rattle off the next set of dishes quicker than you’d like. Zoë picked an absolute banker from the menu, chicken breast, stuffed with mozzarella and sage and wrapped in pancetta. Again I found myself gazing in envy at a pool of molten mozzarella and wishing I’d played it safer: I was allowed a forkful which reminded me what a solid, classic dish it was (it also made me miss the saltimbocca at sadly-departed Dolce Vita, halfway across town and many years ago).

James chose a dish I’ve never ordered, wild boar cutlet in a tomato sauce. It looked the part – a handsome slab of meat cut into three in a deep sauce with plenty of cherry tomatoes (“I’ve picked the two tomato-lovers’ dishes” said James). But he wasn’t wild about the texture – “it’s not a soft meat, put it that way” – and found it tougher and chewier than he’d have liked; a sharp steak knife would have helped matters along.

My dish, sea bream, was also close but not quite there. The fish was beautifully cooked, two lovely fillets with tender flesh and crisp skin, and it’s hard to go wrong with anchovies and olives (and beautifully chopped shallots). But the thing I always loved about Pepe Sale’s fish dishes was the sauce, a rich fish fumet fragrant with wine, and this felt a little thinner than I remembered. It wasn’t a bad dish by any means, but lacking a little oomph. Had it changed, or had I?

All of us went for a selection of vegetables and these were well-judged – nicely crunchy potatoes sauteed with rosemary and perfectly al dente carrots and broccoli; Pepe Sale, more than any place I can think of, taught me the virtues of not overcooking your veg.

The dessert menu is also unchanged, and is a mixture of Italian, generic and Sardinian dishes, all reasonably priced. I was tempted by the basil panna cotta, another old favourite, but James and I both went for the sweet ravioli. They were every bit as delicious as my happy memories of them, fried squares packed with gooey ricotta and orange zest, the whole thing drizzled with sweet syrup and topped with more strips of fried pastry and a little snowdrift of icing sugar. Looking back at my picture of this dish from 2013, and the mozzarella starter for that matter, I’d say this kitchen puts more effort into plating now: the camera loved it as much as I did.

Zoë’s choice was the tiramisu, and again I was allowed just enough of it to wonder if she ever ordered a bad dish. I suppose there are no surprises with tiramisu –  you know it will be boozy and rich, all cream and coffee and chocolate, and this one was no exception. “I liked it a lot, but it did make me cough” she said later. “It’s the dust of the cocoa powder and my dodgy lungs. That’s why I was never allowed Dib Dabs as a kid”. 

Our meal – three courses each, some bread, a bottle of wine and a trio of amaros to help our desserts go down – came to just over a hundred and thirty pounds, not including tip. Pepe Sale is currently running a promotion where you get 20% off your food bill Mondays to Thursdays, and without that it would have been over a hundred and fifty pounds. Looking back at my 2013 visit a similar meal for two came to eighty pounds, so prices have definitely crept up – although that’s only to be expected and our meal still felt like good value.

As we settled up, I asked our waiter how business had been since they reopened in May. He told us that they were busy at weekends, solidly booked in fact, but things were still sluggish during the week – an experience I suspect is shared by many of Reading’s restaurants. He added that having Reading’s ill-advised quarantine hotel at the end of Queens Walk had hardly helped matters, although things were recovering now. 

It did make me think about whether people would feel comfortable eating inside on a busy evening – the tables are reasonably spaced but there are no screens, and although the front of the restaurant has big double doors which could be opened for ventilation they stayed resolutely closed during our visit. It’s a shame they’ve never put any tables outside, as their neighbours ThaiGrr! and Bierhaus have chosen to, but I guess that part of town can be a bit of a wind tunnel at times. 

