The Bell, Waltham St Lawrence

You can read a more up to date review of The Bell, from September 2024, here.

Well, summer’s well and truly over. You can speculate about the exact time of death – when the kids went back to school, when festive toot started appearing in the shops (prosecco flavoured crisps, M&S? Really?), that awful moment when you realised the central heating needed to go on – but those are details. The formal funeral happens tomorrow night when the clocks go back, and that’s that: it’s gone until next year and now we all need to come to terms with wearing extra layers, fishing the gloves out of the chest of drawers, deciding who’s getting what this Christmas and wondering whether this is the year you stop bothering with sending cards.

I’ve found it especially difficult because I’m not long back from holiday. So it seems like only yesterday that I was sitting outside until midnight, eating grilled meats and salad, drinking that first glass of rosé as soon after midday as socially acceptable and reading novels by the pool. To return to a nip in the air felt especially cruel. And it’s not just me – I bumped into a colleague this week who’s just back from a holiday in Dubai, thirty-three degrees every day without fail, and I couldn’t help feeling even her tan looked a tad jaundiced. “It’s not my winter coat I’ve got on” she told me, “it’s my autumn coat” (in denial, I suspect – it looked like a winter coat to me).

So this week I’ve been trying to find the consolations of autumn. I’m not talking about seasonal eating – I should care about that more than I do, but ultimately despite knowing all the reasons I shouldn’t buy Peruvian asparagus I still reckon it’s better than nothing – but the move into autumn does allow you to enjoy food that, a few months ago, would have been unthinkable. Slow-cooked stews and casseroles, steaming bowls of soup, big piles of mash and golden-domed pies. And the drinks, too; I know that Pimm’s is a wonderful thing but the months ahead mean we can glug red wine, or port, or mulled wine (proper stuff, not that shortcut in a bottle).

That’s what led me to Waltham St. Lawrence on a weekday night, because I’d heard good things about The Bell. Someone suggested I review it with a certain trepidation, because they didn’t want the secret to get out – and that’s a good enough incentive for me. So I made the short drive down the A4, turning right just past Hare Hatch, and parking in the village I got out of the car to be greeted by the beautiful aroma of woodsmoke.

It’s a lovely place. The pub is right opposite the church – as it should be in a picture perfect English village, if only to give people two different routes to enlightenment – and it’s beautifully, charmingly ramshackle (much as you would be if you’d been standing for seven hundred years). Inside it’s all beams and dark wood, panelling, horse brasses and open fires. There are a couple of rooms, all very basic and unshowy, although I now see having looked at the website that they also have a snug and what looks like a slightly smarter dining room; I’m glad I didn’t end up sitting in that.

I was a little bit in love before I even sat down, but it developed into a full-on crush when I read the menu. I looked at one pub during the week, deciding whether to add it to my list of places to review, before realising with horror that it offered twenty-three different main courses; The Bell is nothing like that, with a small but perfectly-formed menu of five bar snacks, four starters, five mains and five desserts. I couldn’t see a single thing I didn’t fancy eating – pork pie, rarebit, Brixham mussels, venison, trout with lentils. It was a different menu to the one on their website, and I had no doubt that if I went back in a couple of months it would be a different menu again. But for now, it felt like a menu designed to make you happy to see the back of summer.

Pigeon and pork terrine was, if not perfection, close enough that I couldn’t see anything to fault. The terrine itself was a dense slab of rich, gamey meat, beautifully earthy and coarse, no jelly or bounce to it. But that wasn’t all, because there was also soft pickled beetroot, all sweetness and no sharpness, perfect with the terrine. And the bread was magnificent – thick sliced, toasted and buttered (or quite possibly buttered and then toasted, it had a golden glow and the texture of butter that had melted under a grill), it almost had a spongey, crumpetty texture. Three simple things, superb on their own, equally terrific combined. All that for six pounds fifty, and worth the trip on its own.

BellTerrine

The thick, rich cep and blue oyster mushroom soup was an exercise in simplicity: the mushrooms, a hint of cream and a touch of seasoning was all I could detect in the bowl. There was more of that bread on the side, untoasted this time but also generously buttered. I found it strange that the butter wasn’t on the side, and if I’m being really critical I’d perhaps have liked a few herbs to bring out the flavour of the soup more, but those are both minor details. The portion was generous (how I struggled!) and made me want to go out and forage straight after. Well, straight after a nap, perhaps.

BellSoup

Mains were sensibly paced after that – ironic, as the starters had been so good that, for once, I found myself ever so slightly impatient. It’s almost worth putting the clocks back just so you can eat venison again so I was delighted to see loin of fallow deer on the menu. The meat itself, again, was well-nigh perfect – beautifully seared, still pink inside, five thick discs of autumnal wonder. If the rest of the dish didn’t quite match that, it was perhaps because the bar had been set so high – the kale was well-cooked, steering the right course between the twin perils of mushy and crunchy, but it wasn’t the most exciting thing to serve with the venison.

The real disappointment was the macaroni cheese, an oddly solid cuboid of the stuff which reminded me of the top of a pastitsio. It wasn’t quite cheesy enough, or salty enough, and under a fork it just crumbled into individual macaroni. It was a noble effort, but I think I’d sooner have had something a bit gloopier and more sinful, or even just a potato dauphinoise. Last of all, the thing the dish missed most – the roasting juices had been reduced to almost nothing, like a culinary Black Friday, and the whole thing needed some kind of sauce. If I sound critical it’s just because the dish was very good, when I knew how close it came to being unforgettable.

