Restaurant review: A.B.O.E., Bristol

A.B.O.E. closed in August 2024. I’ve left the review up for posterity.

Last Friday I found myself in Bristol enjoying a badly-needed long weekend away. Our train pulled into Temple Meads, half an hour late, and Zoë and I wheeled our suitcases into the centre, three days of eating, drinking and excellent company ahead of us. But before we checked into our hotel, before we did almost anything, I had lunch on my mind and only one candidate to provide it. We made a pilgrimage to the Apple Cider Barge and there, next door, in its distinctive black and red was Gurtrina, the van belonging to fried chicken supremos and Reading legends Gurt Wings. How could I kick off my minibreak anywhere else?

By my reckoning it’s over six months since Gurt Wings stopped coming to Blue Collar – something to do with the council being difficult, if I remember rightly – and the reunion with their magnificent food was all the sweeter for all that deprivation and delayed gratification. In my time away the buffalo sauce had become just a little more piquant, the blue cheese saltier and tangier. The sun came out, the bench we were perched on positively glowed and we polished off our food in wordless joy. Truly, it would have been worth a trip to Bristol just for that.

Afterwards James Mitchell – the man behind Gurt, also known to his many fans as Uncle Gurty – came over and the three of us caught up and shot the breeze. I told him where we were planning to eat in the city, he mentioned a few places he’d heard were good and then he did something I wasn’t expecting. He went out of his way to tell me somewhere especially good I should check out.

“You need to get yourself to Oboe” he said.

“What, like the musical instrument?”

“No, A.B.O.E. It stands for ‘A Bit Of Everything’. The chef is a guy called Seb Merry who was on Masterchef, and he’s so passionate about his food. The whole team are brilliant. They do the best Bloody Mary I’ve had – it’s not on the menu, but if you ask they’ll make it for you. And they have this fried chicken dish – well, it’s not like our fried chicken but it’s amazing, it’s more like a croquette but you’d have to try it. And they do this incredible dessert, have a look at this.”

He fired up his phone and showed me a picture of a dessert which was all chocolate and caramel, thick slabs of each. I’ve rarely seen a photograph I wanted to eat more.

After our chat we went on our way and stopped in the Small Bar for the first beer of the holiday but that glowing endorsement weighed on my mind. If the man who does the best fried chicken you’ve ever tasted tells you that a restaurant does amazing fried chicken, and more besides… could I really let a trip to Bristol pass without investigating? But anyway, there’s no way they would have a table free the following night, I thought. But then I checked, and they had. So I texted my friends James and Liz, sent them the website. 

I know the four of us are booked somewhere else tomorrow night, but Mr Gurt Wings says this place is incredible. What do you reckon, stick or twist?

James, a keen fan of Bristol’s restaurant scene, responded almost immediately. Let’s take a risk and twist, he said, and that was that. Bookings were made and cancelled, and the next night Zoë and I clambered off the bus halfway up the Whiteladies Road, ready to take our chances.

The interior was tasteful, all muted green paint, wall art and pillars. There was a mezzanine floor, although there didn’t seem to be anyone seated there on a Saturday night, and the whole place had a pleasing buzz. It sort of looked as if it could have been part of the Loungers Group in a previous life (I checked: it wasn’t) but none the less it was a pleasant dining room with tables companionably close without being crammed in.

It was also almost completely full and our server whisked us to a table right at the back, far too big for our party of four. He explained that a table for four near the front had slightly outstayed their welcome, and although they’d paid the bill they hadn’t yet left the premises. He told us, quite charmingly I thought, that he didn’t feel like acting the heavy with them given how much they had spent.

Then he asked if Zoë and I wanted a cocktail on the house while we waited. So Zoë had a negroni, made with rosemary vermouth, which she raved about and I asked for that off-menu Bloody Mary. I knew it would be good when the server didn’t ask me how spicy I wanted it: they just did their job and made it, and it was magnificent.

All in all, we were waiting ten minutes with our cocktails, hardly anything to complain about. By then James and Liz had arrived, more drinks had been ordered and we had taken our table nearer to the front of the restaurant, with a good view of other tables, dishes wafting past and the staff – just the two of them, that I could see – working non-stop.

The menu is the kind that makes jaded restaurant bloggers roll their eyes – no starters, no main courses, just snacks and small plates. The menu suggests two snacks and four small plates between two, which I suppose gives you an idea of whether they’re starters or mains. Now, I can be as critical of small plates venues as the next person and I’ve always found it counterintuitive that restaurants tell you to share small plates. I also thought that A.B.O.E.’s pricing was a little out of keeping with the small plates concept – snacks mostly cost just over five pounds, but the small plates ranged from fourteen to twenty-two pounds and that for me, at the risk of doing an accidental Partridge, is the kind of price I expect to pay for a big plate.

But anyway – perhaps it was the charm of the welcome, or the edge-softening effect of that Bloody Mary, but I found I was prepared to suspend my disbelief. So we bartered about the snacks we wanted to ourselves and the small plates we were reluctantly prepared to share, I popped it all down on a note on my phone and when our server came back we ordered with military precision.

“I just need to tell you,” he said, “that the steak tartare is a small portion, so it isn’t really suitable for sharing”.

“That’s okay, that’s for me” said James, in a manner that suggested he had never really considered sharing it with anyone.

That does James a huge disservice because when it arrived, although it was indeed too petite to share, he insisted that I try a forkful of the tartare. It was made with dry-aged bavette, and I have to say it was pretty impressive with plenty of savoury depth. Not the very best tartare I’ve ever had – that honour still goes to Paris’ superlative Double Dragon – but pretty close. Certainly it compared well with a similar dish across town at Marmo, although I wasn’t a hundred per cent sure about the stuff, allegedly taleggio, on top.