We carried out a debrief over beers in the garden of the Nag’s Head, and there was less consensus than I expected. Zoë was the most positive about her food, but I think she ordered better than the rest of us (“that starter was great, but you know I love the ‘shrooms”). James was more equivocal, put off slightly by the toughness of that wild boar. I was somewhere in the middle, but in the back of my mind I was thinking that the food was almost exactly as it always was, and I couldn’t decide whether that was a good thing or not. We discussed it a little further, but then we were interrupted by a positively operatic fart from a shaven-headed gentleman at the table behind us which sounded like Brian Blessed molesting a tuba. We dissolved into fits of laughter, and that was that.

I feel a bit for Pepe Sale’s new owners. Talk about a no-win situation: if they make sweeping changes they’ve have messed with an institution, if they don’t they risk preserving it in aspic. And yet the restaurant barely changed in many years, so you can understand them not wanting to muck up a winning formula. I think it misses the specials and that wider wine list, and I sincerely hope they’re still making their pasta on the premises, but all in all it feels like the new owners are worthy custodians of the food: everything I had felt up to the standards of previous visits, and if anything the focus on presentation is stronger now.

And yet there’s so much more to a restaurant than the food. Aside from how Covid-cautious customers would feel eating in Pepe Sale, it’s safe to say that the real test of a restaurant is how it copes on busier evenings, whether the service and the kitchen can step up a gear to deal with the demands of a packed dining room. But not just that: it also depends whether that magical transmutation happens, where instead of just being a room full of people it becomes a wonderful buzzy place, a club where you’re lucky enough – if only for one evening – to be a member. At its best, Pepe Sale always did that. The new owners will face far sterner challenges in the months ahead than our chatty table of three on a Monday lunchtime. My fingers are crossed that they are up to them.

Pepe Sale – 7.8
3 Queens Walk, Reading, RG1 7QF
0118 9597700

http://pepesale.co.uk

Mio Fiore, Newbury

It is a sad but unavoidable fact that the moment I review somewhere Not In Reading, no matter how glowing the review and no matter how easy it is to get there, far fewer people click on the link and read it. So if you’re reading this, I should start by thanking you – and then I should go on to explain why this week it’s the turn of an Italian restaurant in Newbury, a five minute walk from the train station.

It’s a culmination of a few things, really. First of all, restaurants serving pasta have become a bit of a Thing in London in the last few years. It started with Padella, the no-reservation-queues-round-the-block establishment in Borough Market and their legendary cacio e pepe (I’ve never been: I don’t do queues). I did however recently have lunch at Covent Garden’s Bancone, a more recent exponent, and it was truly marvellous stuff, my rabbit and juniper ragu pretty close to anything I’d had in Bologna.

Then Mio Fiore, which has been on my to do list for some time, appeared in a national newspaper. In the course of reviewing a(nother) London pasta restaurant in the Guardian, Grace Dent mentioned in passing that she’d particularly enjoyed Mio Fiore’s spaghetti puttanesca during a Berkshire road trip (“something of which we’ll never tire”, she grandly exclaimed). Well, now: this part of the country never troubles broadsheet restaurant reviewers, so even a brief appearance like this warranted further investigation.

But the thing that clinched it was discovering that Pepe Sale, Reading’s exemplary Sardinian restaurant, was listed as for sale. The report subsequently turned out to be incorrect – apparently proprietor Toni described it as a “prank” – but at the time it threw me (and, I suspect, many other Reading diners) into a bit of an existential tailspin. How many more chances would I get to eat that stunning suckling pig? Where would I get my fix of top notch Italian food once Pepe Sale was gone? That settled it, so before too long my partner Zoë and I were on a train to Newbury to carry out what I had decided was essential research.

The first two things that struck me when I walked through Mio Fiore’s front door were that it was absolutely packed on a Tuesday evening and that there was a strong, glorious whiff of garlic (and I’m not sure they struck me in that order, either). A busy restaurant is the best kind of all, and no restaurant that smells of garlic can ever be a bad thing. It was a high-ceilinged room, almost like a barn, and they’d put in a second floor with a balcony, although I was glad we were seated on the ground floor by the windows, with a good view of the place. Everything was for utility rather than show – not often you see actual bricks in a restaurant rather than tiled bricks or wanky exposed brickwork. The wood-fired oven glowed behind the counter.