BellFallow

It’s rare that there’s a scrap to order the vegetarian main course (normally it’s quite the opposite, in fact) but that’s exactly what happened at The Bell. Big pillowy potato gnocchi came with a stunning kale and almond pesto, strewn with extra leaves of kale like the best cabbage in the world (I know kale is bloody everywhere right now, but not kale like this). On top was a decent sized circle of caramelised goats cheese, grilled to just bubbling and perfect for setting off the richness of the potato. You could say this is starch and goats cheese, like unimaginative risottos in pubs across Berkshire, but this was so much more than that: clever, creative and damned delicious, and it really didn’t need any meat. It illustrated deftly that with a bit of effort and an imaginative chef it’s possible to eat delicious vegetarian food; it’s just a shame that this is such a rare accolade. I scraped every last morsel out of the bowl.

BellGnocchi

Sometimes, when a meal is iffy, I order dessert to give the restaurant a chance to rescue matters. On this occasion I ordered dessert because I wanted to see if they were as good as the rest. And again, the menu was note-perfect – crumbles and puddings, hot desserts with ice cream quickly melting on them. But unfortunately, on this occasion, the desserts slightly took the shine off things. I picked the sticky toffee pudding because it came with creme fraiche ice cream, an unusual touch. Sadly it was more like a toffee cake than a steamed sponge pudding – dry and a bit chewy – and there was nowhere near enough toffee sauce to rescue it. The ice cream, to be fair, was truly delicious; thick and creamy with an intriguing slightly sour note – but that, too, wasn’t enough to save it. I left some, and I felt sad that I didn’t feel sad about that.

BellPud (2)

I was in two minds about whether to have the cheeseboard, and when I went up to the bar I asked which cheeses were on offer. “Barkham Blue is one”, said the man behind the bar, “I’ll just check with the kitchen what the other one is.” Off he scuttled, and the man next to me said “Barkham Blue’s all you need anyway.” He was right, of course, and you got a good wedge of it, soft and salty, blue without being overpowering. The other cheese – and I quite admire them for only offering two – was Wigmore, also local, gorgeously mushroomy but still nice and firm.

So far so good, and you could say it’s impossible to muck this kind of thing up, but the kitchen did have a go. The chutney was lovely, and went well with both, but the “house crackers” were a bit surreal. There was a long thin flatbread, a bit like ciappe de liguria, but the texture wasn’t right – it wasn’t crispy or crunchy, and felt stale. Odder still were the other crackers, which were more like biscuits – thin, treacly biscuits, like Hobnobs without the oats. They were sweet: sweet with burnt sugar, and although that sort of went with the Barkham Blue it didn’t go with the Barkham Blue as well as my favourite accompaniment, more Barkham Blue. I finished them in the same way I might finish a duff magazine article.

BellCheese

If I haven’t mentioned service that’s because there wasn’t that much of it. You order at the bar and there’s minimal interaction when they bring the food to your table. That’s honestly no criticism, and everybody was lovely and welcoming and genuinely interested in whether we liked the food, but it does mean there isn’t much to say. There’s more to say about the wine. The Corbieres (less than a fiver a glass) was robust, punchy and went brilliantly with the terrine, the dessert wine was nice if not particularly memorable and not quite cold enough for me. The port I had with the cheese – a rich, complex Krohn LBV – was over far, far too quickly. All in all, dinner came to seventy pounds, not including tip. When I think of the price of some of the things I ate – that stunning terrine for six pounds fifty, the gnocchi for a tenner – it’s hard not to conclude that the people of Waltham St Lawrence are very lucky indeed.

Would I go back? In a heartbeat. And if this review sounds critical, it’s only because the best of this meal was right up there with the best food I’ve eaten this year, and that means you judge everything else a little more harshly. But let’s put this in perspective – if you picked this pub up and dropped it in the centre of Reading (perhaps on top of TGI Friday, or Cosmo: somewhere nobody would miss) it would be difficult to keep me away. So go, even if it means the secret gets out: as it is, perhaps I’ll hibernate there in a seat by the fire, growing fat and sleepy on rarebit and red wine, finding it increasingly hard to remember that I ever used to get excited about sunshine and salad.

The Bell – 8.2
The Street, Waltham St Lawrence, RG10 0JJ
0118 9341788

http://thebellwalthamstlawrence.co.uk/

The Square, Henley

I like to think, by now, that I’ve got a pretty good idea what people are interested in reading about on ER. You love a hatchet job, you want to hear about restaurants and cafés in the centre of Reading and, perhaps more than anything, you like the discoveries: places you’ve never heard of or would never have considered going to which get good reviews. You’re not so fussed about places that are too far away and you don’t much like wishy-washy reviews where I like somewhere but don’t love it. Am I close?

So, with all that in mind I headed off to Henley (bad) to review somewhere that I was hoping would be a bit of a find (good). Well, to spoil the ending for those of you who don’t scroll down and back up again, it wasn’t a find. But don’t worry, because it was so bafflingly bad that you might stick around anyway to read the rest of the review (good for you, regrettably bad for me).

I almost went to The Square a few months back on my last visit to Henley, but the blinds were ominously drawn. At the time, I worried that it had closed down and I’d missed my chance to try out this attractive looking Portuguese place in a prime location on the market square. It later transpired that I’d worried unduly (they’re just closed on Tuesdays). I took that to be a good sign, signifying that they were doing well enough to give the staff a day off. More fool me: sadly when I went back this time, it was open.

