Can you believe it’s the best part of a decade since I reviewed anywhere in Henley? I didn’t realise that until I sat down to write this review, and I was so surprised that I thought it was a mistake. But no, there it was: June 2016, a visit to the Little Angel, just over Henley Bridge from the not-so-little Angel On The Bridge with its popular riverside terrace. I quite liked the place, and ate there again a couple of years later at a friend’s wedding reception, but even so I’ve not written up a Henley restaurant or café for nearly ten years.
Was it a lack of options, general neglect or just one of those things? I’m not entirely sure, but I do remember keeping a vague eye on Henley and although a couple of new places have sprung up since my last trip on duty none of them had tempted me quite enough: the Hart Street Tavern is meant to be decent, but I seem to recall that it’s run by the same team as the Bottle & Glass, so I wasn’t in a mad rush to scarper to Henley to check it out. And there’s Shellfish Cow, I suppose, a sister restaurant to Wallingford’s surf and turf specialists, but again I just wasn’t sufficiently curious. A dodgy pun doesn’t necessarily make for a great restaurant.
I remember taking a solo trip to Henley almost exactly a year ago. I must have been influenced by my public transport-loving wife, because I did it mostly to try out the brand new Aqua, Reading Buses’ number 28 which now runs frequently from Friar Street to Bell Street, winding through Playhatch and Shiplake, picking you up from Berkshire and dropping you off in Oxfordshire, a world away.
Once there, I’d found myself completely at a loss as to where to lunch.
My finger was nowhere near the pulse, so all I really knew was that I didn’t fancy going back to anywhere I’d reviewed in the past. I could have gone to Geo Café, of course, on the off-chance that my friend Keti, the owner, was there but I felt like I should show some sense of adventure. A wander round Henley, which was still as pretty as ever, suggested that most of the options were starters-mains-desserts places rather than spots for a light lunch.
I was almost stumped, and I ended up in a café slash deli just down from the Town Hall, opposite where Henley used to have an utterly preposterous Harrods café, a place which simultaneously managed to seem posh and lower the tone, the way new money can.
Although the Harrods café closed some time ago, my lunch venue was clearly its spiritual successor. I had a solitary crumpet, the diameter of a coffee cup, topped with some smoked salmon and a poached egg. For fun, I put the picture on social media and asked people to play The Price Is Right: it cost me an eye-watering £12, and at least half of the guesses I got thought it would come to even more than that. It was middling, the coffee was worse. Afterwards I strolled to Geo Café and, over far better coffee, resolved that a sense of adventure was overrated.
But Henley’s scene isn’t as stagnant as you might think. Echoes, an outpost of Phantom Brewing, has opened there and does very good beer, served by an enthusiastic team. Flyte, a bar offering a combination of tacos and cocktails, opens next month. Last March Dominic Chapman, the Michelin starred chef formerly of the Royal Oak at Paley Street and the Beehive at White Waltham opened his eponymous restaurant in the Relais hotel at the bottom of Hart Street. Little by little, things are starting to change in Henley.
And then there’s the Duke, a curious beast, a pub which opened in January where Mexican restaurant Pachangas used to be. It started trading at the beginning of the year, and an article in the Henley Standard made all the right noises about everything being cooked over fire, an emphasis on small plates and all that other stuff everybody says.
At first all went well, and they paid for a London blogger to come up and review what looked like a surprisingly stingy selection of dishes from the menu. He enthused, giving it an 8/10 which probably would have been a 6 or a 7 if the food hadn’t been free, but since then the menu seemed to have drifted closer and closer to the mainstream, and then last week the pub abruptly announced on social media that it was shutting until further notice “to rebuild our team”, which suggests that all is not going swimmingly.
Neither the Duke nor Restaurant Dominic Chapman has troubled the guide books or restaurant inspectors, which made it even more of a curveball when last month Michelin added sixteen venues to its guide and one of them was in Henley. Out of nowhere, seemingly, they had listed the Three Tuns, the pub on the market place next to superlative Henley butcher Gabriel Machin. Part-owned by the butcher, too, as it was a joint venture between Machin’s owner Barry Wagner and Nigel Sutcliffe, who runs the also-listed Oarsman in Marlow.
The intent was to take advantage of that fantastic produce, to be a sort of chophouse in the Oxfordshire town. As for the Three Tuns’ success this year, meteoric only just does it justice: it reopened in May, and in September it was listed by Michelin. Nobody knows exactly what brings restaurants to the attention of the inspectors – who still seem to have a blind spot where Clay’s is concerned – but however it happened, being noticed after four months is exceptional going.
When I learned that, I resolved that I needed to get there as soon as possible. But it also gladdened me enormously, because the pub used to be a favourite of mine ten years ago, when it was run by Mark and Sandra Duggan, and I ate there frequently in another life, reviewing it in 2014. The last time I went, just before the Duggans left the pub, was with Zoë, just after we got together. I remember having an exquisite Caesar salad, so good it was bittersweet.
Because I was glad Zoë got to try it before it changed hands, but sad about all the meals we wouldn’t have there. And that listing in Michelin raised my hopes that, much like my blog, it too could have a second era that surpassed its first. So Zoë and I alighted from the Aqua last Saturday and went to investigate, stopping at Echoes on the way for a few pre-prandial pales and a very happy chance encounter with readers Steve and Tracy.
I should add that Zoë insisted, by the way – both on joining me for this one and on taking the bus to get to Henley. Neither of these facts will surprise regular readers.
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The concept of choice in restaurants, I’ve always thought, brings out the inner Goldilocks. Too wide a menu and paralysis sets in, but if it’s too narrow you can’t help feeling straitjacketed. It’s why restaurants that only offer one or two dishes: Le Relais de Venise with its entrecôte, or Burger & Lobster with its – well, you know – have never really caught on here.
I’m reminded of the immortal words of Peter Butterworth in Carry On Abroad, an evergreen favourite of mine, when his Spanish waiter Pepe comes out with the immortal words “of course you are having choices! You can having sausage and chippings, sausage and beans or beans and chippings. That’s choices”. And believe me, I don’t think anybody would have enjoyed dining at the Palace Hotel in Elsbels.
The only time we omnivores really think it’s acceptable to restrict our choices is when we go to a restaurant that offers variations on a theme: burger restaurants, pizza parlours, Nando’s. And yes, Nando’s does technically serve stuff that isn’t chicken but that’s hardly the point, because nobody goes there for that. If somebody at a table at Nando’s is eating a halloumi burger, you can be very confident that they don’t eat chicken and have been dragged there by some inconsiderate sod who does.
Then, of course, there’s the other occasion when we feel as if we have no choice: because there’s something on the menu that we must have, or always order. But those things, as I discovered when I counted down Reading’s top 50 dishes a couple of years ago, are hugely subjective. My wife might be unable to visit Kungfu Kitchen without ordering their deep fried fish, and believe me she is, but other people would mount an equally passionate case for the sweet and sour aubergine, or the lamb with cumin.
Besides, the better the restaurant – like KFK, or Clay’s – the less likely it is, really, that there’s a single must-order dish. What are the chances that a kitchen so skilful would produce just the one thing everybody has to eat? Pretty slim, if you ask me.
No, generally the concept that a restaurant has something you must try, a legendary dish in the making, is another by-product of hype, and usually comes out of the mouths of critics when they visit somewhere, soon after it opens. I’ve tried Brutto’s coccoli, Town’s saffron risotto and Kolae’s fried prawn heads, all acclaimed as instant classics when those venues opened, and they varied from quite nice to very good. Were any of them dishes those restaurants should be exclusively associated with? Not really. Two of them weren’t even the best thing I had in those meals, but it shifts newspapers to rave.
So no, restaurants that become synonymous with a single dish are rare in general, and I don’t think Reading has any to speak of. But that makes the subject of this week’s review even more unusual, because it does occupy that very niche territory. The Chester Arms is an Oxford pub just off the Iffley Road, east from Magdalen Bridge but a smidge closer to it than the Magdalen Arms. It has been under its current management for over ten years. And it’s very much famous for one thing in particular, its steak platter.