Compared to my recent horror show at Cozze, the menu at Mio Fiore exuded a quiet confidence. It felt compact – half a dozen starters, a manageable range of pasta and pizza dishes and only four other main courses. It wasn’t clear from the menu whether you could choose to have a smaller pasta dish as a starter, so we cooked up all sorts of permutations of what we might order before our waiter turned up and explained that we could indeed do that. That would have made things simpler, but for the fact that the specials board we hadn’t previously seen added further temptation and complication in the shape of another half-dozen dishes. We made inroads into a beautiful bottle of Gavi di Gavi and honed our final choices.

I’m no particular fan of Grace Dent, but I am a fan of puttanesca, so I had to try it. There’s a beautiful alchemy that happens when tomatoes, anchovies, capers and garlic combine and this dish had it in spades – sweet, salt and savoury in perfect, tantalising equilibrium, with the faintest hint of chilli to dial up the contrast. The pasta was spot on, too – just the right side of al dente, and the perfect vehicle for the sauce. The nice thing about having pasta as a starter is that it never outstays its welcome, although that was never going to happen with a dish this beautiful; I could have eaten a mountain of the stuff. Once I’d finished the spaghetti I took a spoon to the remaining sauce, not wanting to miss a mouthful.

Zoë had opted for an equally traditional dish, and if the fettuccine with ragu didn’t quite meet the lofty heights of Bologna it came creditably close. The ragu had a lovely depth to it, the pasta again was spot on and the whole thing was liberally covered with Parmesan (although I always say you can’t have too much). We didn’t know how much Mio Fiore would charge us for our starters until the bill arrived, but they’d priced both pasta dishes at six pounds ninety-five, which strikes me as impressive value.

If the meal had finished there, it would have been pretty damned good, but the main courses kept up the standard without a misstep. My chicken with Gorgonzola and wild mushrooms was from the specials menu and was another beautiful dish. Like the pasta dishes, it’s the kind of thing that features on the menus of Italian and faux-Italian restaurants across the country, but you can tell when it’s executed with skill. The sauce was silky, with enough tang from the blue cheese but not so much that it overpowered everything else going on. Crucially, the “wild mushrooms” were in fact wild: they are so often tamed somewhere between the menu and the kitchen. The rosemary roasted potatoes didn’t get a chance to shine, sitting under the chicken and smothered in the sauce, but that was hardly a bad thing.

I had some roasted vegetables with this, because I felt like I ought to at least try to eat some plants. They were served cold and didn’t go at all, but the waiter had warned me about that and I decided to press on anyway. They too were beautiful – sweet red and yellow peppers, long strips of griddled courgette and smoky aubergine with, again, a hit of garlic.

Zoë had a pizza, to make sure we tested the full range of the menu; this too was excellent. I remember eating friarelli at Papa Gee for the first time, never having heard of the stuff, but it’s more of an ever-present on pizza menus these days. None the less – bit of a theme here – it’s rarely used as well as it was by Mio Fiore. The real star of the show, though, was the salsiccia – delicious, coarse nuggets of sausagemeat, generously distributed. The crust and the dough were superb, the tomato sauce sweet and fragrant and the whole thing, really, showed how good the basics could be when you get the basics right. Zoë thought it was better than Franco Manca, better even than Lusso (Newbury’s dedicated pizza restaurant which is itself no slouch) and I was inclined to agree.