Inside it wasn’t exactly busy – four other tables were occupied when we turned up on Saturday night, peak time for any restaurant. That probably should have rung some alarm bells, as should the fact that when I phoned to book a table at very short notice the chap on the other end of the phone didn’t even need to take a name. I must have been having an off night, because I sat down, Spidey senses resolutely tingle-free. Perhaps I was deceived by the surroundings: it’s actually quite a nice dining room, with dark wood tables and floor, the walls hung with fishing nets filled with shells, sea-themed pictures around the room. That makes it sound like Old Gregg’s boudoir, but in reality it was more rustic fisherman chic.

The menu was bewilderingly big, with large sections for fish, seafood and meat dishes. Again, I took encouragement from one of the waiters coming out with a good-looking platter of fresh fish and shellfish to show what was on offer. There was also a section of speciality dishes for a minimum of two people to share, all described as “rice pots”. I asked one of the waiters to tell me a bit more about those and even now I’m struggling to remember what he told me (a combination of his mumbling and the vagueness of his response). They sounded a bit like paella, and he particularly recommended the lobster version (“we put a lot in”, he said), so in the end we went for that. We were told this would take thirty-five minutes to cook, so he practically sprinted to the kitchen to tell them before coming back to take the rest of our order. Maybe, with hindsight, he was worried that we might change our mind.

We ordered some bread with sardine and tuna paté to tide us over and this is where it all started to go wrong. I don’t normally photograph the bread, but here I just had to. I was expecting a basket of crusty bread with a couple of small ramekins of paté. What arrived was seven anaemic slices of what looked like part-baked supermarket baguette with some catering packs of butter and paté. The “paté” was Portugal’s answer to Shippam’s (something I’ve not eaten since about 1985), smooth to the point of being unidentifiable. In fairness, even if it wasn’t pleasant I suppose it was authentic: it’s almost exactly what I was served at O Beirão, Reading’s Portuguese restaurant. But there it was free, and here I was paying three pounds for the dubious privilege.

What The Square also seemed to miss was that the bread was completely insufficient for the spreads it came with. I would have minded the three quid less if I could actually have eaten it all but there was so little bread that doing so was impossible without piling the paté ludicrously high. I just hope the restaurant has a cat who could make use of the leftovers. Not terribly appealing: I prayed that the starters were going to be an improvement.

SquareBread

They weren’t. First up was the chouriço assado, described as “flame grilled Portuguese sausage, served in traditional cookware”. I was hoping for something a bit like Spanish chorizo cooked in wine, all salty and coarse with those delicious brick-red juices at the bottom. I was very far from correct. What I got instead was simply awful: a gigantic horseshoe of chorizo, served on a pot in the shape of a rowboat which is quite hard to describe. It sort of rested on the “seat” with some liquid underneath – I dread to think what – which had been set alight to flambée the sausage (flambée the sausage, come to think of it, sounds like a euphemism for something unspeakable) just before it reached the table.

The outside was slightly charred in places but the real problems came when I cut into it. Not that that was easy, because it was served on a flipping boat shaped pot with no suitable surfaces on which to do the deed. I sawed away (trying to rest the sausage on the seat) and chewed a couple of slices for a few minutes, although it felt like longer. It was both grisly and gristly. I inflicted a slice on my companion, who unsurprisingly didn’t thank me for it. The next slice was almost entirely a big white globule of fat and that, I’m sorry to say, is where I gave up. All the metaphors I could use to describe this dish would remind you – very quickly – of whatever you ate last, so let’s leave it at that. I put down my knife and fork and waited to see if anyone came to check on us. They didn’t.

SquareSausage

The other dish was king prawns wrapped in Portuguese bacon and pan fried. It was four decent sized prawns cooked nicely and indeed wrapped in bacon. The heads and tails came off cleanly and the prawns tasted of their component parts, no more, no less. There were also a couple of needless sections of red, green and yellow pepper. This wasn’t bad by comparison with the chouriço, but you could say the same about a Fray Bentos. I was hoping for some juices, but there weren’t any. I didn’t mop-up the non-existent juices with the remaining bread they hadn’t given me.

SquarePrawns

The waiter returned to clear the plates and looked baffled by the almost entirely uneaten sausage. I tried to explain what I hadn’t liked about it. Doing so briefly was something of a challenge. He shrugged. I was worried that I hadn’t explained properly, so I had another go. More shrugging. The plate was taken away, with no apology or offer to take it off the bill or anything else. Then he asked whether I wanted to order something else, but with no indication as to whether I’d be paying for that or not. We then reached a consensus that, as the main course was quite big, I probably wouldn’t need a starter. The whole thing was a truly bizarre interchange. It was rendered even more bizarre by him asking if we wanted to keep our half-finished tubs of tuna and sardine paté: as there was no bread left I’m not sure what he thought we were going to do with them.

On to the main event then – the lobster rice pot, at forty-five pounds for two one of the priciest things on the menu. We were brought lobster crackers and those little picky-outy-lobster-bit tools (apologies for blinding you with technical terms) and I realised that I had naively expected the kitchen to do some of the hard work for us. My mistake, I suppose. Anyway, the large pot was brought to the table and the waiter ladled out a portion for each of us.

The lobster, admittedly, was good. Very fresh and, when it was eventually possible to pick up the shell (which was as hot as Hades, of course), generally the flesh came away very easily. The meat was tender and delicate and it did look to me like we had a whole lobster between us. That’s where the good news ends. The rice, fluffy long grain, had been cooked for too long so there was no bite there. The sauce was a generic stock with some coriander to try and give it a bit of freshness.