Zoë and Liz both went for the pumpkin croquette: A Bit Of Everything definitely applies geographically if in no other way, with this dish having hints of Japanese korroke. But unlike the croquettes at, say, Caper And Cure where you get four little spheres, A.B.O.E. goes for broke with a single enormo-croquette loaded with cheese and horseradish. Again, I was allowed a forkful and again it induced a reasonable amount of envy. Zoë in particular raved about this dish. I probably would have liked more, smaller croquettes to capitalise on the surface area but I couldn’t deny that the flavour of the thing was outstanding.

To continue the globetrotting, my snack was A.B.O.E.’s take on poutine. Rather than fries, it was cuboids of confit potato, à la Quality Chop House, buried in Parmesan with a jug of thick, intense, almost-sweet jus to trickle over the whole affair. Enormously enjoyable stuff: I imagine dreary types might complain that this wasn’t poutine, but it was a darned sight nicer than most poutine I’ve had. Besides, I knew exactly what it would be like because I’d checked out the restaurant’s Instagram in advance (it’s called research, you know).

The first of the small plates to come out was that fried chicken dish so beloved by the man behind Gurt Wings – high praise indeed, from an expert in the field. Well, he was right to say that A.B.O.E.’s rendition was nothing like his. It was surprisingly hard to describe, but it’s important to try because otherwise all you have to go on is the photo below, which looks on the scatological side. It was somewhere between a boudin and a ballotine, a cylinder of tightly compressed chicken thigh bound in a crispy coating, the whole thing smothered in a sticky curried sauce.

Did it work? Well, yes, we all thought it did. As with the pumpkin croquette, I personally would rather have had more, smaller pieces to maximise the surface area. The coating didn’t have as much crunch as I’d have liked, and came away under a knife rather than adhering to the chicken beneath. But you couldn’t argue with the flavours, or the note of citrus that danced through it. Uncle Gurty had not steered me wrong – and no, it didn’t look like fried chicken, much in the way that the poutine didn’t look like poutine. That was sort of the whole point.

I’d had my eye on the barbecued squid with galangal, but it became a must-order when our server, the charming Italian chap who had sorted out our welcome cocktails, told me they’d run out of the clams it was meant to come with. Their solution, he told me, was just to give you more squid. That was good enough for me, and the dish was tender and fragrant with a nicely building heat. Another of those dishes you slightly resented sharing, which in hindsight is a decent description of literally everything we ate.

The most expensive dish on the menu – so naturally we ordered two of these – was the short rib beef agnolotti. Nearly twenty-two pounds a portion, and for me a fascinating misfire. My companions all loved it so I was the lone dissenter, but for me the agnolotti themselves were overcooked, which made the whole dish a bit limp and mulchy.

Everything on the plate was good: the celeriac, apparently with aged beef fat, the glorious beef in the filling and a powerful mole verde, although we didn’t get the advertised goats cheese. As with everything else we tried, the flavour was unimpeachable but for me, the texture let this one down. But I may well have been wrong: certainly everybody else thought so.

Red mullet is James’ favourite fish on earth so he had to order a portion of that, and I got enough of a taste to appreciate that it was, like everything else, very skilfully done. I’m a sucker for braised lettuce, a relatively conventional pairing, but putting mustard – a delicious mustard, at that – in the mix was the sort of clever and unexpected touch Merry seems to specialise in.

The last of our small plates was an outrageously delicious one: barbecued cod with leeks wrapped in nori and two sauces – one of which, studded with ultra-salty nuggets of chicken skin, was one of the most compelling things I’ve eaten in some time. Again, this was at the north end of the price list and I can see you could argue it wasn’t an enormous amount of food for twenty pounds. But it was exceptional, one of the best-cooked pieces of fish I can remember served alongside a sauce with a proper, clobbering heft. James and Liz left a bit of theirs, and I waited as long as I could bear it before saying “would you mind if I finish that?”

Although service was brilliant, there were only two people working front of house (and, just as gobsmacking, I understand there were only two people in the kitchen). If there had been more, or they’d been less busy, we might have got to a second bottle of wine but instead we took our time with the one we had, a beautiful Minervois which sort of went with some of the dishes. It’s a small wine list, six white and six red, about half of them available by the glass.

Our server asked what we made of the food and checked what we’d ordered. He said it was a shame we hadn’t gone for the celeriac cacio e pepe and we said that it hadn’t quite made the cut. So he decided to send a plate of it out to us anyway, which was very kind and completely unexpected. It really was a beautiful dish – ribbons of just-cooked celeriac taking the place of pasta, more sweet and comforting cubes of celeriac and little mushrooms dotted throughout. Clever and imaginative, like everything else, and in its way every bit as enjoyable as the cacio e pepe I’d raved about earlier in the year at Manteca.

“Isn’t it great?” said our server as he took the empty plate away. “I shouldn’t like it, because I’m Italian and making this without pasta is, well…” He shrugged at that point to indicate that he knew full well the dish was culinary heresy. “And I’m not just Italian, I’m from Rome. But the chef is right, and it’s just so good.”

The menu also recommends that you share one dessert between two people. I don’t know if it was our greed, or the small plates not being quite big enough, but we disregarded that and ordered one apiece. Mine and Zoë’s was the dish I’d seen in the photo on Uncle Gurty’s phone the previous day. Dubbed the Rolo Finesse, it was about the most high-end Rolo you can imagine – a thick wobbly layer of something partway between caramel and toffee, gloriously indulgent with just the slightest hint of miso. Beneath that, a thick stripe of a chocolate cremeux that was almost more like ganache, and beneath that a crunchy base.

That would have been enough, but malted milk ice cream on the side and more little nubbins of that crunchy chocolate holding it in place elevated this to god tier. If I’ve had a better dessert this year I can’t remember it, and if I have a better one next year I’ll be very surprised indeed. I can’t tell you how delighted I was that this one of the only plates I didn’t have to share.

James and Liz both opted for the tiramisu and again, were generous enough to let me try it. It was – no surprises by now – excellent: light yet moreish, a far more elegant way to finish a meal than the whopping slab I’d just eaten. I’ve tried a few Bristol tiramisu over the last couple of years – Sonny Stores and Little Hollows spring to mind – and for my money this was better than either.