Now, it feels wrong to me for most restaurants to describe their own dishes as famous. I still remember the overblown, unsubstantiated hype for The Botanist’s hanging kebabs, for instance, which were more hanging than famous. It’s a bit like restaurants keeping a certificate in their window from over ten years ago, or restaurant bloggers describing themselves as ‘multi award-winning’ when they have, in fact, won none. Famous is something other people are meant to say about you, not how you describe yourself.
And yet in the Chester Arms’ case, you might make an exception. The pub’s homepage describes them as “home of the famous steak platter” and the dish has its own page on their website. It’s the creation of head chef Hamzah Taynaz – although Companies House makes it seem like he might have parted company with the pub over the summer – and it looks like a doozie: onglet cooked rare or medium rare, chips, béarnaise, cabbage with bacon, dressed salad. £50 for two people, or £70 for three, which on paper at least is impressive value; it was £30 and £45 back in 2015, but it’s been a bruising decade.
The thing, though, is this: I have been told to visit the Chester Arms numerous times, by people I know and by people who’ve tipped me off online. It’s been the place at the top of my Oxford to do list for quite a while – I would have reviewed it last month were it not for a medical misadventure – and every single person who has told me to go there has mentioned the steak platter. Some of them had eaten it, and raved about it. Others hadn’t, but left me in no doubt that if they did go there it’s exactly what they would order.
In fact, when I went to Arbequina last month I happened to be on the same train as someone I follow on Instagram, and when I messaged her to ask where she’d eaten in the city I was unsurprised to find that she had gone to the Chester Arms. “We had a great meal there” was her verdict. “It lived up to the hype for us.” So finally, last weekend, I got my chance to try it for size.
My plus one for this meal was my old friend and Oxford compadre Dave, and as we had a pre-lunch latte in Peloton Espresso’s very agreeable back garden I told him that this meal made him, with the exception of Zoë, my most capped plus one. Not bad going for a man who valiantly resisted joining me on duty until a couple of years ago, I told him.
“I thought you’d expect me to have opinions about everything!” he laughed. “And I’m too easy-going for that, I just want to eat nice food. But then I realised that actually you aren’t fussed about all that, so now I don’t mind tagging along.”
Dave was, I had to concede, probably correct. He likes to make much of how low maintenance he is, by which he means that he’ll generally do whatever you like and doesn’t have strong preferences. In the past I may have found that a tad frustrating, but as a dining companion for a restaurant reviewer, it turns out, it’s pretty much a dream CV. Besides, Dave quite rightly pointed out that for our forthcoming holiday to Bruges I had insisted on the dates, insisted on a hotel, changed my mind and picked another hotel and so on and so on, so maybe I quite liked having a low maintenance friend after all.
The Chester Arms is another of those lovely backstreet boozers I didn’t even know existed and like the Star off Cowley Road, it reminded me a little of Reading’s Nag’s Head and the Retreat, only built to a different scale. It was a big, handsome corner plot with a decent-sized garden and inside it was a very attractive room with wooden floorboards, large sturdy tables ringed by fetching booths and plenty of natural light. It was a properly gorgeous space which made me think, as so often, that I really missed the Lyndhurst.
Having said that, I do have to say that some of its tables were more equal than others. The place was absolutely packed – you have to book quite far in advance if you want a table – and without much in the way of soft furnishings, which made it a cacophonous place to be. The two tables nearest to us were the handsome ones for larger groups but our little table with unforgiving chairs, near the kitchen, next to a stack of high chairs, felt like one they put in the seating plan because they could, not because they should.
In fairness the table directly in front of me was possibly even worse. The large group settled in nearby was full of people who were young, exuberant and happy to be there. I love Dave dearly, but we could only manage one of those three. “They’re probably all catching up at the end of their summer holidays, ready for term to begin” he said equably, and I felt even older than usual.
The Chester Arms’ menu was compact in the way you’d expect when most people are there for the feature attraction: a handful of nibbles, only three starters to speak of and three main courses which were not the steak platter. One of them was a vegetarian mezze selection (“perfect as a starter to share, or to be enjoyed as a main for one”) which had, by the looks of it, strong Nando’s halloumi burger energy. The starters were under a tenner, all mains save the steak platter hovered around twenty pounds.
Now, to get this out of the way from the off, our service was brilliant from beginning to end. Our server was young, American, properly charming and looked after we two avuncular has-beens perfectly, and I can’t say enough good things about her. With one exception, which is that I saw a blackboard with specials being shown to other tables later in the afternoon but we were never told about it or given a chance to look at it. In an ideal world it just said, in big cursive script, Stop fooling yourself, we all know you’re having the steak platter but, as I didn’t see it, I can only guess.
Dave was reluctant to have a starter in case the steak platter turned out to be too much, which did make me wonder if some kind of Invasion Of The Body Snatchers situation was going on, but I managed to persuade him to share the most appealing starter with me. Actually it might have been the absolute best thing I ate all afternoon, so I half wished I’d just pressed on without him. Lamb koftas were a trio of plump nubbins, beautifully coarse and with just the faintest whiff of offal to them, really gorgeous stuff.
They came with flatbreads which felt bought in, but which were good nonetheless, a small stack of guindilla and what was described as green tahini. I’m not really sure what that was, because tahini is a paste with a very distinctive taste and texture and this was none of those things, and it didn’t have a particularly strong note of sesame, but I quite liked it anyway. Dave was unconvinced by it, but won over by the koftas. He let me have the spare one, because he’s a good egg, and even though they were almost more faggot than kofta it did make me wonder what a Chester Arms mixed grill would be like. That had better not have been on the specials menu.
We had a while to catch up after that because each steak is cooked to order and takes, if the menu is to be believed, 45 minutes. So he sipped his pint of alcohol free Rothaus, and I had a pale from DEYA: we were both keeping our powder dry for a more substantial session post lunch. I didn’t know at the time – I learned this from Instagram after the fact – that landlady Becca Webb had just come back from a tasting tour in Bilbao with her wine suppliers, and if I had I might have paid closer attention to the wine list. Next time.
Anyway, Dave and I had a good old chinwag, if constantly drowned out by the relentless, unforgivable youngness of people at our neighbouring tables, as we struggled gamely with the heat from the nearby kitchen. The problem with a restaurant where everybody orders the same thing is that each time it comes out from the kitchen you perk up, think it’s yours and then realise it’s going to another table. But in a way it’s genius, because it raises your anticipation over and over again, and every passing platter looked amazing.
Besides, it distracted me from Dave giving me a litany of people he knew, roughly our age, who were either seriously or terminally ill. They don’t call your fifties ‘sniper’s valley’ for nothing, and after I’d heard about three of them my fight or flight health anxiety kicked in and I asked him, ever so nicely, to stop. Is this what we’ve got to look forward to? I wondered to myself.
I can’t imagine anybody’s life expectancy would be enhanced by what turned up at our table about half an hour after our starters, but just look at it. You’d shave a few days off the end of your life for one of these, wouldn’t you?
It’s difficult to give any kind of scale with a photograph like that but trust me, that serving plate was substantial. Our two serving plates were on the smaller side, but that just gave you an excuse to go back again and again: not for nothing did the pot of utensils on our table include forks, sharp knives and a little set of steak tongs.
Everything about this dish was bang on or thereabouts. The onglet was cooked beautifully medium rare and, in the main was buttery and absurdly easy to cut, any tension in the fibres expertly soothed away; I appreciated the irony of eating something that was better rested, most likely, than I will ever be. The béarnaise was ever so slightly thin with a slight hit of vinegar, but it hadn’t split and went very well with the steak; I might have liked a little more, between two, and a spoon to dish it up with but as quibbles go those were minor.
The other thing I loved, though, was how complete a dish this was and how every component brought something to the table. The heap of savoy cabbage shot through with lardons was truly joyous, the chips were thick, crunchy and surprisingly good. And even the salad, which I’d dismissed in the run-up as a makeweight, was not an afterthought. It was properly dressed, and it supplied the lightness and acidity that would otherwise have been missing from the platter.