SquareLobster

I’m beginning to sympathise with the trouble the waiter had describing it, but I suppose he could hardly have said “it’s a very bland rice dish with some lobster in it”. I can though, because that’s what it was. Was it a forty-five pound dish? Put it this way – at the peerless Bird In Hand in Sonning Common I could have a whole lobster to myself for twenty-seven pounds, so to pay roughly the same for half a (not very big) lobster and some flavourless rice seems cynical. If this is a signature dish, you have to worry about the restaurant’s handwriting.

To drink we had an Appletiser (for the driver) and a very nice smoky glass of Portuguese red. If the restaurant had been good I would have regretted not being able to mount a concerted assault on the wine list. If it had been good we would have had a dessert and I would have wanted a port – a lovely rich vintage, or a sweet, subtle tawny. As it was, much as the meal could only have been improved with alcohol, I was glad we could cut our losses and leave.

As so often, the moment I started to actively dislike the food the waiter tried a little harder to be nice. In the early stages he seemed to struggle to communicate, whether that was describing the menu or explaining what we could do about The Dismal Sausage. After that he was a lot more attentive, asking whether everything was okay with the main course, whether we needed any more drinks, whether we wanted dessert and so on. But of course the damage was done by then – and most of the damage was done in the kitchen rather than front of house. Proof that their intentions were better than their delivery came when the bill arrived; dinner for two came to sixty three pounds (the chouriço had been taken off).

So there you have it: this week I went out of town to a restaurant which I hoped would be a find and turned out to be a disaster. And this is definitely not about Portuguese food, which is probably what frustrates me the most. Portuguese cuisine deserves a better ambassador than The Square: Lisbon is an absolutely incredible city full of great cured meat, fantastic fish and seafood, and magnificent cheeses, not to mention the stunning wine. Having been there I don’t understand why it doesn’t have as good a culinary reputation as any European capital. I can only imagine it’s because of places like The Square. I want to be kind, but everything I ate was either iffy or average. Every average thing I ate was expensive. And worst of all? I’ve just spent two thousand words telling you not to go somewhere you’ve never heard of and wouldn’t visit anyway. That sticks in my throat even more than the chouriço did.

The Square – 4.9
10 Market Place, Henley-on-Thames, RG9 2AH
01491 578681

http://thesquarehenley.com/

The Fisherman’s Cottage

N.B. The Fisherman’s Cottage closed in May 2016. It reopened under new management and until summer 2018 I Love Paella operated out of the kitchen. The pub’s management left in the summer of 2020 and it is now under new management. I’ve left this review up for posterity.

The Fisherman’s Cottage really is a lovely pub – so much so, in fact, that one of the biggest dangers of reviewing it as a place to eat was the risk that I’d let its obvious charms as a pub cloud my judgment. The family who own it did a splendid job of doing it up prior to opening last December and the building (Grade 2 listed, apparently) really stands out on the canalside. With the beautiful white front, big conservatory and chi-chi beach huts out the back, it feels like it belongs somewhere swanky by the Thames, not a stone’s throw from Orts Road.

I went, believe it or not, because the blurb on their website really struck a chord with me. They have a little kitchen, it said, and they aim to keep things simple and do things well. They don’t want to be a restaurant or a gastropub, they’re happy being a pub that does some popular classics. I think that’s an admirable goal, and I wanted to see whether they achieved it; so many restaurants feel like they’re trying to do everything at once, or they simply don’t know what they want to be when they grow up. And that’s crucial, especially for new restaurants, because if they don’t get that right, some of them don’t get to grow up at all.

Inside, it’s equally tastefully done and nicely broken up into sections. There’s a lovely snug off to the left and the conservatory (tastefully lit with a very “now” array of suspended bulbs) off to the right, a clever mix of high tables with stools and low tables with chairs, some for drinking and some for eating. Nothing quite matches but everything looks very well put together and nicely judged. The area out the back really is attractive – I feel sad for them that they haven’t had a good enough summer to make the most of it – although the recurring whiff of fag smoke from outside every time the conservatory door was open did put a slight crimp in proceedings.

It’s not as small a menu as you might think, but it does stay very much on safe and familiar ground. There are about ten starters, a few sharing platters and a set of mains which revolve around burgers, fish and chips, gammon and scampi. The previous landlord of the Fisherman’s Cottage flirted with doing Thai food and the new owners have continued that tradition, so there’s also a small selection of Thai mains – red curry, green curry and massaman lamb. The menu isn’t available online and, in truth, there’s nothing about it that would make you desperate to try it. But I still had that blurb in the back of my mind: there’s nothing wrong with doing the classics well.

I nearly didn’t have a starter, because the options – breaded garlic mushrooms, breaded mozzarella sticks, plaice goujons and the like – all felt a tad Iceland. But I relented and ordered the garlic bread and, when it came, I was pleasantly surprised. It was nothing fancy or posh, but was clearly home-made – cheese on toasted baguette with the agricultural honk of shedloads of garlic. There was plenty of it for three pounds, too (just as well, because if you didn’t share it with friends they wouldn’t fancy sitting downwind of you for long).

FishermanGarlicBread

I decided to try both halves of the menu for the main courses. Red Thai chicken curry was enormous – a gigantic bowl of the stuff served with prawn crackers and plain boiled rice. You couldn’t quibble the portion size and there was plenty to enjoy: tender, well-cooked chicken, a sauce with the right mix of heat and sweetness, lovely soft shallots, crunchy strips of carrot and big, crude chunks of courgette. Again it felt like home-made food worth paying money for, but what stopped it going from good to great was the aubergine – so much of it, possibly a whole aubergine in fact, big cubes of watery aubergine with a faint taste of cold tea. By the end, looking ruefully at the makeshift cairn of aubergine left in the bowl, I wished they’d given me a slightly smaller, better balanced dish.