As we sat there in the afterglow of a brilliant meal, ready to pay and slope off to the Good Measure for a post-prandial beer, we discussed A.B.O.E. in the wider context of a city full of phenomenal restaurants. We knew it was good, but just how good was it? James thought it was better than Wilsons, but he’s been burned by going there after my rave review, eating a meal which was almost completely devoid of carbs and leaving hungry: it’s made him an avid detractor. Zoë liked it even more than COR, which is pretty much the most exalted praise you can award in Bristol.

I loved it, but I wasn’t sure how to place it. The flavours had been exceptional, the service some of the best I’ve had this year. But those small plates were priced on the keen side. It required further reflection, I decided. Our bill, not including the two comped cocktails and that extra celeriac dish, came to just over three hundred pounds, including a 12.5% service charge which the staff more than earned. As we paid up, James told our server how much he’d enjoyed it.

“Way better than Wilsons” he said. He always takes pleasure in saying that.

“Thank you!” she replied. And then, before we put on our coats and made our exit, she came back.

“I know this is cheeky, but I passed your compliments on to the chef, and he asked if there was any way you could write a review saying you thought the food was better than Wilson’s? It’s really high praise.”

“Don’t worry” I said, “I’m sure one of us will.”

The funny thing is that since my meal, which I’ve thought about many times, I’ve discovered, while writing this review, that A.B.O.E. has a bit of a controversial reputation. I’ve read a review online, best characterised as a tad sneering, that criticised A.B.O.E., partly for some of the dishes but mainly, it seems, because they linked up heavily with influencers just after they opened around the start of the year. One influencer in particular, a chap the Rolo Finesse is named after as it happens, came in for particular criticism.

Well, I can sort of see both sides of that. I’ve always felt a bit icky about influencers myself, especially ones who don’t declare ads or invites, although that criticism in my experience comes better from people who don’t take free or heavily discounted food themselves.

And looking at the influencer in question’s output, I did feel about three thousand years old. Saying that it’s, and I quote, “non stop grub-a-dubdub” at A.B.O.E. is the kind of expression that makes me want to sigh all the remaining air out of my lungs, as is the observation that “every component on your plate will SLAP so hard you won’t even know what month you were born in”. Let’s not even get into the bit where he described A.B.O.E.’s roast beef as “more tender than your nan’s left arm” or their cauliflower cheese as “so peng I could have cried”.

But the point is, much as it might pain me to admit it, the guy is not wrong (well, except maybe about my nan’s left arm). I, rather, would say that the staff work their socks off and are brilliant at what they do, I would say that every element of every dish has been given serious thought and cooked with enormous skill and that, irrespective of how or whether it slaps, let alone how hard, A.B.O.E. has a very talented kitchen doing fascinating things. I guess if you put what I said into an English-to-influencer Google Translate it might end up as roughly what he said.

I can always tell when I’ve really, really enjoyed my meal because I actively look forward to writing it up, to trying to put into words what I’ve experienced. In that sense A.B.O.E. is a restaurant blogger’s dream, and I feel lucky to be a Bristol outsider because it means that, free of all that infighting and beef I can just judge the food and the experience, and say that both were terrific. The list of places I need to go back to in Bristol gets longer and longer, which makes reviewing restaurants there difficult. But as long as they keep that dessert on the menu – which I suspect they will, if only because it pisses off all the right people – I can very much see myself returning.

A.B.O.E. – 9.4
109 Whiteladies Road, Bristol, BS8 2PB
0117 9466144

https://www.aboebristol.com

Restaurant review: Cici Noodle Bar

Cici Noodle Bar closed in March 2024. I’ve left the review up for posterity.

When I was younger, I loved the weekend when the clocks went back. Even though I had all the time in the world, that extra hour in bed felt like a gift from the cosmos. And now I’m uncomfortably ensconced in middle age I realise that the bonus sixty minutes aren’t remotely worth all the consequences: dark mornings when you go to work, dark evenings when you head home, drear and dreich everywhere. And the extra hour? I think I spent at least a quarter of it resetting the clocks and the time on the oven. It’s a crappy tradeoff.

I read online somewhere recently that we have to wait until something like next March before the sun sets after 6pm again. I looked at my phone, hoped I’d read it wrong, realised I hadn’t and just thought: please, god, no. I have one more holiday planned this year, to Malaga in December where the sun will still be shining, the sky still a striking photogenic shade of blue. The quality of light alone, I know, will lift my spirits. Is it wrong to check the weather there once a day without fail?

I know some people love autumn, love the chillier days, love crunching golden leaves underfoot – to be fair, who doesn’t love that? – love the slide into mulled wine, Strictly on the telly, preparing for Christmas and hibernation. Maybe other years I would too, but this year feels like it’s been an especially gruelling one: much of the time I find I’m just tired, and ready for it to end. Every month the stagger to payday feels a little more like running on fumes.

Back when I was married (last time, not next time) my in-laws had a wonderful phrase for feeling a little bit blue, possibly for no tangible reason. The can’t help its, they called it: you had a case of the can’t help its. I’ve carried on using that ever since, and it’s seemed very appropriate lately, more often than I’d like. And all the things that fix it – a beer during the week, a bar of chocolate munched in front of Bake Off – work on one level, but on another I know they’re just sticking plasters. Sticking plasters that make me fatter, more lethargic and probably, in the longer term, sadder. And social media, of course, is full of people who look as if they’re having a marvellous time.

So this week I left the house on a Friday evening looking for comfort, for a solo dinner before Zoë finished a late shift in town. And comfort – when it doesn’t mean chocolate, for me anyway – often means carbs. There’s something soothing and cosseting about carbs that, on some nights, little can touch. That’s why I made a beeline for Cici Noodle Bar, which opened about eight months ago on Queen Victoria Street in the space formerly occupied by the unlamented Donuterie. I hadn’t heard much about the place, but everything I had heard was good.