Our server had asked us if we wanted to upgrade to the platter for three (“nice bit of upselling”, said Dave) but we’d decided not to, mostly because I thought if I was reviewing the place you’d want to know if a platter for two actually served two. And my verdict is that it does: we finished all our steak and most of everything else, and even in the time between finishing and our almost empty plates being taken away we were both picking with forks – dunking a chip in the béarnaise or trawling it through the juices from the onglet, or the good stuff that was left after you’d airlifted the cabbage away. If service had been less on it, I think our plate would have ended up clean as a whistle.
I tried to send a picture of the platter to Zoë – because she’d asked, even though I imagine it would have made her seethe with resentment – and failed, because the mobile signal in that part of Oxford is like taking a day trip to 1997. Perhaps it was for the best.
Our server asked if we fancied dessert, so I asked Dave if he fancied dessert – because I’d have looked like a right fat bastard scoffing one on my own – and I was hugely relieved when he decided to join me. Perhaps the bodysnatchers hadn’t troubled his house in Wootton Bassett after all. The dessert menu was also compact: three desserts, or ice cream with Pedro Ximenez, or a selection of ice creams, or an affogato.
Another thing to like very much about the Chester Arms was the very appealing selection of digestifs, and the options of red or white port, Sauternes or PX: I had another half of the pale instead, but on another day would have veered in the direction of something smaller and sweeter. The pale, by the way, was decent if piney: not DEYA’s iconic Steady Rolling Man but a reasonable stand-in. I’d have checked it in on Untappd, but I was in 1997 so it hadn’t been invented yet.
I was tempted by something ice cream based, but the server couldn’t tell me where the Chester Arms’ ice cream came from and I wasn’t invested or entitled enough to make her ask. So instead I went for my tried and tested choice, a tiramisu. It was about as different as possible from most of the ones I’ve had recently – not loose, airy and boozy like the tiramisu at, say, Paesinos or RAGÙ. It was more old school, by which I suppose I mean inauthentic: much firmer, much denser, crammed into that Duralex glass like they’d almost forgotten to say when.
And it was gorgeous. I’d forgotten that authentic is overrated, with all the honest-to-goodness Italian food cropping up in places like Reading and Bristol, but this was a delight from first spoon to last – far, far more cream than sponge but laced with Courvoisier and Frangelico. I loved it far more than I expected to, and it made me think again that the Chester Arms might be famous for its steak platter but it had made the canny choice of ensuring that none of the other items on the menu were an also-ran.
Dave had the crème brûlée, which is just one of those dishes I never personally order. I tried a spoonful of it and it, too, was right on the money: just enough warmth, the carapace just the right thickness, the cream vanilla-speckled and exemplary.
We didn’t tarry, because by that point it was incredibly warm and both of us fancied stretching our legs. Besides, I had promised to introduce Dave to the Star and his beloved Liverpool had finished playing, so the lack of mobile reception was no longer the positive nuisance it had been. My advice is that if you’re going to spend time somewhere with absolutely no phone signal, the best idea is to do it in the company of someone where you can talk for hours without feeling the need to check your phone. So that’s exactly what I did.
Our meal for two – two and a half courses each, one of them that steak platter, and a pint apiece came to just under £100, including a discretionary 12.5% service charge which was totally earned. When you think that half of that whole bill was down to a single dish that the pub endearingly describes as a “small steak”, you have to hand it to them.
I’m really glad I finally made it to the Chester Arms – partly because it’s been an ambition for such a long time and partly because it was fascinating to try a restaurant in this country which really is synonymous with the one dish, to see if that reputation is justified. And it absolutely is – if you like steak at all, you would have a ball hopping on a train to Oxford and making your way to the Chester Arms. And if you don’t, but you know someone who does, make sure the two of you take a friend with you: you can have the fish and chips and they can have the time of their lives.
I do find myself wondering though, still: what was on that specials board? But I know that it could have had skate wing on it, or fried chicken, or countless other things, and I still would have ordered the steak platter. So does the steak platter qualify as famous? Yes, I think it probably does.
But if I went back to the Chester Arms again, knowing what their kitchen is capable of, would I really still order the steak platter a second time? Also yes. I’d be even sadder, though, if they’d taken those lamb koftas off the menu, because it was the dish I’d want to order every time, if it was up to me. That’s choices.
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One of the big gaps in my coverage of restaurants, given the name of this blog, is my failure to review the plethora of highly-rated gastropubs in the countryside around Reading. Berkshire is a funny-shaped county, long and thin, and that means you can strike out into Oxfordshire to the north or Hampshire to the south as easily as you can head east towards Maidenhead or west to Newbury staying within county lines. And one of the reasons, I suspect, why central Reading has never attracted many special occasion restaurants is the embarrassment of riches to be found a short drive away.
I’ve done some of them in my time of course, like the Bell or the Bottle & Glass, but the vast majority remain on my to do list, or at least they would if I were able to drive. And that means that when Britain’s Top 50 Gastropubs publishes its annual list, as it did early this year, I scan it for pubs nearby and realise, ruefully, that I’m unlikely to review them. This year The Loch & The Tyne in Old Windsor, Tom Kerridge’s two pubs in Marlow and The Crown in Burchett’s Green remain on my “maybe one day” list.
Another strange phenomenon in the gastropubs nearby is a tendency for musical chairs where highly rated chefs move from one pub to another. So for instance Dominic Chapman, who earned a Michelin star at the Royal Oak at Paley Street, which I reviewed, then moved on to the Beehive in White Waltham, which I have visited but not reviewed (it was, by the way, not bad at all).
And then, nine years later, he sold up: by that time he had taken on The Crown at Burchett’s Green, which he took over from Michelin starred Simon Bonwick. Again, I ate at The Crown once under Bonwick and thought it was quite good and extremely expensive. Bonwick then pitched up at The Dew Drop Inn in Hurley, managing eighteen months there before moving on again: he now cooks upstairs at a pub in Marlow three times a week.
This happens all over: The Loch & Tyne in Old Windsor is run by Michelin starred Adam Handling, but before that it was called the Oxford Blue and run by a chap called Steven Ellis. Ellis has moved on to another spot, The Bailiwick in Englefield Green which just so happens to be my stepmother’s favourite restaurant in the whole world. Again, I’ve been and it’s really rather nice, especially the venison bon bons; if you ever go, get a portion to yourself.
So maybe one good reason not to review pubs in this part of the world is the amount of toing and froing that goes on, with almost as much transfer activity as the Premiership: even The Plough, which I loved, is on to another head chef since I visited, its third in two years.
One of the benefits of this phenomenon, though, is that sometimes you see welcome, familiar faces pop up in new places. And that brings us to the Pot Kiln in Frilsham, out in West Berkshire, nestled in the Yattendon Estate. This bit of the world, too, has always been sprinkled with good food pubs: the Royal Oak in Yattendon and the Bladebone Inn in Bucklebury are just two more to add to the list of Places I Like But Have Never Reviewed.
The Yattendon Estate now owns the Pot Kiln, as it does nearby Renegade Brewery and Vicar’s Game in Ashampstead. Before that, for a long time under chef Mike Robinson – who held a Michelin star at Fulham’s Harwood Arms – the Pot Kiln was already synonymous with game, all caught on the estate. I ate there once, when Robinson was at the helm, and thought it was rather enjoyable, the surroundings idyllic. But then Robinson got divorced, and his wife got custody of the pub, running it with her musician partner, the magnificently named Rocky Rockliff.
For whatever reason the Estate subsequently snapped up the pub and installed new management. But rather than pick one of the merry-go-round of local chefs and get them to do what the pub had always done, the Pot Kiln took a more interesting course of action. It decided that instead of offering mainstream pub fare or more generic modern British food it was going to serve a Basque-infused menu. A three quarters of a million pound refurb was carried out, including a new open kitchen and a parilla grill, and it reopened last summer.
The other interesting thing they did was appoint chef Nick Galer. Now, I knew Galer’s food from his very successful spell at the Miller Of Mansfield, a lovely pub I did manage to review six years ago, out in Goring. He left the pub three years later, when our old friends Stonegate decided to nearly double the rent, and after that he had an incongruous spell cooking at a nearby golf club, but the move to the Pot Kiln made sense. It’s been on my list ever since, and as my future brother-in-law Matt drove us through the winding lines of West Berkshire in the gathering gloom I realised that I had a real sense of curiosity about the meal that lay ahead.