I don’t always have dessert on duty but there are two situations where I usually will: when my mind isn’t yet made up about a restaurant or when I know it’s good and I want to see if the final third of the meal can top the rest. No prizes for guessing which of the two it was here, and again the menu was restrained and unfussy: no hideous highlighter-pink profiterole Tower Of Babel to be seen here, just some of the classics – panna cotta, chocolate fondant, cheesecake, tiramisu. Zoë chose the chocolate fondant, which takes fifteen minutes to make – just enough time to watch the restaurant start to calm down, the busy tables settle up and leave, the birthday celebrations on the upper floor began to nudge down the volume. It really is a lovely place, I thought to myself, wishing I’d not waited so long to pay it a visit.

I always judge Italian restaurants on whether they have something decent to drink after dinner, so we were taking our first sips of Averna (bittersweet, on ice with a single wedge of orange) when our desserts arrived. Chocolate fondant, like all hot desserts, isn’t really to my taste but I tasted enough of Zoë’s to verify that it was faultless. The contrast in textures was absolutely as it should be, no over-gooey mess in the middle but not dried out either. It’s not a dish I ever order, but I’m glad Zoë picked it; there are few things quite as enjoyable as watching the person you love eat something they adore.

My choice, tiramisu, could have been equally prosaic. After all, who hasn’t had tiramisu countless times in one Italian restaurant or another? But again, the execution was impossible to fault. It wasn’t pretty, or fancy, but everything about it was right – soaked through with booze and coffee, with a beautiful indulgent depth to it. No corners cut, nothing artificial or superficial, just a textbook example of how things should be: six pounds exceptionally well spent.

Service throughout our meal was emblematic of the whole experience, in that the simple things were done automatically and the difficult things were made to look easy. The restaurant was packed all evening, and the waiting staff were clearly very busy, but although they worked their socks off they still exuded a certain assured serenity. Even the little things were right – letting you know they’d be with you in a second, always being chatty, never making you feel neglected or forgotten.

Maybe that’s the thing about family-run restaurants, because the waiting staff were a tight-knit, efficient bunch who were clearly a very comfortable and effective team. When my main course came, Zoë’s pizza was nowhere to be seen and our waiter, charming and suave the rest of the time, was up at the counter giving the pizza chef a good talking to to ensure we weren’t kept waiting. When he brought it over, barely a minute later, he was all smiles. This was the service all over – completely in control, the perfect link between the kitchen and the customer.

As we were settling up our waiter told us that Mio Fiore had been there for four years: we told him we came from Reading, he knew it and we had a chat about Pepe Sale. It was a good restaurant, he said, if maybe a bit dated, and I found myself unable to disagree. Our bill for two people – three courses, a bottle of wine and a couple of digestifs – came to just over a hundred pounds, not including service. It would be easy to spend less, but either way I thought this was thoroughly decent value.

I worry, reading back over this, that this might be another review of a restaurant outside Reading that many people won’t read, or that it doesn’t have quite enough pizzazz to persuade you to take that train to Newbury (not even if I mention the incredible selection of pre-prandial gins, ciders and Belgian beers at the wonderful Catherine Wheel). If so, the fault is entirely mine.

The problem, you see, is that a restaurant as consistent and unshowy as Mio Fiore does not attract superlatives. The dishes aren’t triumphs of imagination, the presentation involves no visual fireworks. You won’t be wowed by creative combinations of ingredients you’ve never seen before. Mio Fiore has no designs on being that kind of restaurant, and if that’s what you crave it isn’t the place for you. I loved Mio Fiore precisely because it eschews all those things.

I’ve eaten a lot of middling meals on duty, cooked by people who don’t know, or worse still don’t care, how food should taste. I’ve seen so many menus that read infinitely better than the food that turns up at your table, all gastronomic mouth and no trousers. I know the flavourlessness of disappointment better than I ought to, and as a result I really appreciate somewhere like Mio Fiore where everything tastes as it absolutely should – but so very rarely does.

I’d pick a restaurant like this, focusing on the classics, over all the fads and trends any day of the week. That it manages to do all that with such warmth and expertise, in a lovely welcoming room with thoroughly likeable staff, is as worthy of a fanfare as anywhere else I’ve eaten. That it all takes place in a room which happens to smell of garlic is the dusting of Parmesan on top. I recommend going, so you can see just how excellent a restaurant can be without ever showing off.