Cici closes at half eight, so it’s more a lunch or quick early dinner option like Kokoro next door. Arriving at around half seven I was greeted with a completely empty room and nobody behind the counter, a veritable Marie Celeste. It’s a pleasant enough space, but more functional than fun: if I could go back in time I’d buy some shares in whoever makes Tolix chairs, because it’s more noteworthy now when you turn up to a casual dining place and they don’t have masses of the bastard things. But even so, I didn’t mind it – the pillar box red chairs and black walls had a pleasing look to them. It just needed what all restaurants need really, people.

I was about to give up when a chap came in from the back room.

“Are you still serving?”

“Yes, sure” he said. Apart from a few subsequent Deliveroo drivers and a lady who turned up to get takeaway, I think I was to be his last customer of the evening. I placed my order, clarified that he brought it over and I didn’t have to go and collect it and then I went to sit at the high table up at the window. From there I looked out on Queen Victoria Street in the darkness, people scurrying to the station to head home after a hard day at work, or heading in the opposite direction towards the Oracle, their evenings about to begin. Maybe it was the fluorescent light, or that feeling of solitude in a crowd but I felt a like a cut price, low rent Redingensian Rick Deckard. A boy can dream, anyway.

Cici Noodle Bar’s menu, you may be unsurprised to hear, revolves almost exclusively around their hand pulled noodles. You can have them in broth, as ramen (the difference between these two isn’t really explained) or as they come. That’s pretty much it, barring a handful of sides, and most of their noodle dishes cost around a tenner. All very straightforward, and that kind of streamlined menu always inspires confidence in me.

I’ve never really got things like ramen – I tend to agree with the restaurant blogger Katie Low who once said they combine all the drawbacks of soup and of noodles without the benefits of either – so I went for a dish described as “dry noodles with beef brisket”. As you can maybe see from the picture below, it was emphatically a sauce free zone – I don’t think I was necessarily prepared for quite how dry it was. Noodles, pak choi, plenty of hefty chunks of beef, some coriander and a few translucent slices of radish. That was all. Had I made a mistake?

As it turned out, I hadn’t. I don’t always have the most nuanced palate, and I can sometimes equate subtle with boring. I tend to like crash bang wallop flavours like XO or gochujang, blue cheese or anchovies. Load up the salt or umami and I tend to be a happy man. So to slow down, strip back and taste this dish was really quite a revelation. The noodles were lovely – thick, somewhere between soba and udon, with just enough bite to make them interesting. The greenery added crunch, contrast and aromatics.

But the star of the show, with this dish, was the brisket. It’s too easy to wear out superlatives in this game, but this was easily some of the most tender beef I’ve eaten anywhere, surrendering to a fork – I was too much of a heathen to eat it with chopsticks – falling into flakes almost the way fish would. It had a surprising depth of flavour, too: maybe I was imagining it, overcompensating for the simplicity of everything else but I thought I detected something like star anise. Either way it was properly delicious. Even the few bits of fat there were, wobbly and gelatinous, were a glossy, moreish delight rather than a bouncy ordeal.

The other transformative component, though, was on the side. There were standard issue bottles of soy and vinegar but also, in a blue and white pot, there was laoganma, crispy chilli in oil, and a little teaspoon with which to dispense it. And dispense it I did, a little at first, then more and then more, the brick red savoury joy colouring everything in the dish and completing the experience. For those of you who haven’t had laoganma, which included me until recently, it’s made with chilli but not quite as punchy as you might fear, the whole thing given a sublime extra dimension with the addition of fermented black beans that lend extraordinary depth.

Without laoganma – it translates as “old godmother”, would you believe – my noodles were a very good dish. With it, they became great. By the end, as I dispatched those last nubbins of chilli-flecked brisket, I was dabbing my nose and pondering the possibilities: laoganma smudged on cheese on toast! Pastrami and laoganma sandwiches! Laoganma eaten out of the jar with a spoon! But although it elevated the dish, I did have to remind myself that the dish was pretty impressive already. What would the spicy chicken noodles be like, I wondered? Next time, I thought.

I wish I could be equally enthusiastic about the gyoza, but they fell a little flat. They tasted too much of the oil they had been fried in, and the oil tasted like it had done too much frying already. Perhaps that’s just the consequence of being their last customer on a Friday night, but it was a real shame because the gyoza themselves could have been good. I poured some soy and vinegar into the dish, which served to highlight the oil floating on the bottom of it, and made the best of a bad job.

Service was nice and friendly although the man behind the counter did wander off for long periods of time. That didn’t bother me at all, but another customer came in after me to order some food to take home and she nearly gave up after waiting for nearly five minutes with nobody behind the counter. “It’s really good, it’s worth waiting for!” I said between mouthfuls of brisket, persuading her to stay until the server returned. I’m glad I did, and hopefully she enjoyed her meal as much as I did mine.

But I suspect that, at the end of a long shift, the server was just keen to go home. That’s perfectly understandable, really. I also sense that he hadn’t been working there long – when he came to take my bowl away I told him how much I’d enjoyed my food and asked how long Cici Noodle Bar had been there, pretty standard restaurant small talk, but he didn’t know. My bill came to a stupidly reasonable fifteen pounds, not including service.

And it wasn’t until later when I checked my bank statement that I realised my payment had been made to Donuterie: if this was a case of Donuterie’s owner turning their hand to something else when the doughnut business failed they’d definitely done a far better job of it than, for example, that time that Italian restaurant Casa Roma rebranded as Maracas. Cici Noodle Bar, weirdly, felt a little like what that site should have been all along.

I’ve walked past Cici Noodle Bar, on the way home from work, a few times since I visited for this review and every time I’ve been really heartened to see customers in there. I really like what they do, and it definitely takes its place in the great pantheon of Reading noodle dishes like the exemplary chow meins at Kamal’s Kitchen and Sapana Home, not to mention the much missed duck noodles at Beijing Noodle House, the West Street institution that fed so many happy Reading diners on an affordable night out, many years ago. It could be the spiritual heir to the latter.