The thing is, I loved the Miller, and had some really successful meals there. But there were also a couple of times, especially one Christmas Day set meal, when I left somewhat peckish, and I’d heard similar reports from other people who had acted on my recommendation. A pub in the countryside offering tapas and the heartier food of Northern Spain, making good use of cooking over fire, could be an intriguing second act for Galer’s cooking.
In the summer, I imagine a review of the Pot Kiln would talk about just how beautiful its surroundings are, and what good outdoor space it has. But in grim, largely sunless March, before the clocks went forward, all I can say is how glad I was to be in the passenger seat next to an extremely competent driver and navigator. The pub itself looks classy and cosy – definitely one of those gastropubs that still operates as a pub – but the dining room of the restaurant, next to the open kitchen, was a little harder to love.
I couldn’t quite put my finger on why, because the tables were generous and the chairs comfy, but the lighting was a tad cold and the whole place had a certain feeling of sterility. It wasn’t for the lack of diners, because the room was reasonably well-occupied on a Monday night, including a large group which sang Happy Birthday later in the evening. But we grabbed a table for two with our back to all of that, both looking out on the open kitchen, and perhaps that was an error. Galer was not in the kitchen that night, although that didn’t seem to remotely affect the bustle of the staff beavering away.
The Pot Kiln’s menu read really well. There were ten tapas dishes, ranging in price from just over four to just over ten pounds, and eight mains, two of which were sharers. They started around twenty pounds and climbed from there. Half a dozen vegetable dishes, appearing out of sequence before the mains, completed the picture, although they appeared more to be sides than tapas. And actually, although I found plenty to potentially order on it, this menu wouldn’t suit vegetarians or vegans. Only one main for them, baked rice with cauliflower and capers, and four tapas options. In that sense, I suppose you could say it was quite authentically Spanish.
All that being the case, the drinks list surprised me. The local beers on offer highlight the owner’s connection to Renegade, the brewery formerly known as West Berks. But I thought there might be some Spanish sidra on offer, or at the very least some txakoli, the slightly sparkling wine which is one of the Basque country’s best exports. Not only wasn’t there any, but the wine list was dominated by other countries: less than half of the whites and about a third of the reds on offer came from Spain. It felt like some bet hedging was going on.
I decided to stick to the two Spanish whites available by the glass, starting with a Macabeo which was fresh, if slightly astringent. The Verdejo I moved on to later in the evening, not significantly more costly at eight pounds a glass, was much better: fuller, rounder, more interesting. Matt stuck to an alcohol free Asahi before then trying a mocktail with elderflower and ginger which he rated.
So, how many tapas dishes would you have ordered to share between two, not knowing how big they were or how large the mains after them would turn out to be? We opted for three, which I worried might be over-ordering: I suspect my appetite is bigger than Matt’s, or possibly it’s just that his manners are better than mine. But I needn’t have worried, because these were definitely tapa rather than media or racions.
First up, two mushroom croquetas, each topped with a thin slice of raw mushroom – this seems to be in vogue at the moment, although I’m not sure it added anything – resting on a puddle of thick mushroom ketchup.
I have to say, the taste of these was extraordinary. The concentration of savoury notes at the heart of those breadcrumbed spheres was something else, but better still was the depth of the ketchup. It had an awful lot going on – yet more umami, but also a very pleasant acetic spike in the mix. These were two really lovely croquetas. Two really lovely, rather small croquetas. Two really lovely, rather small croquetas that cost seven pounds fifty.
If you wanted any proof that the Pot Kiln, whatever else it might be good at, could do ketchup, the next tapa amply demonstrated this too. A pair of empañadas, with pleasingly dense pastry, had a filling of slow-cooked short rib and came with a blob of Kermit-coloured gherkin ketchup. The star of the show here was the ketchup – even Matt, who had been suspicious from the moment he spotted the word “gherkin”, tried some and declared himself a convert.
This dish was worth ordering for the ketchup alone, such a clever piece of work, something which captured the taste of gherkins in an almost photorealistic way despite being a puddle of green. It redeemed a multitude of sins, but did it redeem the fact that the two empañadas weren’t exactly bursting at the seams with strands of beef? Maybe.
Did it also redeem the fact that a pair of empañadas set you back eleven pounds? Maybe not. The philosophical struggle I had detected in the menu was between Spanish cuisine sending you away very full indeed and Galer’s cooking sometimes rarefying things to the point where they were a perfect, but tiny, distillation of themselves. On this evidence, the latter was winning out.
I minded all that less with the third tapa, but the fact remained that it too was small and perfectly formed. Two titchy triangular toasts, topped with tomato, finely chopped onion, oil, herbs and, from somewhere, a gorgeous supporting note of citrus. These too were this kind of thing – so often in Spain a huge piece of bread amply covered in their peerless tomatoes and salt – miniaturised to a lovely, exceptionally high end version of the same.
Getting tomatoes this good in March is itself, after all, quite an achievement. If elevation was the intention, mission accomplished. But although I could well believe you wouldn’t get a better rendition in San Sebastian, I could imagine you wouldn’t get a smaller one, either. Six pounds fifty for this.
At this point I was, in truth, a little concerned that it would be one of those meals, where everything tasted amazing but you had to seriously over-order or leave without feeling replete.
But Matt and I had ordered the 12-hour lamb shoulder, intended for two or three people, and we’d been warned in advance that it took a while, so we moved on to our second drink and caught up – his job, my job, his household adjusting to the arrival of my second niece, the ins and outs of the family we were both lucky enough to have found ourselves part of. Matt has the sort of senior job that means you have to be good at talking to anyone and everyone, which makes him an excellent conversationalist, although it did leave me hoping his evening with me didn’t feel like work.
From our vantage point I could see that the lamb shoulder had spent most of its 12 hours cooked sous vide, so it was rescued from a plastic cocoon and finished in the oven. And when it was eventually brought to our table, bronzed, with a thick layer of crispy, salted fat, I thought it looked about as wonderful as could be. It was accompanied with a little pot of anchovy and garlic sauce, which had also been artfully squiggled around the plate in an unnecessary fashion. Our server – all the people who looked after us that night were excellent, by the way – started the process of testing the lamb off the bone and shredding it, doing just enough for us to dish up and leaving the rest of us to explore for ourselves.
It was absolutely glorious. Lamb is one of my favourite meats, and this must be one of my favourite ways to have it. I’ve had slow cooked shoulder before where the fattiness is to the fore, where it’s slicked with the stuff, a little too much. But this was gorgeous, almost like the best kleftiko there is, and the texture was spot on, with enough of everything: crispy shards, plenty of supremely tasty fat, both crunchy and wobbly, and piece after piece of shredded lamb, some moist, some dry, all brilliant.
The salt studded along the edge of the fat made those pieces an especially savoury delight, and although it didn’t slump off the bone the way some slow-cooked lamb can, it didn’t take an awful lot of persuasion. For some reason we’d been brought quite dinky plates, which meant that we had to keep coming back for more, but that was very far from an ordeal.
Matt wasn’t sure about the sauce, but I suspect he’s less of an anchovy fan than I am. Even being a huge lover of anchovies, I thought this was salty overkill: I’ve read other reviews that say this used to be served with a mint sauce, and I can see that, or salsa verde, offering the counterpoint this needed. It also worked out fortuitously, I think, that the bits I were drawn to, especially the fatty ones, were naturally the ones Matt might have passed on. We were a regular Jack and Mrs Sprat, and between us we polished off the lot.
At seventy pounds, I think this served two nicely but might have been stretched between three. But I liked it so much that for even for two I thought it represented agreeable value.
Meat requires potatoes, whether you’re in Thatcham or Bilbao, and torn between the enigmatically described “Spanish potatoes” and the Pot Kiln’s chips we went for the latter. Very good chips came speckled with crispy flecks of jamon and under a light dusting of Idiazabal, a Basque cheese. There was also, apparently, “Bravas seasoning”, which I imagine was another piece of refinement and deconstruction. Too much refinement, I fear, because nothing was really detectable. Still, good chips with cheese and jamon on them are always going to go down well with me, and these did.