FishermanThai

The fish and chips was surprisingly good. The fish was a good size, big but not daunting. Not only that, but the batter was truly excellent; nicely crisp, lots of crunch and super light, among the best pub fish I can recall eating in Reading. The chips were decent if not stellar (crispy on the outside, fluffy on the inside but very regularly shaped – everyone knows the best bit of a bag of chips is the crunchy shrapnel at the end) but when dipped in the peas or a squirt of mayonnaise they were exactly what I wanted. The peas were rather runny – not your gastropub “crushed” pea affair – but nicely minty and fresh tasting. More than anything else I had, this fitted with what I’d read on the website – no showing off, just a straightforward dish done properly.

FishermanFishChips

Service was friendly and enthusiastic – the bar staff were full of recommendations about what was good from the menu and clearly proud of the pub and their food. Drinks very much lived up to the ethos that this is a pub, not a restaurant or a gastropub: lots of ale on tap and a very palatable Orchard Pig cider on draft which I liked a lot. The wine wasn’t so successful – the reds were mid-level supermarket stuff (Wolf Blass, Casillero del Diablo and the like). It was nice enough, and so was the New Zealand sauvignon blanc, but none of it had any element of surprise. I know, I know, it’s a pub: and yet the beautiful, high-quality wineglasses felt like they should be filled with something slightly more special. Dinner for two – one starter, two mains (which were each a tenner) and a couple of drinks each came to just under forty pounds.

As I said at the start, the Fisherman’s Cottage is a cracking pub. I can imagine you’d have a very good time if you wandered down the canal from town one sunny evening and stopped there for a few pints and a chat with friends, especially if they have jazz in the conservatory, or if the weather’s nice and you manage to grab one of those beach huts. And if you happened to be there and you happened to order some food I’m pretty sure you’d have a pleasant meal.

I wouldn’t make a pilgrimage to eat there, but perhaps that misses the point. Because it turns out you can’t divorce the place to eat from the pub: it’s all part of what the owners are trying to do. They said it themselves – the Fisherman’s Cottage isn’t a gastropub, it isn’t a restaurant, it’s just a really good pub that does good honest food. I think New Town’s very fortunate to have it (especially when you consider the main alternative, the disappointing Abbot Cook). So no, the Fisherman’s Cottage isn’t trying to be something it’s not, and it knows exactly what it wants to be when it grows up. In its quiet, only-slightly-ambitious way, I think it succeeds.

The Fisherman’s Cottage – 7.0
Canal Way, Newtown, RG1 3HJ
0118 9560432

http://www.thefishermanscottagereading.co.uk/

Villa Marina, Henley

Long before George Clooney and his tuxedo wafted into Berkshire the original famous George – Cole, of course – was ensconced in Stoke Row, enjoying his twilight years in a lovely almost-in-Berkshire village with its very own Michelin recommended pub, the Crooked Billet (itself famous for catering the first of Kate Winslet’s weddings). And you can keep your Clooneys and Winslets: I bet if you’d happened to bump into George Cole in the pub you’d have had a terrific evening.

It seemed fitting to go to the Crooked Billet for the ER second anniversary review, as a mark of respect and all that, but it wasn’t to be. Even if I hadn’t got lost on the way (just once, I promise, but it could easily have been more) it still felt like too much of an expedition, too far off the beaten single-track with no passing places, not to mention the fact that it didn’t have any tables available when we arrived. Even restaurant reviewers sometimes don’t realise that they’ll need to book. On a Tuesday night. Miles away from civilisation.

Deciding where to go instead involved much head-scratching, especially as the beautiful villages out that way are usually sited in areas of outstandingly poor mobile reception. Instead we drove to Henley (getting lost another time) and drifted through town wondering where we could eat before everywhere shut up shop for the night. So Villa Marina was the second choice this week, although it nicely echoes Pepe Sale (the first restaurant I ever reviewed), also an independent Italian restaurant with a touch of old school style.

The restaurant was reasonably busy for a Tuesday night if not packed out, and it had the sort of warm prosperous glow that will draw you in after an hour of fruitless driving around the Chilterns (but I was hungry, so in truth a Wimpy might have had the same effect). The main dining room, an L shaped affair, was classically smart with crisp white tablecloths and cleverly done lighting: every table had a spot light on it, a nice touch which meant it managed the trick of being intimately lit but bright enough to see the food. The smartness extended to the clientele – all the men in the restaurant, without exception, were wearing collars. I can’t vouch for the redness of the trousers, but you wouldn’t have bet against it.

The menu was classic Italian with few surprises but quite a lot to tempt. I was impressed by its compactness: only a couple of pasta options (in their rightful place in the starters section and little or no encouragement to “go large” for a main) and no pizza. It’s didn’t look like a menu that was trying to be all things to all people, and that gave me confidence. We made our decisions – rather difficult ones, as it happened – while eating soft brown rolls spread with sundried tomato paste and salty, powerful tapenade.

The first starter was one of the specials that night; avocado with prawns and crab. It was very generous – a whole avocado filled with plenty of prawns and crab in a pretty standard dressing a la Marie Rose. There were little signs of finesse here and there (someone had spent time cutting red and yellow peppers into very, very small dice) and the big wedges of tomato were surprisingly tasty which hinted at decent ingredients. And yet, even though I should have loved it, I just liked it. Perhaps the blame is mine: it’s the kind of dish I order frequently – Dolce Vita does a similar version with smoked salmon – so maybe I should have been more adventurous. Either way, it was nicely done but not exciting.