Mio Fiore – 8.4
5 Inches Yard, Newbury, RG14 5DP
01635 552023

https://www.miofiore.co.uk/

Buon Appetito

A more recent review of this restaurant exists, from October 2021. Click here to read it.

When people suggested I review Buon Appetito, an Italian restaurant down Chatham Street, right next to the Central Swimming Pool, I looked at the menu online and nearly rejected it out of hand. Nothing about it suggested authenticity; I’ve never been to Italy, but from the looks of the menu nor had anyone associated with Buon Appetito. It was a few mainstream pasta choices, some not wildly exciting pizzas and a few other bits and bobs. I wasn’t even sure whoever had put this menu together had even been to Bella Italia, for that matter.

Then I looked at the TripAdvisor reviews and wondered what I was missing. Almost without exception they were raves: not all obvious shills by people who had only ever written one review for TA, but reviews by real people who, it seemed, had something to compare it to. Other Italians need to up their game said one, among the top three pizzas I’ve ever eaten, and that includes in Rome said another. Well now! So what we had here was the restaurant equivalent of an irresistible force meeting an immovable body: which was right, my opinion based on the menu or all those TripAdvisor reviewers? I simply had to know.

The first challenge was getting anyone to show us to a table. We went through the door on a gloomy weekday night and found ourselves standing there for a good five minutes before a waiter turned up. The last time I’d eaten at this site was back when it was the sadly-departed Chi and they’ve done a good job with it. It feels bigger, lighter and airier, and nobody goes wrong with the classic combination of red gingham tablecloths and plain wooden chairs. The room through the back, where we were seated, is a pleasing square space and the art taking up the whole of the far wall, an Italian scene of an old cobbled street, opens it up nicely. We were the only people there, although a table in the corner was booked for two and had a vase sitting on it with a dozen red roses. Aw! I thought to myself, trying to overlook the rather invasive background music. It sounded like it was being played on a chewed cassette tape.

I still didn’t much fancy the menu but we took recommendations from the waiter, a young, chirpy, pleasant chap who was happy to talk us through what was good. All the pizzas were excellent, he said, and so was the grilled goat’s cheese starter, the bruschetta and the tagliatelle. That made the choice a lot easier, so we ordered half a bottle of red wine and waited to see what was in store.

This led to the first oddness of the evening – I was expecting a half bottle, 375ml, of a named wine with a label on it. Instead we got a plain unlabelled full size bottle, wearing a red napkin like a little neckerchief, half-full of some unnamed liquid. All a bit weird, although it tasted nice enough (if a little tannic). The music got a little more frantic – all Italian, with more noodling and guitar shredding than I associate with Italian music. Personally I’d have preferred Boys Boys Boys by Sabrina, but you can’t have everything.

We shared the two recommended starters. The grilled goat’s cheese was adequate but probably no better than that. The cheese itself was nice and earthy, and it came with some caramelised red onion (I couldn’t shift the suspicion that this was out of a jar) and some balsamic glaze on two slices of baguette. Pretty tasty, although more about assembly than actual cooking.

BuonGoat

Much the same was true of the bruschetta. It was a small oval of pizza bread (cooked in the pizza oven, the waiter had proudly told us) topped with halved cherry tomatoes, some red onion and drizzled with pesto. The pesto had the thick texture and taste that again suggested it had come out of a jar, or maybe a tub. The tomatoes were sweet and not unpleasant. The pizza bread was not the right choice for this, because there was nothing for the juices from the tomato to seep into, although that’s probably fair enough because nothing had been done to the tomatoes, so there were no juices anyway.