All that was an overload of saltiness, and much as I loved that I was glad we had some contrast in the form of some carrots. These were beautiful, fresh, just-cooked things dusted in something which apparently contained chives but, to both of us, tasted strikingly of aniseed. The fact that these, really, were the only vegetable of the evening was Matt’s and my fault for ordering the way we did, but also felt quite authentically Spanish: finding anything with vegetables in it can often be a challenge there, in my experience. Not that I’ve ever tried that hard.
By this point, things had quietened down in the restaurant and we were almost the last people there. I almost felt guilty about keeping them by ordering dessert, but I also felt like we ought to try that part of the menu out.
The dessert menu is compact – five dishes and a selection of cheeses, and one of them, turron at five pounds fifty a piece, felt more like something to accompany a coffee than a dessert in its own right. Matt was tempted by the apple tart with apple sorbet and calvados syrup, but unsure: he liked apple, but did he like it that much?
I told him you couldn’t have too much of a good thing, so he went for it and I think he was rewarded with the better dessert. My spoonful, again, pointed to the kitchen’s technical gifts and command of flavours: each element a slightly different iteration of apple, prioritising sweetness, sharpness or booziness. I would have been happy, had I ordered this. But had I ordered it – and even though I didn’t – I would say it was more a cake than a tart.
My choice, on the other hand, was one of those disappointing examples of how a menu can say one thing and mean another. Rhubarb sorbet, gingerbread, cava paints a picture of those three elements in harmony, maybe equivalent amounts of each, and I was expecting that to be the case. Instead, in the Pot Kiln’s standard issue terra cotta pots, I got a dollop of (admittedly very good) rhubarb sorbet with a scattering of gingerbread crumbs, like snow that would not settle.
Cava was then poured over it, but the terra cotta pot wasn’t the right vessel for a dish like this. It just meant that you got a thin lake of booze at the bottom that you couldn’t spoon up. So essentially this was a rhubarb sorbet with whistles and bells that didn’t blow or ring. At eight pounds fifty, this felt like a lot to spend on a dish that didn’t entirely cohere.
All told we’d been enjoying the Pot Kiln’s hospitality for over two hours, and I was increasingly conscious that we were probably preventing them from shutting up shop in the restaurant. At this point the open kitchen was less of a selling point: it’s one thing when you see activity, vitality, prep, flames, dishing up, but perhaps another entirely when they are mopping the floor with one eye on the service after this one, the following day.
So we settled up and Matt prepared to effortlessly work wonders with his satnav, ease us out of deepest darkest West Berkshire and take us back to the bright lights of Reading. Our meal – three tapas dishes, that lamb and side dishes, a couple of desserts and a couple of drinks apiece – cost about one hundred and sixty-five pounds, which included an optional ten per cent service charge. Overall I thought that was reasonable value – fair in parts, good in others, questionable in a few.
That was something I pondered and weighed up in the week I took to mentally digest, between eating this meal and writing it up here. Because after those tapas dishes I was all ready to write my oh-so-slighly disappointed not-quite-a-peroration, in which I gently pointed out that “perfect for sharing” should translate as “this dish is big enough for two people to enjoy” rather than “this dish is made up of two individual, rather small, morsels”.
But then the main course completely subverted all that – it wasn’t cheap, but it was outrageously good. It was the kind of food I had been expecting to find at the Pot Kiln, but I don’t think I was expecting it to be bookended by things so different – by tapas dishes that worked wonders with flavour but left you wanting more in all the wrong ways on one side, by desserts that were a tad pedestrian on the other.
In the run up to this visit I wondered which would prevail – the big portions and big flavours of the Spanish food I’ve enjoyed in the past (notwithstanding that I’m yet to go to the Basque country, sadly) or the precise, distilled, excellent cooking that Nick Galer is so good at. And the answer, based on this visit, is that the Pot Kiln, not quite open a year yet, is still resolving that identity crisis.
There is plenty to enjoy here, and I enjoyed plenty of it, but “let’s open a Basque inn in the middle of beautiful countryside just outside Newbury” is a concept I can get behind. “Let’s do the most beautiful portions of tapas that take a classic idea and produce it in its smallest, purest form” is perhaps not.
So if you want tapas, I think you might be better off heading just down the road to Goat On The Roof. If you want ludicrously good meat cooked beautifully on an amazing piece of kit, you should go here. Because that’s the part of this meal I’ll still be thinking about in the months ahead, the part I’d passionately recommend to others, the part I am remembering now, with a grateful smile on my face. For what it’s worth, I hope that side of this particular see-saw gains the upper hand.
The Pot Kiln – 7.5 Chapel Lane, Frilsham, RG18 0XX 01635 201366
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I was meeting Aileen, a very dear old friend, in London for lunch and she gave me carte blanche to pick wherever I wanted. “You’re the food expert”, her message said. “You choose.” And I have to say, that was more difficult than usual; I have a list of London places I want to get round to, but lots of them didn’t seem right for this. I didn’t want us to sit at a cramped table somewhere in Soho, elbows battling, or up at a bar watching an open kitchen. I might go to the edgy places with my cousin Luke, but lunch with Aileen required somewhere in the image of our friendship: comfortable, classy, unrushed with a long history. Somewhere worth celebrating.
Aileen and I, you see, have been friends for well over a decade. Long before I started writing this blog I used to write another – not about restaurants, about something else – and somehow Aileen chanced upon it. And somehow, I’m not even sure how, we went from writer and reader to firm friends. I don’t think I could possibly have appreciated at the time how fortunate I was about that. Because a few years later my marriage and my life imploded and things got almost impossibly hard and Aileen, arguably more than anyone, was the person who kept me together.
In the dark moments when nobody else was there, or (more likely) they had all gone to sleep, Aileen showed up for me time and time again. She always had the same mantra, which I railed against but over time discovered was true: this is a phase. It’s a phase, and it will pass. And it was, and it did, and she never once said I told you so, even though she could have done.
I like to tell people that she saved my life, and she likes to reply that I’m talking nonsense. She might be right, because she nearly always is, but if we hadn’t become friends I don’t know who or where I would be now: I almost certainly wouldn’t be here.
It was a huge honour for me that she was at my wedding earlier in the year, a wedding that might not have happened had I not met her. Late in the evening, when the guests were thinning out, we sat together outside the Lyndhurst and had a good old gas, as if the intervening months had never happened. And the next morning I managed to catch her in the hotel bar before she headed home to Milton Keynes, and that easy, joyous conversation was one of my highlights of the whole weekend. I told her we should do lunch in London soon. So we agreed to, and all I had to do was find somewhere suitable for the occasion.
I ended up choosing the Drapers Arms in Islington, because it just felt right. It’s been going for well over twenty years, one of the generation of London gastropubs that includes the celebrated Anchor & Hope near Waterloo, and in that time it has become an institution. It held a Bib Gourmand from Michelin for much of the last decade, losing it in 2018, but it still featured in this year’s list of the U.K.’s top 100 gastropubs. But the thing that most cements its status as an institution is that nobody talks about it online, because nobody needs to. You won’t find a recent review of it online, and the London restaurant bloggers stopped name checking it a long time ago.
All that meant that although I’ve always wanted to go, I didn’t have a very clear idea what to expect. Aileen and I wandered there, strolling up Camden Passage and looking at all the stalls and boutiques, before heading across to Upper Street and then ambling off the main drag, onto side streets filled with houses you wished you lived in. On the way I went past various restaurants I’d heard of – the likes of Bancone clone Noci, Alsatian brasserie Bellanger and regional specialists Hainan House – all of which have been reviewed by somebody a darned sight more recently than the Drapers Arms has.
It’s a handsome, imposing building, a three-storey, powder blue beauty, and going in the front room was flooded with sunshine from the windows and glass-panelled doors. There were unoccupied tables at the front, and I was hoping our reservation was at one of them, but instead we were led to a room further back which was dingier and less agreeable. Almost every table was taken, and we were seated at possibly the worst one there – equidistant from the terrace at the back or those big windows out front, starved of sunshine.