I’m yet to visit the obvious benchmark for Cici Noodle Bar, Marugame Udon which opened in March in the Oracle where Pizza Hut used to be. I got as far as walking through the door with Zoë, seeing that the layout was more like a cafeteria than a restaurant, thinking “sod this” and leaving again.

No doubt I will review it at some point, or at least I ought to. But even once I do I suspect my loyalties will probably lie with Cici Noodle Bar – slightly less polished, perhaps slightly less slick but delicious, independent and brave. It was warming, surprising and it definitely staved off the can’t help its, for a while at least. Or perhaps it was the laoganma: I must pick some up so I can carry out some controlled experiments in the comfort of my own kitchen.

Cici Noodle Bar – 7.5
27 Queen Victoria Street, RG1 1SY
0118 9090872

https://cicinoodles.com

Restaurant review: La’De Kitchen

La’De Kitchen closed in January 2024, and is apparently reopening as a separate restaurant called Yaprak which is allegedly under the same management/ownership. I’ve left the review up for posterity.

It kind of feels as if I’ve reviewed La’De Kitchen, the Turkish restaurant in Woodley, already, even though I haven’t. That’s partly because it’s featured on the blog before, by virtue of a delicious takeaway I reviewed back in March 2021. And I have eaten there once, a couple of months after that. It was for a friend’s birthday, during that weird period in 2021 when you could eat outside but not inside, and we all shivered under blankets and tried to persuade ourselves we were having a marvellous time. I remember the food, though, as being excellent.

Returning this week was a recognition, I think, that of all my to do list it was the most glaring omission, the place I really should have reviewed by now. Zoë and I turned up nice and early on a weekday evening to find the place largely empty, although it gradually filled up during the course of our meal. That didn’t surprise me, because it has developed a reputation over the last couple of years.

Of course, and I say this as a former Woodley resident, the fact that it’s in Woodley, always a rather a desert for restaurants, must help. “I remember how excited Woodley was when it found out it was getting Bosco Lounge”, Zoë told me, which gives you an idea how low expectations were set.

But also, it’s just really nicely done. The interior is chic, and the place got buzzy as more tables were occupied. I could easily imagine that on a busy Friday or Saturday night, the cocktails flowing, plenty of bums on those tastefully upholstered seats, it would feel like a very upmarket place to spend an evening. Maybe not on a par with their branch in Pangbourne, but lovely even so.

That said, La’De Kitchen is in some respects a different beast to the restaurant I ordered my takeaway from back in 2021. Back then Berkshire was its brave new frontier as they expanded from their original Muswell Hill branch. Fast forward two years and Muswell Hill is closed. Instead, La’De has spread across the Home Counties – Newbury, Camberley, Sunningdale – with a rogue branch in Hereford, of all places. So was it a different proposition now, and had they kept what was magical intact as they’d grown? I had a feeling I was about to find out.

The menu, though, was largely unchanged from my previous visit. It’s the familiar mixture of cold and hot meze, food from the grill (endearingly described as “Charcoal Productions”), some Turkish specialities (including pide) and a handful of less Anatolian choices. Some of these, the pizzas, take advantage of their having a suitable oven. The other two, described as the “Ritzy La’De Burger” and the “Ritzy La’De Chicken Burger”, badly need a rebrand: nothing would knowingly choose to be described as ritzy, not even – well, especially – the Ritz.

It’s a shame that most of the sharing main courses, the mixed grills and what have you, are sized and priced to serve three to four people, as opposed to the two to three on the menu on their website, as that limited what we could try.

The first sign that all might not run smoothly came when we placed our order – a couple of cold meze, a pair of hot meze and a main course each. “Would you like all of that to come at the same time?” asked our server, which I found bizarre. Yes, having ordered this much food I would naturally like it all dumped on the table at once so some of it can go cold: that must have been what I had in mind. Maybe they get some customers in a real rush to hightail it to Showcase Cinema, but I didn’t think we had that air about us. “This might be too much food”, our server also said. Well, maybe not it it’s nicely paced I thought, but didn’t say out loud.

Personally I’d have liked my cold meze first, then the hot meze and then my mains. And perhaps I should have said that out loud, but I didn’t, so all four of our starters came pretty much at once. They were something of an exercise in frustration. Possibly the best of them was Cypriot garlic sausage, grilled and crisp-edged, coarse and tasty without any dubious whiff of mystery meat.

Genuinely, I really enjoyed this dish, and I’m sorry to go there but I’m afraid I must: four pretty small pieces of what was presumably a single sausage was seven pounds fifty. If anything, the photo above makes the dish look bigger than it actually was. A handful of scruffy salad, over-sweet with dressing and pomegranate seeds, doesn’t conceal how small this particular small plate was. I know food is getting more expensive and something has to be right at the edge of the spectrum for me to call it out, but that’s where this was. It got me thinking about the sujuk at the sadly-departed Cairo Café: still, maybe that’s why Cairo Café has gone and this place is still there.

The other starter was even more of a disappointment because it’s a dish I’ve had and loved from La’De Kitchen more than once. Chargrilled octopus looked the part, that alluring fractal spiral I always love seeing on a plate. But whether this wasn’t marinated or cooked before being finished on the grill, the end result was tough, rubbery and heavy going. It was also another dish with an overreliance on balsamic and pomegranate seeds, the whole thing a little sickly-sweet. Zoe tried a few pieces and gave up – if the octopus had been great this would have been a stroke of luck, but instead it was a chore.

Were the cold meze better? Not really. Baba ganoush was probably the best of them, with a decent texture and an underlying note of smoke that told that particular aubergine’s origin story. But even then it was a little lacking in the complexity I was hoping for. But the real disappointment was the taramasalata: I’ve had this before from La’De Kitchen and I remember it being more a pastel shade, salty and moreish, a proper treat. This was Barbie-pink and one note, with more of Marie Rose than fish roe about it. As with the octopus Zoë tried a little and decided she couldn’t be doing with the calories. “It’s oddly sweet” she said, a theme across the starters. And I would say, in the main, that I’m a fussier eater than she is.