BuonBruschetta

The waiter asked if we’d liked the starters as he took them away, and we said they were nice. Ten per cent fibbing, I’d say. By this time the happy couple had turned up and were sitting at their assigned table, which was slightly higher up than ours, as if on a dais. They ordered champagne and chatted away to each other in a language I couldn’t make out, and took photos of each other and got the waiter to take pictures of them both. It was quite heartwarming to see, although already I was starting to wonder if they shouldn’t have picked a slightly better restaurant.

It was around the time my pizza arrived that I began to wonder whether Buon Appetito was the most misleadingly-named Reading establishment since Great Expectations. I have literally nothing positive to say about it. I have a friend who sometimes complains about pizzas saying they have too much cheese on them, and in the past I’ve always responded to her saying “don’t be ridiculous, how can a pizza have too much cheese on it?” Well it turns out that it can, because my salami pizza was practically nothing but cheese. Covered completely in cheese, a big molten sheet of the stuff, with no bubble or crisp or texture.

The base might once have been half decent (though I wouldn’t bet on it) but with so much grease it was sodden and grotty. The salami and pepperoni felt cheap and nasty. The menu claimed there was a tomato sauce hiding under there, but some exploratory work scraping off the gloopy layer of cheap mozzarella revealed nothing of the kind. You know when you get a pizza and you wind up leaving the crust so you can eat the good stuff in the middle? This was a grotesque parody of that, in that I found myself eating along the perimeter because it was the only bit with any crunch or contrast, the only bit that felt like it might have been pizza at all.

BuonPizza

I have a friend who makes the most amazing pizzas. He makes his own sourdough base, he has a pizza steel, he makes his own tomato sauce, he buys in ‘nduja and friarelli, the whole shebang. Even his vegan pizzas, covered in capers, are remarkable. His pizzas – and apologies for being indelicate – piss all over Buon Appetito’s. But to put this into perspective, this pizza wasn’t just not as good as that. It wasn’t as good as Papa Gee’s. It wasn’t as good as Pizza Express’, or Zero Degrees’. It wasn’t as good as Prezzo’s or Strada’s. It wasn’t as good as Marks and Spencer’s, and I wouldn’t have put money on it being as good as Iceland’s. It was a waste of calories, and I didn’t even come close to finishing it.

The other main, spinach pasta with prawns, was also disappointing. The pasta was overcooked, squidgy and claggy (not for the first time, I wondered if the chef was Italian: al dente it wasn’t) and the sauce just tasted of tomato with none of the olive oil, garlic and lemon juice it allegedly contained. It needed something (anything!) to lift it, and without that it just tasted like student cooking. Put it this way, if I’d made it at home I still would have been disappointed. A shame really, because the prawns were rather nice. I picked them off by sniping with my fork, and I left an awful lot of the rest.

BuonPasta

We told the waiter we were really full as he took the main courses away, and that they had been nice. I’m pretty sure by this stage we were eighty per cent fibbing. We didn’t ask to look at the dessert menu and dinner for two came to thirty-seven pounds, not including tip. Our waiter seemed like a lovely chap but it was amazing how often he wasn’t around given that he only had four customers to look after. Getting the bill and paying it were both more difficult than they ought to be, and empty (or half-full) plates were sitting around in front of us for longer than they should have been.

I’m baffled by Buon Appetito’s high ratings on TripAdvisor. I wouldn’t want to suggest foul play, but I do wonder how many of these reviewers are regulars or have connections to the restaurant. Who knows? Perhaps they had an off night, perhaps I went with insurmountable preconceptions, but I don’t think so. I think I ate food which had little to do with Italy prepared by a kitchen that probably hadn’t been there. I think there were some jars involved, and some disappointing ingredients. I think Reading has many better Italian restaurants and, most damningly of all, I think that includes a number of chains; when you can eat something better on the Oracle, you really have a problem. As we got up to leave I looked again at the lovebirds, only to find them both tapping away on their phones. I fear they had about as enjoyable an evening as I did.

Buon Appetito – 5.3

146-148 Chatham Street, RG1 7HT
0118 3273390

https://www.buonappetitoreading.co.uk