I plonked myself on a Thonet-style bentwood chair that didn’t entirely feel as if it could deal with my weight at the start of the meal, let alone the end. Around us all the tables were packed with loud, lively, chattering groups, and there was nothing to soak up the sound. I took a picture of the room much later on, which makes it look nicer than it was.
But maybe all that is a tad grumpy. After all it was busy, which you want somewhere to be, and the fact remained that it was an extremely attractive pub, even if we had the restaurant equivalent of the worst house on a good street. I especially loved the emerald-coloured bar, and a print on the wall advertising HP Sauce in the proper bottles.
“Mark brought some home from the supermarket recently in a squeezy plastic bottle and I made him take it back” said Aileen, talking about her husband. “It doesn’t taste the same when it’s not in a glass bottle. I reckon it’s thinner, too.” This, I realised, was one of many reasons why I loved the woman.
The menu changes every day and they publish it on the website, so it was much as I’d expected. It’s curious how some menus present you with very difficult choices while some, despite making all the right noises, are devoid of dilemmas. I would say that, however well it read, the Drapers Arms menu was the latter. Nine starters, all of which seemed to be either gutsy and rustic or, for my money, a little too virtuous. It was all a tad binary for me. You had the same number of mains, although four of them – the fun ones – were to be shared between two.
That made the whole thing a little more restrictive than I’d have liked and if you didn’t like offal or bone marrow, both of which made an appearance, I think you might have found things trickier still. Starters generally clustered between eight and fifteen pounds, mains started just shy of twenty but climbed, for the sharing dishes, up to ninety quid.
While we weighed things up Aileen ordered a negroni and I asked for a Bloody Mary, we clinked glasses and celebrated the prospect of a long lunch with a great friend. They didn’t ask me how spicy I wanted the Bloody Mary, which gave me confidence that it would be good. It was both spicy and very, very good.
It had been far too long since I’d had lunch with Aileen, and I didn’t realise that she was excited about featuring in the blog. “I’ve wanted to do this for ages!” she said. “And I don’t want you using a pseudonym for me, either.” Chatting away, I realised that we both had many of the same criteria when it came to restaurants getting a gold star or nul points. When our bread turned up, it turned out we both had a bugbear about fridge cold butter (Aileen checked it and thought it was okay, for my money it was still a little on the cold side).
My starter was a bisque, and Aileen rested her hand briefly against the outside of the bowl. “I don’t like it when hot food comes in a cold dish” she said. I hadn’t ever considered it, but she had a point.
The problem with the bisque, though, wasn’t one of temperature per se. It was a tasty dish where almost everything worked, but it wasn’t quite the sum of its parts. I loved the depth of the bisque and the crab meat tumbled through it. Spiking the whole thing with dots of deep green oil and red flecks of espelette pepper gave the whole thing contrast and depth.
The problem, and I never thought I’d hear myself saying this, was the octopus: there were a few pieces in the bisque and I just wasn’t sure, in terms of flavour or texture, whether they added enough to be worth it. This dish was fifteen pounds, and I couldn’t help thinking it might have been better, and been better value, without the octopus.
“Another thing that annoys me, while we’re at it” I said to Aileen, “is dishes like soup appearing in shallow bowls like this. It just means it’s really hard to get to all of it, and it goes cold quicker.”
“I agree with that” said Aileen. I cleaned up the rest of my bisque with some of the bread, which was fulfilling one of its most noble purposes: the edible jay cloth for sauce removal. The bread was okay, by the way: two big slices of sourdough and two pieces of baguette is hardly highway robbery for three pounds, but it wasn’t the most exciting.
Aileen’s starter was the kind of dish I would never order in a million years, and a great advert for bringing people with you to review restaurants whose tastes are not the same as yours. It was a bean salad with coriander, chillies and datterini tomatoes, served in a sort of filo pastry basket. Aileen loved it – the flavours worked well and the beans had a nice amount of bite. I had a forkful, which confirmed that it was indeed the kind of dish I would never order in a million years. I didn’t feel like there was anything bringing a fun factor to the plate, but that probably tells you more about me. It also felt steep at eleven quid.
Aileen is planning to retire at the end of the year, and was telling me how she plans to take over more of the cooking from her husband. This dish struck me as having a hint of Ottolenghi about it, and Aileen said she’d tried making some of his recipes. I’ve never followed her example: in my experience, they always seem to involve lots of ingredients and hours of processes, so perhaps they’re best left to the retired.
“Have you ever been to an Ottolenghi?” she said.
“Yes, just the once. I was at this event to commemorate the eightieth anniversary of the Cable Street Riots, because my then girlfriend knew someone who was in a Yiddish marching band.” This sentence, by the way, sums up perfectly how very strange my life was in the latter half of 2016.
“There was a march, and a demonstration, and lots of placards and Jeremy Corbyn was one of the people making a speech. It was so boring that we sloped off to the Ottolenghi in Spitalfields and they managed to fit us in. It was all right, but it felt like a glorified salad bar.”
This starter, to me, felt like the kind of thing you’d have at a glorified salad bar.
But no matter. Both of us had chosen far more substantial mains and had ordered a bottle of Gamay to go with them: initially I thought Aileen might have insisted on just having wines by the glass, but that negroni had persuaded her to throw caution to the wind. It was thirty-one pounds, so very much at the shallow end of the wine list, but the list went deeper than at many restaurants.
“That one said 300, and for a moment I thought it was the price” said Aileen.
“No, that is the price.”
“But this is a pub!”
“Well, yes. And no.”
My main course was a sure sign that summer was long gone and that winter, as Leonard Cohen once put it, was tuning up. Lamb faggot and celeriac purée sounded like a glorious, fortifying treat and I was very glad Aileen hadn’t stuck a pin in it, because I always let my dining companions choose first. On paper it was beautiful, and at first sight it was every bit as appealing – a huge faggot, a splodge of mash, a moat of sticky gravy and one accent of not-beige, a crowning garnish of kalette tops. It was a dish to be enjoyed in a cosy pub, even one with three hundred pound bottles of wine on offer.
Things only went slightly awry when I ate the damned thing. The faggot had a terrific, coarse, crumbly texture and the celeriac purée was one of the nicest, silkiest ones I can remember. The kalette was a revelation – still firm, with a zip of mint that the dish badly needed. But the faggot was really heavy on the offal, to the point where it was a little too intense, a bit much even for me. I liked it at the time, and I finished it, but it sort of stayed with me for the rest of the day, in the way you don’t want.
Aileen had gone for my second choice from the menu, a beef and mushroom pie with a suet crust – or, for the purists among you, a stew with a lid. It came without accompaniments, so I was glad we’d also ordered chips and veg. It was placed on the table, and Aileen asked if it came with gravy (she is from Nottingham, after all). We were told, very nicely, that it did not.
At first, Aileen wasn’t sure about the whole affair but I think she warmed to it – the beef was all at the bottom but there was a fair amount of it, tender and breaking into strands. There was carrot and mushroom in there too, and she loved the green beans she’d ordered on the side, just-cooked and topped with crispy shallots. But even though this wasn’t a pie for sharing it was strange that it didn’t come with anything, including a plate to dish it up onto.
It reminded me very much of some of the great gastropub pies I’ve tried in the past, at Hackney’s The Marksman or The Magdalen Arms in Oxford, but it didn’t look quite as alluring as either of those. Still, it was eighteen pounds, one of which goes to Action Against Hunger, so you couldn’t really complain.
“That was lovely” said Aileen. “It needed gravy though.”
I’ve realised I didn’t get any pictures of the green beans or the chips. The chips were skin on (I thought that might be one Aileen’s list of restaurant no-nos, but apparently not) and clearly made in-house. And they were pleasant, but perhaps a little limp and unremarkable. I wanted that contrast of brittle crunch and fluff – and I didn’t care how many times they had to be cooked in order to achieve it – but these weren’t quite there. They were a decent vehicle for the last of my gravy, even so.