Here’s the really weird thing, though: one thing I’ve always loved about La’De Kitchen is its balloon bread – a beautiful inflated pita speckled with sesame seeds. When I ordered takeaway from that that first time, we had three of the blighters and I remember thinking that they were one of my favourite things about the meal. On this occasion – and bear in mind that we’d ordered two things you could reductively describe as a dip – they brought us one.

We broke it, we tore it, we dipped and spooned baba ganoush and taramasalata onto it, and then we thought “what can we do with the rest of these dips?” Did they expect us to eat taramasalata with a fork? So when the server swung by, we asked if we could have some more bread. Of course, of course, they said. It did not materialise.

By this point I was drinking my pint of Efe and Zoë was on a mocktail (“Safe Sex On The Beach” apparently, although good luck finding one without sewage in this country) the restaurant was slightly busier and I was adjusting my expectations. One of my favourite Turkish restaurants is Zigana in Didcot, and although I love the place I’d be the first to admit that their meze is hardly the main attraction: it’s only when your food has spent time on their charcoal grill that things start getting good. Perhaps La’De Kitchen would be the same.

Our server came over and asked if we were ready for our mains, and we said why not. He gestured at our mostly uneaten baba ganoush and taramasalata, although he chose not to ask why we’d left so much. Funny, that.

“Would you like me to take those away?” “he asked.

“No thank you, but what I’d really like is some more bread to eat with them.”

“Of course, of course” came the reply. Of course, more bread never materialised. By this point I had rationalised to myself that, given that the two dips were either side of middling, he might have been unintentionally doing me a favour. Besides, all the more room for mains.

When I had my takeaway from La’De Kitchen all those years ago it was all about one dish: the pistachio adana, an impeccable lamb kofte studded with pistachio, a truly delicious masterpiece of grilling. Well, Zoë quite sensibly called shotgun on it for this visit and I have to hand it to her, because it was the one thing about La’De Kitchen that age has not withered.

If anything, it was better than before: what used to be a coating of pistachio has morphed into something more beautiful, a sort of hyper-real, hyper-green pistachio pesto which elevated it from great to greater still. Paired with gorgeous, nutty pearls of bulghur wheat (and more sticky-dressed, pomegranate-strewn salad: you can’t have everything) this really was a fantastic dish, albeit one keeping bad company. If everything we ate that night had even approached the quality of the pistachio adana, I would be firing up the hype machine and getting out my virtual megaphone: nothing even remotely did, but I still want to say that the restaurant is almost worth visiting for this dish alone.

I’m prepared to concede that I might have ordered badly, when it came to my main. I asked my server what distinguished the chicken Iskender from your common or garden shish, and he told me that it came served on a bed of pita with a spicy tomato sauce (called halep) and yoghurt. Should I have known from that what I was about to get? Perhaps. Perhaps I should have known that it was cubes of chicken and squares of pita in a cast iron skillet, with a spooge of slightly bland tomato sauce and a pile of yoghurt on top. If I’d known, I might have opted for something else.

But even judging it by the standards of the dish, it didn’t quite work. Unlike the plating of the adana, which gave you plenty of negative space, this was crammed into the skillet, making it fiddly to eat. I actually loved the squares of pita, which had enough about them to stand up to the sauce. But the chicken was firm – just the right side of bouncy – without being tender, and the sauce was unremarkable. It was almost like they’d taken all the glory of meat fresh off a charcoal grill, and wiped it out by drowning it in something bla. I probably ordered something I might not have chosen, but I still expected it to be better than this.

“What do you think?” said Zoë, who by this point had given me enough of her adana for me to realise a travesty had taken place.

“It’s, well… it’s not as good as yours. Meat and tomato sauce in a skillet feels like something I could have picked off the al forno section of the menu in a Prezzo.”

“You know this used to be a Prezzo, don’t you?”

Full but unfulfilled, we waited in vain to get somebody’s attention to pay our bill. The restaurant wasn’t hugely busy at this stage, but from the difficulty we had you’d think it was. All the time that blasted taramasalata and baba ganoush sat there on the table. It irked me, and yet I knew I’d dodged a bullet: I’m a big fan of eating my feelings, but not necessarily when those feelings are disappointment. Eventually we got our bill, and some time after that we managed to pay it. It said we’d had two lots of balloon bread, which by this point was just rubbing it in.

“That was the best part of a hundred quid!” said Zoë incredulously as we made our way to the bus stop, pausing only for a tactical foray into Waitrose to buy some chocolate to cheer ourselves up. “Seriously, you need to find some other people to do these fucking reviews with you.”

“I know, I know” I said. “The saddest thing is that we could have gone here” – I gestured at Adda Hut, which looked far quieter than La’De Kitchen had been – “and you’d have had a better meal. We’d have spent a lot less money, too.”

I am so sorry that I didn’t like La’De Kitchen more. I wonder if it’s them or me, if I caught them on a bad night or if something has happened to the genuinely exciting restaurant that opened in Woodley a few years ago. Is it the inevitable consequence of a chain growing, or what happens when you focus on margins? Either way I ordered a mixture of dishes I know well and some new things and only one dish – that pistachio adana – took me back to the beginning. 

Beyond that, it felt like a shadow of its former self. I found myself thinking you’d be better off at Bakery House, or Tasty Greek Souvlaki, or even catching the train to Didcot and giving Zigana a whirl. Or trying Istanbul Mangal in Tilehurst Village, or the new Lebanese place down the Wokingham Road. I truly wish it wasn’t so, but them’s the breaks. But we’ll always have that pistachio adana, so perhaps the trick is to go there, order that, cut your losses and leave. It’s an extraordinary dish, and without it this rating would have been far lower. It’s worth making a pilgrimage just for that. For now, at least.

La’De Kitchen – 6.7
61-63 Crockhamwell Road, Woodley, RG5 3JP
0119 9692047

https://woodley.ladekitchen.com

Restaurant review: Pappadams

Pappadams closed in November 2025 and is due to reopen as a new restaurant called Anjappar. I’ve left the review up for posterity.