VillaCrab

The other dish was more successful, if also slightly restrained. Orechiette with prawns in a tomato sauce was quite a lovely little thing and, if anything, that overstates how much pasta was involved and understates how many prawns there were. The prawns were beauties, too – six big fat firm fresh specimens with just enough sweetness. The sauce was earthy and savoury, also with a touch of fish (perhaps there was some stock involved). Orechiette is one of my favourite pasta shapes, just right to trap sauce without being a faff to eat as conchiglie can be, and it worked perfectly. A little wilted rocket, some sweet cherry tomatoes and intense sundried tomatoes rounded things out nicely. I would have liked the pesto advertised on the menu, but mainly out of fear of missing out: I can’t say it would have improved it.

VillaPasta

The mains followed far more quickly than I’d have liked. Monkfish with tarragon and brandy cream sauce was a delight: three decent sized pieces of monkfish in a deceptively light sauce with hints of tarragon (I always find tarragon a bit coconutty, although I suspect this is some form of culinary synaesthesia unique to me). This was under sixteen pounds, which I thought was pretty good value: most restaurants would charge more and/or serve a portion so small as to need a microscope (I still remember the weird little nuggets of cotton-wool I was served at River Spice: that was a monkfish waiting to be defrocked).

VillaMonkfish

Saltimbocca was good but didn’t quite hit the heights – the veal itself was superb, delicate and tender and the parma ham was good quality stuff. But there just wasn’t enough sage which meant it didn’t have the earthy punch that it needed, and the sauce was a bit too light, thin and subtle. Like much of the food it was a little too well-behaved when what I really wanted were a few more sharp edges. I wonder which came first – the crisp décor and the well-dressed clientele or the impeccable, slightly safe food?

VillaSaltim

You pay extra for vegetables. We got a bowl of sautéed potatoes (salty with a hint of rosemary) and another of steamed, buttered mange tout, carrots and sugar snap peas, along with two of the tiniest florets of broccoli I have ever seen. The menu says that they are three pounds fifty but neglects to mention that this is per person, and that felt a bit cheeky when you don’t have any choice but to order it (the single lettuce leaf that comes with the monkfish won’t count as vegetables in anyone’s book). Perhaps the mains weren’t quite as good value as I’d thought.

That said, the extras were good – the potatoes were beautifully crisp (deep fried rather than done in a pan, I’d guess) and the vegetables, with just enough crunch and taste, were perfect with what sauce there was. But still, three pounds fifty per person stung a bit when the bill arrived. Three pounds was much better spent on the accompanying zucchini fritti we ordered, because these were fabulous – super light, wonderfully crispy, coated (I think) in a little semolina flour. An undignified fight broke out for the last few little scraps: I won.

Another sign of how old-school Villa Marina was came when it was time to choose dessert. Nothing as modish as a menu here, instead the dessert trolley was wheeled round to our table and we got to review the selection. Dessert trollies also feel like a dying breed (I’m not sure any Reading restaurants have one, since Casa Roma closed) and I’m never sure how I feel about them. On the one hand, it’s nice to have a clear idea what your dessert will look like, on the other I quite like a hot pudding and a trolley pretty much rules that out. I was tempted by the tiramisu but went for the chocolate cake, essentially a layer of mousse on top of a sponge base. Again, it was a solid but unspectacular choice, sweet without being synthetic but certainly not overflowing with complexity or cocoa solids.

If I went back I’d have the tiramisu, but it’s an if not a when and there are a few reasons for that. One is the service, which was very much Jekyll and Hyde. The waiters were friendly and suave, smiling and looking after their customers. Even the slips and mistakes were overflowing with charm in a rather crumpled, eminently forgivable way. But the waitresses seemed to have attended the Rosa Klebb Finishing School. The young lady who introduced the dessert trolley had a way of rattling off the list of options that was so abrupt and unsmiling that it reminded me of a prison camp guard. Similarly, there was an older lady who stalked through the room with an expression so dour that I was slightly scared to engage with her. If the men were old school, the women were borstal.

Aside from the service, the other problem was the pace of everything – we’d finished three courses and been rushed out of the room in little over an hour, and that always puts me right off a place. Part of that I suppose is down to the dessert trolley and having your third course dished up right in front of you but even so, leisurely it wasn’t. The total bill, including a 12.5% “optional” service charge was eighty-five pounds. That was for two and a half courses and one glass of wine each (the recommended wines by the glass, a chianti and a chardonnay, were both nice enough to merit a mention but neither made me devastated that I couldn’t have more).

The size of the bill was a nasty surprise: adding the service charge slightly ruined it for me because it made the total look worse than it was (and, left to my own devices, I highly doubt I would have tipped that much). Quite aside from the stealth charged vegetables the price of the special starter – nearly eleven quid – also made my eyes water, ever so slightly. Perhaps if the whole affair had taken a couple of hours I wouldn’t have minded so much, but I did keep thinking about other ways that I could have spent the same amount of money. Nobody wants to have that uppermost in their mind when leaving a restaurant.