Our meal had been a little haphazardly timed – we didn’t get our bottle of wine almost until our mains turned up, so once they’d been eaten we had a lot of wine left. And service was brilliant at this point, leaving us in peace while we finished it and continued our epic conversation. I saw pictures of Aileen’s twins at their prom and wondered, as I’m sure she did, where the time had gone and how the little girls I’d first met all those years ago were suddenly sixteen.
Aileen in turn saw pictures of my wedding, and in between flicking through them and chatting about all sorts we caught up in the way that is such a tonic – a proper state of the nation natter encompassing work, family, friends, the past and the future. And I loved the Drapers Arms for this if for nothing else, for enabling this kind of afternoon.
Eventually, the wine was polished off and the dining room almost empty: I felt strangely proud of the fact that we’d outlasted all our fellow diners. So we got round to ordering dessert, along with a tea for Aileen and a bitter, middling latte for me. That section of the menu was very compact – a duo of cheeses and three desserts – and again, catered to people with different preferences to mine (I’ll eat most things, but I’ve never warmed to custard). So we both went for the lime posset and, like so much of what I’d eaten, it was nearly there.
As with my main course, almost everything was how you would want it to be. The strawberries on top were plump and sweet, the syrup they were in sticky and ambrosial. The shortbread was reassuringly irregular and crumbly: I saved mine to the very end. And the sharpness of lime in the posset worked so well, a welcome variation on a theme. But here’s the problem: the posset wasn’t properly set. Some of it was, but the rest was just liquid and hard to eat tidily, part dessert and part drink. So at the end of proceedings, you got a dish that was something like a synecdoche, a pretty good summary of the meal as a whole.
Our meal for two, including service charge, came to pretty much bang on one hundred and eighty pounds. And if that sounds like a lot, I’d say it could easily have been more. Our wine was distinctly entry level and we had, by accident rather than design, ordered the two cheapest mains on the menu. You could easily come away with a far more dented wallet than we did, although if you had an afternoon as terrific as the one I’d had you’d be fortunate indeed.
We wandered, full and happy, back to Angel tube station to go our separate ways. I could have talked for hours, but the idea of eating another mouthful or drinking another drop was more than either of us could contemplate (“I’m not sure I’ll even eat tomorrow” was Aileen’s verdict, although if she’s anything like me I’m sure she managed it). London looked beautiful in the autumn sun, and all around us Islington was gearing up for a busy Saturday night. We, on the other hand, were both dead set on being installed on our respective sofas by the time Strictly began.
When I think about the Drapers Arms, the thing I keep coming back to is that everything was good, and some of it was very good, but none of it was spot on. I imagine they have better days than they did the day I visited, I imagine there are nicer tables than the one we sat at, and iterations of that menu that would have suited me better. But I’ve had many far worse experiences, too, in countless places. So where does that leave you?
Yes, it was good but not perfect. And when it turns out like that you have to resort to your gut feel, try and weigh up all those almost intangible incidentals that define a meal. Because restaurant reviewers may not always tell you this – in fact many never talk about it at all – but there’s so much more to a meal than food, the room, or even service. I wish I’d liked everything a little more, and yet at the same time I know it will be hard to top as one of my favourite lunches of the year. So the Drapers Arms could have been better, but nonetheless I’m still really glad I went there. Happy that I ticked it off my list, and delighted that I chose it to host such a brilliant afternoon.
This week’s review hasn’t quite gone according to plan. Originally I was going to review The Lyndhurst, which came under new management back in May. It’s fair to say that it’s had a chequered time since then, with the new landlords complaining vociferously to the Reading Chronicle, more than once, about what they said were false claims that they planned to turn the place into a sports bar.
The way they refuted that was interesting, I thought. We’re just installing a fruit machine, just like every other pub, they said. We’re just putting in a jukebox, like every other pub. Nuts, really. They’d replaced the managers of the best food pub Reading had ever seen, and their mission was to be just like everybody else. They missed the obvious point: if you’re just like everybody else, why should we drink at yours?
Anyway, I largely stayed out of it – because I know I could easily be seen as partial – but from their Facebook page they looked a lot like a sports bar to me. During Euro 2024 it was all badly generated AI images of three lions wearing England shirts and drinking pints of lager in a generic pub, or one especially tasteless – and arguably xenophobic – picture of a lion mauling a bull to coincide with the England-Spain match. But I’m probably just a woke snowflake, because I also winced when the pub described the rumours flying around as “Chinese whispers”.
They then decided to do food, so they put a menu up on Facebook and a few people – not me, I should add – were critical of it. “Please keep your comments to yourself” the pub said. Then they closed for nearly a week, not the first time they’d shut at very short notice. As previously, they blamed having work carried out, but it looked suspiciously like a sulk. All very strange, and I’ve lost track of the number of people who have messaged me saying what the fuck is going on at the Lyndhurst? My reply is invariably the same: God only knows.
But then at the end of July they announced that they’d taken on a new chef, Chef Roots. Now, I’ve never had his food but I know of him by reputation – he cooked for a while at the Roebuck, and at the Three Tuns, and in lockdown he ran a street food business called Pattie N’ Pulled which had its fans. I thought this was a very smart move by the new management – take on a known chef and try to recapture your reputation as a food pub. It all sounded very promising.
I was even prepared to overlook just how weird the menu the pub put out was. If anything in it was correct it was by accident, and every time you looked you spotted a different clanger. Some items were in a completely different font for no particular reason. The pricing was random – £11.96 here, £24.97 there, £4.60 somewhere else. And the spelling mistakes – oh my goodness. Buttet milk chicken, paremsan fries, oniom rings, triple cooled chips. It was all a bit Officer Crabtree.
So once I found out that Chef Roots was cooking at the Lyndhurst I was interested in going back, and I had a volunteer to come with me. That was none other than Matt, who made the very wise decision of proposing to my sister in law recently, which means he’s as good as family. So we agreed a date, when I was back from holiday. I was looking forward to it.
Then it all went tits up when I discovered that Chef Roots had barely lasted a week before moving on from the Lyndhurst, a development which the Lyndhurst decided not to report. And then more weirdness emanated from the pub. A recent Google review – one star, of course – was posted by a guy who was just verbally abused by the regulars as he walked past the smoking area with a friend and his dog. He put up footage from his phone which appeared to bear this out: it was a really uncomfortable watch.
And then someone posted on Reddit about the Lyndhurst’s Sunday lunch was, and she wasn’t pulling her punches. “Unseasoned. Small portions. Cold vegetables. Misleading menu. Said ‘homemade’ Yorkshire puddings and when I inquired about allergens the waitress brought out a frozen bag of Aldi’s own Yorkshire pudding” she said. “Actually speechless at how bad the food was.”
So I sent Matt a WhatsApp: Looks like we won’t be reviewing the Lyndhurst, the chef has already sacked it off. And Matt replied. Anywhere else we can review? Well, I can ride shotgun while you do it. And that’s when I thought of the Bell at Waltham St Lawrence, a cosy pub I had loved when I first reviewed it nine years ago. I’d been back since, but not for a long time, and it felt ripe for a revisit. So this week Matt picked me up and we headed off down the A4 in search of dinner. It was the first time I’ve ever been chauffeured to a review in a Porsche, and I very quickly decided that I could get used to it.
Much what I said when I visited the Bell in 2015 is equally true today, on face value at least: Waltham St Lawrence is still a pretty village and the pub is the jewel in its crown. It’s almost the platonic ideal of a village pub, and you got a whiff of woodsmoke as you walked in. But the one thing that was different was a slight change of the guard – back then it was run by twin brothers Iain and Scott Ganson, but last year Iain left to become the new head chef at Thames Lido. So was it business as usual at the Bell, or had things changed?
Paying it a visit on a Tuesday night it was almost empty with just a few regulars at the bar. “You can sit anywhere you like” said the chap after I told him we had a reservation, and although the front room was tempting we decided to go for the dining room, a less casual space up some stairs. Even so, that was stripped back and neutral – I seem to remember on a previous visit that there was feature wallpaper of some kind, but instead it was a calm, tasteful room. We were the only people in it, which gave my dinner date with my future brother-in-law a strangely intimate feel, like they’d opened just for us.