I got an email from WordPress the other day confirming that they were renewing my domain name for another year and that, more than anything, reminded me that a significant anniversary was coming up: next month my blog turns 10 years old. What started as a little hobby has become, well, a slightly less little hobby but I can’t quite believe that a decade later I’m still reviewing restaurants and that people are still reading those reviews. There will be more about that in the weeks ahead – for which I apologise in advance – but it has left me in rather a reflective mood lately (and I apologise for that, too).

In the first year of the blog, back when Alt Reading and the Evening Post were still a thing, I published a total of 38 reviews of places in Reading. Of those 38 restaurants just over half are still trading today – a statistic which surprised me, although it does include the likes of Zero Degrees, Côte, Five Guys, Mission Burrito, Malmaison, Bel And The Dragon: chains who are still going, many years later.

But when I look back at the independent restaurants I visited in the first year of the blog, the ones that remain open in 2023, there are only three that I’ve never returned to since. Pau Brasil, although I know it has its fans, has never tempted me back. I’ve never got round to Coconut, although I did review their takeaway at the start of last year. And last but not least, there’s Pappadams, the subject of this week’s review.

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Restaurant review: Bakery House

Bakery House rebranded as Lebanese Flavours in March 2025. It no longer bakes on the premises, has an alcohol licence and previous manager Mohamad Skeik has left the business. I have marked this review as closed and will re-review Lebanese Flavours at some point.

It’s strange to find myself writing about Bakery House again. In 2015 when I reviewed it, not long after it opened, it was a genuinely game-changing restaurant in Reading – an authentic, uncompromising Lebanese restaurant with no alcohol licence, the perfect counterpoint to the grown-up La Courbe in town which offered a huge selection of Lebanese wine. From the front you could be fooled into thinking Bakery House was a kebab joint, but out back you were treated to gorgeous, gorgeous food. And plenty of people thought so: Bakery House prospered, while La Courbe (with lovely John Sykes as its landlord) withered and died.

And prosper it really did, becoming part of the fabric of town in a way few restaurants manage. You could easily make a case that Bakery House is one of the most significant Reading restaurants of the last ten years. The first couple of times that I ran the World Cup Of Reading Restaurants on Twitter, it was the runner-up: if Clay’s hadn’t had the temerity to open the previous summer, I’m sure it would have won the title in 2019.

But also, Bakery House is part of my story: I can’t think of any other restaurant, not even Dolce Vita, that has kept me company through so many different phases of my life. I remember eating there with my ex-wife shortly after it opened, or grabbing takeaway from there to eat in front of the telly at home, a few doors down. I had a girlfriend after that who went there with her family every Sunday without fail, the restaurant part of her rituals, the wait staff fussing over her kids.

Another partner met my mother for the first time sitting on the wall outside my crummy transitional post-divorce flat, eating a Bakery House shawarma wrap. And then I got together with Zoë, and it was one of the first Reading restaurants I took her to. One of our rituals would be to go to Nirvana Spa on a Sunday and then, rather than cook, to stroll over to Bakery House. Their food was always the perfect bookend to a carefree day, and given that Zoë often works at the weekend those days were particularly special.

Anyway, enough about me: you probably have your own Bakery House stories and I’m sure they’re far more interesting than mine. But apart from some lockdown deliveries, I haven’t eaten in Bakery House since the pandemic. And a couple of those deliveries were a bit wayward – little things, like the boneless baby chicken maybe being not quite as succulent as usual, or the rice that was meant to accompany it going missing in action.

Then I started to hear vague rumblings that the place wasn’t quite as good as it once was, and truth be told I started to worry. I had always blindly assumed that Bakery House would survive the twin storm of Covid and the Tory-induced cost of living crisis. What if I was wrong?

At the end of May I heard an intriguing piece of news from Mansoor, a regular reader of the blog. He told me that Bakery House had been bought by the owners of House Of Flavours. He’d been told there were no plans to change the menu or the chefs, and I was pleased to hear that the manager Mohamad Skeik, who I interviewed for the blog back in lockdown, was staying in position.

I didn’t know how I felt about that news – on one level I was relieved that Bakery House’s survival seemed assured, on another I felt bad that it might have been in question and that I hadn’t known. But also, was it really business as usual at Bakery House? I wanted to find out, so a few Sundays ago, after a relaxing day spent poolside at Nirvana, Zoë and I strolled down South Street to resurrect our pre-Covid tradition.

Nothing had changed inside, at first glance, which I found oddly reassuring. Still the same battleship-grey walls, brightly lit wall art and chocolate-brown banquettes. Still the shawarma revolving away up front, still the signs of baking that gave the restaurant its name. So far, so familiar.

And Mohamad was still there, zipping about: now, in the interests of full disclosure Mohamad knows who I am, because I did a readers’ lunch at the restaurant back in 2019, but I doubt he would expect me to review the place again after eight intervening years. And I didn’t just spot Mohamad, I recognised a waitress who has been there since the very start, who left the restaurant to have a baby and came back, and that made me realise that this restaurant hadn’t just seen me through different phases in my life.

But also there, relaxed in a polo shirt, was Chander Ahuja, the owner of House Of Flavours. I’ve never met Ahuja, but I know him by sight and again, it’s possible he knew who I was. He came over and asked more than once what I made of the food, as did Mohamad. I don’t know whether that was anything to do with me writing the blog, or because it was my first visit after a long time away. I don’t know if it was because of a certain apprehensiveness about what customers made of the same-but-different Bakery House, or just excellent customer service. I’m just mentioning it, aware that it could have been any of those things.

The menu is exactly as it was, not spruced up, not reprinted. And really, they might want to consider reprinting it and raising their prices, because those prices have a distinctly 2015 feel about them. Maybe it’s a loss leader in this climate, or perhaps they’re waiting for new menus back from the printers but really, starters that cost a fiver or less and mains that weigh in around thirteen pounds feel like they merit a mention. If the quality is even close to what it was, I thought, Bakery House could be one of the biggest bargains in the town centre.