If you were opening a restaurant in Reading today, you wouldn’t open Villa Marina. That kind of high-end, slightly starched Italian restaurant, although not dying out per se, hasn’t been seen in Reading for a very long time (perhaps Topo Gigio, long closed on the top floor of King’s Walk, was the closest equivalent). I quite enjoyed my visit there, although it did feel partly like an evening out and partly the gastronomic equivalent of time travel. No shame in that, but it did make me value Reading’s restaurants just that little bit more, from the slightly naff marble tables at Pepe Sale to the no-frills room at Papa Gee, looking out onto the Caversham Road rather than the Thames. For that matter, it also made me appreciate how warm and reliable the service at Dolce Vita is, compared to the partially defrosted equivalent in Villa Marina. It all felt a bit Henley, and if there was a blog called Edible Henley I imagine they’d rave about this place. But we do things slightly differently in Reading, I’m very pleased to say.

Villa Marina – 7.0
18 Thameside, Henley-on-Thames, RG9 1BH
01491 575262
http://www.villamarina-henley.com/

CAU

CAU closed in July 2018 because its owners Gaucho Group went into administration. I’ve left the review up for posterity.

I recently reached the stage where I was tempted to stop reviewing restaurants in the Oracle altogether. It’s never fitted with the ER ethos – full of chains like Bella Italia and Pizza Hut that are ten a penny all across the country. And it’s always felt pointless reviewing places like Wagamama and Yo! Sushi, because even though there’s a time and a place for them you probably already know what they’re like. The final straw was the closure of Tampopo and the announcement that TGI Friday would take its place (that’s when I began to wonder if the Oracle was actually run by Monty Burns). Still I guess they need the money, with plenty of shops consciously uncoupling from Brand Oracle and a fair few vacant lots, especially on the top floor.

So, what changed (I mean, you’ve read the title, you know what this review is about)? Well, CAU’s an interesting kettle of fish for a number of reasons. It’s not a chain just like everywhere else, for one: there are only a dozen across the country. Also, I was fascinated to see how they’d done it, because the restaurant has been created out of thin air, in an empty and unloved space on the side of the Oracle, the fast but shallow Holybrook the only redeeming feature in a rather forgotten spot. But the other reason is that since it opened, CAU has been busy. Really busy. And all the feedback I’ve seen said it was pretty decent. Had the Oracle got it right for once?

It’s an odd experience having dinner in a building which, a year ago, didn’t even exist. It’s a very neat use of a compact space, with two storeys and a modest terrace on the lower floor, prettied up with some landscaping and some kind of light installation on the opposite wall (I can see it would be a nice place to eat on a warm day). I sat on the top floor, in a long thin dining room with white corrugated iron walls and modernist lighting, all chrome spheres and swivel chairs. That compactness does show, though, in the space for diners: everything is just a little smaller than you’d want it to be (I wouldn’t have wanted to be a table for four in the banquette booths in the centre of the room – not with my elbows).

As you probably know, CAU stands for Carne Argentina Unica (I wonder which came first, the name or the convenient acronym?) and is the younger/cheaper sibling of Gaucho, the awfully expensive steak house that is sprinkled over the spendy bits of London. So the menu is mainly Argentine, mainly beef, but not entirely – it does wander up to Mexico, across to Spain and even, for some of the vegetarian options, over to Italy. This presented a bit of a dilemma – I wanted to try a range of dishes, but ordering chicken or fish just to make a point about the diversity of the food felt like a silly act of tokenism. So if you don’t like steak this review might not be terribly enlightening – but anyway, there’s always the starters and the desserts.

The starters were probably the most difficult decision of the evening. It really is an embarrassment of riches and you could easily have been reading about empanadas, Argentinian charcuterie or half a dozen other dishes. I was particularly torn between the swordfish carpaccio and the smoked haddock and manchego croquettes. When I asked the waitress for advice, she recommended the latter without a moment’s hesitation. That alone would have justified a tip: they were generous and delicious, half a dozen big, irregular, crunchy cylinders. Inside, the perfect contrast – a filling so smooth it was almost a béchamel, beautiful shreds of fish and tons of chives. The caper mayonnaise they came with almost felt an afterthought – creamy and bland where a bit of sharpness would have worked wonders – but it was by no means a deal breaker. I would have liked a bit more salt from the manchego but again, that was more twenty-twenty hindsight than anything else.

CAUStarter

They almost made up for the disappointment of the other starter, something that with hindsight I probably should have known better than to order. Quesadillas were a rather sad prospect compared to the crispy loveliness of the croquettes: the tortilla itself was pretty small and, despite the blurb on the menu, was by no means “packed” with vegetables or cheese. A layer of peppers, artichokes and courgette strips with manchego (for flavour, I’d guess) and mozzarella (for texture) was, in fact, even duller than it sounds. The guacamole on the side was pleasantly zesty but not enough to save the whole thing. It was bland and stingy, everything the other starter wasn’t. It’s my fault really – normally I’m good at spotting the duffer on a menu so I’m not sure what went wrong here. There are actually quite a lot of vegetarian options on the starter menu: I hope the rest aren’t as much of an afterthought as this felt. I should have had the charcuterie after all.

The range of steaks on offer at CAU ranges from the mainstream – familiar cuts like rump and rib-eye – to the more high-end. This is where you can end up spending quite a lot of money, as you can at Gaucho: most of the speciality cuts start at the thirty pound mark and you get almost a pound of flesh for your pound of flesh. I struggled with spending that much on account of not being a Russian oligarch, so we went for the more conventional cuts on the left hand side of the menu, and it has to be said that these were a lot more keenly priced: two medallions of fillet was less than fifteen pounds, a sirloin was just shy of eighteen. Unfortunately, I had to wait slightly longer to try the steak than I was expecting. The medallions turned up perfectly medium rare as requested, but the sirloin was medium well with very little pinkness, no glorious blood seeping out onto the plate.