Still, we both enjoyed getting a word in edgeways for a change. I love my in-laws dearly, but the men in the family are like the men in Sex And The City: you might enjoy it when they crop up, but everybody knows they aren’t the feature attraction. It’s all about the women, one-upping one another with their increasingly funny stories, and the best thing you can do is enjoy the ride (or, if you’re my father-in-law, tidy up after everybody and/or hide in the garage). So here Matt and I were, talking for a whole evening in some strange inversion of the Bechdel Test.
The menu the night we visited was decidedly compact: four starters, three mains (one meat, one fish, one vegetarian) and three desserts. I seemed to remember from past experience that there used to be more on offer, and although I may have been wrong the evidence suggested we’d been unlucky that night: a picture on Instagram later in the week showed an additional main course that would have expanded the options a little. But no matter, although the menu was almost narrow enough to be constricting we both found things to order. Starters hovered around a tenner, mains were scattered more widely around the twenty pound mark.
But first, drink – and the first indication of interesting things at the Bell. They won Reading CAMRA Cider Pub Of The Year this year, and it showed, with a blackboard listing plenty of interesting choices including Tilehurst’s Seven Trees Cider. And the wine list was full of temptation, all of it available by the glass. I couldn’t choose between a couple and Ganson, who was behind the bar that night, kindly let me try some of each (even if the locals heckled him, saying that this was uncharacteristic generosity for a Scot). He even didn’t complain when I decided to go for a third instead, although they were all gorgeous, and let me try some of that. It was a Priorat, from Catalunya – Priorat is always worth trying, if you find it on a list – and I thought it was terrific at ten pounds a glass.
I seem to remember years ago having a conversation with the Bell on Twitter saying that more places should bring back the 125ml glass of wine, or the 250ml carafe. Well, although they do serve 125ml glasses they’ve gone one step further by using a Coravin for seemingly all of the bottles on the list. “It means we can offer about forty wines by the glass” said Ganson, which for me would almost be reason enough to visit the Bell on its own, especially if you have a nice chap driving you home in a Porsche.
“I’d also like a pint of bitter shandy please, which bitter do you recommend?”
“Hoppit” said Ganson without hesitation, and so Matt got a shandy made with Loddon’s finest, which he seemed to like.
Matt had the best of the starters, and I didn’t realise until much later that it was essentially the starter I’d ordered and enjoyed nine years ago. A slab of pigeon terrine came bound in bacon, served with a couple of beautifully burnished slices of griddled toast and – always the clincher – a trio of cornichons. Matt enjoyed this, but because his manners were impeccable he let me try some and I thought it was knockout – slightly gamey, the texture spot on, no hint of bounce or jelly to be seen. Matt also let me have all of his cornichons, but I think that was because he didn’t like them, rather than down to his impeccable manners.
I did less well, but only by a whisper. My selection of charcuterie from Cotswold-based Salt Pig had nearly everything you could hope for, and most of it was very enjoyable. Coarse rounds of chorizo, fatty ribbons of pancetta, superb pork collar. Only the spiced pork loin underwhelmed, and although I had enough cornichons, that was partly because I’d inherited Matt’s.
But it felt like something was missing, and I wasn’t sure what it was. I think a little griddled toast would have lifted this, or even some caperberries, or even more cornichons (although more cornichons, like more cowbell, is just my answer to many of life’s problems). WIthout that, it felt a little unbalanced. Looking back at the Bell’s menu I saw that it included something I’d missed, whipped lardo – also from Salt Pig, I presume – on toast. I wish I’d noticed that, because it would have been delicious. Especially if it came with cornichons.
By this point I was on to a second glass of wine. Ganson had suggested another Spanish red, this time from Bierzo, a single varietal Mencia, and it was every bit the equal of the Priorat. I found myself thinking that even though the same time last week I’d been in Granada, in thirty degree heat, sitting outside a bar enjoying cold beer and tapas there were consolations to autumn – red wine, woodsmoke and cosy pubs not least. Besides, Strictly was back on the telly.
My main course bridged the gap between my week in Andalusia and the increasingly autumnal feel of things back home. I rarely order risotto, and I almost never make it myself – who has the time to stand at a stove for thirty minutes? – but the Bell’s version was made with Isle Of Wight tomatoes and Spenwood, and better British ingredients are hard to imagine. I had been spoiled by the exceptional tomatoes you get on the continent, but the ones that come out of the Isle Of Wight are absolutely the next best thing.
And it was mollifying comfort on a plate, a rich dish of sticky, nutty rice, topped with tomatoes that had been roasted and slightly dried, liberally dusted with one of my favourite cheeses which just so happens to be made down the road in Spencer’s Wood, the closest thing Blighty gets to Parmesan. On paper, this was the perfect thing to make you happier about the nights drawing in and being able to see your breath in the air – a gentle but insistent bear hug of a dish.
It was almost perfect, but not quite. I would have liked it to have been a little more seasoned, for a bit more salt to balance out the sweetness of the tomatoes. But I only decided that in hindsight, looking at a completely denuded plate, and hindsight is always a wonderful thing. I can’t remember the last time I ordered a risotto in a restaurant, but I won’t be able to say that next time I do.
Matt chose the Bambi Burger, a dish which has been on the Bell’s menu every single time I’ve visited. He wasn’t sure about it, which is how Matt discovered that he maybe wasn’t wild about venison. That meant I got to try a fair amount of it, and for what it’s worth I really loved it. Venison is a challenging meat to make burgers with, on account of it being so lean and lacking in fat, so to make something so delicious that didn’t fall into the trap of being dry and crumbly was no mean feat.
And again, hats off to the Bell for having a decent, sturdy bun and griddling it to give it the extra heft it needed. If I came back to the Bell, and hopefully I will before too long, I would make a beeline for this. The skinny chips, I suspect, were bought in: it might have been nice to have something chunkier, but they did the job.
Both of us felt like we had permission to order dessert: Matt because his main hadn’t hit the spot and me because mine had. We both gravitated towards the sticky toffee pudding – not something I’d normally order, but as the other two choices were cheese and oatcakes or an affogato I did feel my hand had been forced. I was sorry not to see the beer ice cream the Bell always used to make, which for me was one of the most intriguing and idiosyncratic things they did, but you can’t win them all.
It’s another nice echo of my original visit, because sticky toffee pudding was on the table then too. I think that the Bell has spent the last nine years perfecting it, because I loved this. It was a deep, dense delight, swathed in a cracking toffee sauce and crowned with a sphere of glossy ice cream – no clotted cream or the like here – and it made me wonder how many great sticky toffee puddings I might have missed out on over the years because of my vague prejudice against hot desserts. It was fantastic, and it helped, as the whole evening had, make me feel a little less sad about the changing of the seasons.
I could have stayed and drunk wine and chatted away until they chucked us out. But I’m not sure how much fun that would have been for Matt, who was on the Diet Coke by then. Besides, he had to be in London for work the next day so I settled up and we were on our way. Our dinner – three courses and two drinks apiece – came to ninety-six pounds, not including tip, which I thought was as good value as anything is these days in 2024. We shared trade secrets on how to manage our in-laws all the way home, and if any of them happen to be reading this I absolutely promise I’m kidding.
I was so happy to find the Bell still close to its best self, and if I’d have liked a little more breadth to the menu that was easily outweighed by the pluses – the service, that beautiful spot, the woodsmoke and the exceptional range of wine and cider. For many years, when people have asked me where they could have dinner a little drive away from Reading, the Bell has made my list – a list which shrunk when the Miller Of Mansfield closed, grew when I so enjoyed The Plough earlier in the year.
But we were getting to the point where I was recommending the Bell without having any recent experience to go on, and I felt like a fraud doing that. I’m very happy to have sorted that, and pleased that I can renew my endorsement. That I had a properly agreeable evening and a ride in a Porsche just added to my joy. Reading may have one fewer pub that does really great food and makes you feel welcome. But there are consolations to be found elsewhere, just as there are with the end of summer.
The Bell – 8.0 The Street, Waltham St Lawrence, RG10 0JJ 0118 9341788
Edible Reading 