We did something I rarely do when re-reviewing a restaurant, namely ordering the dishes I would normally have if I was visiting Bakery House. That might sound like a counter-intuitive thing to do – surely it should be about striking out into the unknown? – but there was method to my madness. I’ve had some of these dishes so often it feels as if I know them like the back of my hand. It’s a kind of gastronomic close reading, I guess, and I thought it was the best way to assess whether Bakery House was a different proposition under the bonnet (that’s probably enough mixed metaphors for now).

The first indicators came with one of my very favourite Bakery House dishes, houmous kawarmah, houmus with spiced lamb. I could have closed my eyes and remembered its tastes and textures, but what came along was subtly different. The houmous was still glorious – thick and scoopable, with a hefty, welcome whack of tahini. But the lamb was… what had they done to the lamb?

Where before it would have been little nuggets, here it was fantastic caramelised slivers of the stuff, intense and moreish. I know what this dish is like when it’s good – years of practice – and this was as good as I could remember it. I looked over at Zoë as she loaded some onto a piece of pita and crammed it joyously in her mouth. There was a pause.

“Oh, hello” she said. Oh, hello indeed.

If that was my go-to order, our other starter was Zoë’s. She always picks arayes, flatbreads stuffed with minced veal, and is something of an expert on the stuff. And yes, the plates are a bit fancier now, and they’ve drizzled pomegranate molasses on top. But, as with the restaurant itself, the real changes were the ones going on under the surface. In the past, the veal could be a little homogeneous, a little smooth. This, though, was coarser, even more delicious. It felt like eating the dish in HD, the same experience I’d had with the houmous. Something was going on here, and I was pretty sure I liked it.

The real test, though, was to come, with the dish I most associated with Bakery House: farrouj massahab, the boneless baby chicken. I have eaten this at Bakery House many times, and in lockdown it was my delivery order of choice: why on earth spend that money on Nando’s when you can have this? In as far as a dish can be a friend, this was an old, old friend and seeing it come to the table (well, them: Zoë ordered it too) felt part meal, part reunion.

I may have more photos of Bakery House’s boneless baby chicken on my phone than of any other dish I’ve ordered in my life – more than Bhel Puri House’s chilli paneer, more than Sapana Home’s momo, more than Fidget & Bob’s full English, more than any of the cornucopia of delights you can get at Clay’s or Kungfu Kitchen. Like any poor woman dipping her toe in Tinder, my phone runneth over with cock pics. I have pictures of it looking overdone and a tad dry – the chicken, I should add – and pictures of it looking wan. There have been times when it’s been amazing, and times when it’s merely been quite good. It’s never been less than that. What was it to be this time?

Well, you can’t tell from the picture, which is why Instagram will never entirely kill food blogs like mine. But I’m overjoyed to tell you that it looked good and tasted even better. Marinated, golden, utterly crammed with heat and flavour it was, much like me after a day at Nirvana, its absolute best self. They’d got more of that spice into the meat than I remember, and the biggest dilemmas were which parts to eat first and which to save until last, and whether to dip in the potent chilli sauce or the pungent garlic sauce. Why had I gone without eating this for so long, and when could I realistically do it again without looking a bit weird? Was lunchtime the next day too soon?

It wasn’t just the chicken though, everything else had been subtly tweaked and elevated. The golden rice also had an unfamiliar jolt of heat and was beautifully done, clump free and the perfect accompaniment. And the salad – well, Bakery House has always done salad superbly and understood, as so few places do, that if you want people to eat it you have to dress it. And they had dressed it well, a riot of freshness, with plenty of tomato and pokey raw red onion.

I’ve often pontificated in the past that this dish is possibly the single best one stop shop, the finest everything-you-need-on-one-plate choice in the whole of Reading. I still stand by that: if anything it’s better than before, and a ludicrous steal at twelve pounds fifty. Just don’t get into a lift with anybody for about twenty-four hours after eating.

I’ve never really done dessert at Bakery House, although I know people who swear by it. But a little plate of mini baklava, sticky-sweet and just the right size to eat in one go, was a lovely touch, brought out as we were getting the bill. I’m pretty sure I saw these brought out to other tables after they’d finished their main course: I don’t think it was just me. All that was left was to settle up – our food, and a couple of superbly zingy fresh lemonades came to a baffling forty-two pounds, not including tip.

As I said, service was terrific throughout, although Bakery House has always excelled at that. It looked like a happy, harmonious ship when I was there that Sunday evening; it did a steady trade, although it was far from full, and the other customers appeared to be enjoying themselves almost as much as I was. The new owner looked relaxed, and as I waited for the bill I looked around, taking in the room where I’d eaten so many times and the wait staff who had been serving me since the year dot. And maybe I’m getting soft in my old age, but I was grateful and strangely moved that Bakery House was still here and relieved that its future appeared safe.

I was relieved, too, to have loved my meal quite as much as I did, and to know that the new ownership had nudged and subtly improved rather than overhauling or resting on laurels. Change a restaurant you like too much and it becomes something else, but if you never change it at all you run the risk that it becomes preserved in aspic as the world moves on. The history of Reading restaurants is full of places that did exactly that and then died out, and I hope I never find myself talking about Bakery House in that category. This felt like a much better course, to try to preserve Bakery House’s heyday with some judicious tinkering.

So there you have it – a timely, happy return to Bakery House, almost eight years after I first set foot through the doors. Much has changed in that time, me not least, and Bakery House is no longer the trailblazer it was. But if they play their cards right they could attain a status that has always eluded me, that of a true Reading institution. I had forgotten just how good Bakery House was. I’m not alone: I think maybe Bakery House had too, but now they’ve remembered, and they’re out to remind everybody. I’m happy to play my part in doing some reminding, too.

Bakery House – 8.1
82 London Street, Reading, RG1 4SJ
0118 3274040