This is, let’s face it, a pretty terrible gaffe from a restaurant which prides itself on brilliant beef cooked brilliantly. But sometimes, first impressions aren’t everything and the way CAU dealt with it was exemplary. I was in two minds about sending it back because, in my experience, that usually means that I have to watch everyone else eating their food (never fun) and then experience everyone else watching me eat mine (possibly even less fun). But the moment I suggested to my waitress that all was not well she sprang into action: both dishes were taken away, completely redone and brought to the table at exactly the same time. I’ve racked my brains and I can’t think of a single restaurant in Reading – even at the high end – that has ever gone that far, let alone without being prompted. Very nicely done indeed, and it totally won me over.

So, once they finally arrived, they truly were perfect. The medallions were beautifully seasoned, perfectly grilled and the yielding texture when sliced was enough to render me speechless. I rarely have steak at home because I can never get it right, but eating it here made me feel like most of the places I order steak at can’t get it right either (and they certainly can’t for only fifteen pounds). The sirloin was just as good – the char and salt on the outside giving way to the softness underneath. At this point any reservations – about the location, about the loudness of the music, about the slightly irksome white swivel chairs – simply melted away. I’d have eaten this beef locked in a broom cupboard listening to the Vengaboys, if that’s what it would have taken to try it.

CAUSteak

The accompaniments were very much second fiddle, although that was only to be expected. Chunky chips, served in a little fryer basket, were coarse and crispy, fluffy inside and perfect dunked in the tiny pots of sauce (which cost extra, I should add). The sauces themselves were a little underwhelming, in truth: “garlic and herb aioli” was all herb and no garlic, all mouth and no trousers. I got parsley and just enough tarragon to make me wish béarnaise was on the menu. Still, I’m going through a phase of really enjoying chips dipped in mayo, so it wasn’t all bad. The chimichurri was better, but possibly had a little too much vinegar and not enough of everything else. I deliberately didn’t order a blue cheese sauce because it felt inauthentic; by the end I wished I hadn’t been so prissy.

Just as CAU is all about beef it’s also all about Malbec – so much so that the wine list actually has four sections – sparkling, white, red and Malbec. I liked this, but what I really loved was that the vast majority of their wines are available in 500ml pots as well as full bottles. I really don’t understand why more restaurants don’t offer this, if only because I’m far more likely to order two carafes than I am to order two bottles. We had a Patagonian Malbec with our steaks and it was terrific – fruity but with a little smoke and not overwhelmed by the beef. Before that, while we made up our minds, we had an elderflower spritz – a very refreshing cocktail which tasted so little of alcohol that it was positively dangerous – and a very good Asturian cider.

On to desserts: I’d seen churros arrive at another table so I’d already decided I had to try them. They arrived in a little Jenga stack, liberally dusted with sugar and cinnamon, with a little pot of dulce de leche (which I have a bit of a soft spot for). Sadly I have to say that they didn’t quite go together – the sauce was a bit too thick to coat the churros and the churros were strong enough to drown out the toffee flavour. I resorted to eating the two dishes on their own (not exactly a hardship), running my finger round the pot to get the last of the dulce de leche out Nigella-style.

The other dessert, the cornflake ice cream sundae, is apparently a signature dish. I wasn’t a huge fan of it, I’m afraid. The cubes of chocolate brownie in it were crumbly delights, and the dulce de leche smeared round the inside of the sundae glass were gorgeous, but the cornflake-flavoured ice cream just felt like ice cream and the ginormous heap of cornflakes on top was impossible to eat without knocking them onto the table. I imagine it would be very popular with kids, but it wasn’t such a hit with me.

CAUDessert

Service made a bad first impression: the greeter at the front door failed to make eye contact, which was odd, but from that point onwards it was all terrific. Our waitress was bright, personable, knowledgeable and almost faultless – recommending dishes, correcting mistakes, talking about the restaurant and making conversation without going through the motions. But more than that, there seemed to be an energy about all the staff, from the chirpy chap who brought out our replacement steaks to the barman dancing along to the eclectic mix of music. I even found their “caugirl” and “cauboy” t-shirts amusing rather than naff – it felt like they were having fun but without any of that fake mateyness which is often so jarring in chain restaurants.

The bill, including an optional 10% service charge, came to ninety-five pounds. That’s for three courses and an aperitif each and that pot of malbec. It’s funny, when the bill turned up the amount was simultaneously more than I was expecting (that fifteen pound steak had me fooled) and not as much as I thought the meal was worth.

That rather sums up how I felt about CAU, in that I didn’t quite know what to make of it. Some of the dishes are really expensive, some are affordable. The affordable ones are terrific value. The food was bloody good, but first time round it wasn’t bloody enough. The staff make it feel like an informal restaurant but the prices at the high end are actually pretty close to what Gaucho would charge. And the clientele reflected that – some of my fellow diners were properly dolled up, to the extent where I felt a bit scruffy, and others were definitely there for a much more casual evening. You could look at all that and say that CAU is a restaurant that doesn’t know what it wants to be, or you could decide that it’s good at being all things to all people. Slightly against my preconceptions – I went expecting to like the food, hate the room and be underwhelmed by the service – I strongly suspect that it’s the latter. But I’ll probably go back soon, with my most carnivorous friends, just to be certain.

CAU – 7.8
The Oracle, Bridge Street, RG1 2AQ
0118 9505559

http://www.caurestaurants.com/book-a-table/reading/