Sen Sushi closed in October 2023 and the owners have moved to Wokingham and opened a new restaurant called Sen Ichie. A new restaurant, Blissful Umami, is in its place. I’ve left the review up for posterity.

I’ve always, I think, been a contrarian at heart. I really don’t like being told what to do. Few things irk me more than people using that Twitter trope “Retweet if you agree” (often I do agree, but I never Retweet). Or when someone tells you to “drop everything and read this”. I used to have a very opinionated friend who was always telling me what I should listen to or read: weekends away at his house in Kent were a bit like being in the musical equivalent of North Korea, being educated in whatever records 6 Music had told him to like that month.

The contrarian in me is why you get a review of Sen Sushi, the little Japanese restaurant at the Three Tuns end of the Wokingham Road, today. I know everybody wants to read a review of Osaka, the gleaming new Japanese restaurant in the Oracle. I completely understand why – the fit out looks superb, the menu has an impressive range and the buzz so far has been good. But something in me thought: what about Sen Sushi? It’s been there a few years, I had it recommended to me recently, and if not now, when would I go? So I hopped on a number 17 bus with my partner in crime Zoë to see if Reading had an undiscovered gem I hadn’t got round to visiting yet.

It’s a little restaurant that can probably seat less than twenty people. The front room has stools up at the window looking out, and a low table complete with tatami where you can sit cross-legged, provided you take your shoes off first. The back room has about half a dozen seats up at the counter where you can watch your sushi and sashimi being prepared. Behind the counter are a fryer and a gas range with four big weathered-looking woks, shiny with oil. That’s where we decided to sit, close to the action, and we had our pick of seats as we were the first customers that evening.

At this point, I pontificated to Zoë about how in many restaurants, being able to see the kitchen up close was considered a positive selling point. However (as we shall see) as the evening went on I started to wonder if it was such a good thing after all.

The menu was pretty big and covered all bases – hot starters, sushi and sashimi, rice and noodle dishes. We decided to try a bit of everything, but started with sushi and sashimi. Our waitress was lovely and polite but giving her our order was an interesting convoluted affair – she then went into the other room, printed off a ticket and came back to put it on the counter for the two chefs doing the cooking and prep. Admittedly, this made more sense when I realised that Sen Sushi also gets a fair amount of takeaway orders which also join the queue.

It really was fascinating watching as one of the chefs flattened the rice on the mat and cut strips of tuna, rolling the whole thing in front of us. Or seeing a beautiful piece of salmon come out of the fridge and be precisely cut into slices with an ultra-sharp Global knife. The wonderful thing about sitting at the counter is that there’s no hiding place in the kitchen: I found myself quite transported by the whole affair, and could have gawped at it for ages. I was possibly more transfixed than Zoë, who by this point was wondering why they hadn’t switched the heater on and was considering wandering over to the coat rack to retrieve her scarf.

The salmon sashimi was easily the nicest thing I ate at Sen Sushi – a really fine piece of salmon, beautifully marbled, soft and buttery. It was better than any sashimi I’ve had in Reading and probably up there with my favourite Japanese restaurants. The spicy tuna maki and avocado maki were fine but no more than that – initially they forgot that the tuna maki were meant to be spicy so they were whisked away and topped with a blob of sauce and a sprinkling of what I think was togarashi. Zoë thought they were a little ragged and lacking in uniformity, I was inclined to be a bit more charitable. Those reserves of goodwill got used up throughout the rest of the meal.

For our second round, we went for chicken gyoza, karaage (Japanese fried chicken) and, just to break up the chicken motif, some soft shell crab maki. The problem with sitting at the counter is that there’s no hiding place in the kitchen, so we saw a chef retrieve a tupperware container full of dumplings and another full of chicken nuggets – I thought it was from the fridge, Zoë reckoned the freezer – and put them in the fryer. Only the soft shell crab was done there and then, battered and then put in the fryer.

All three dishes were moved between the two fryers at what felt like random intervals, so I’m not sure how Sen Sushi would keep, say, vegetarian gyoza separate from the fried chicken. That’s especially ironic because I’m pretty sure they gave us vegetarian gyoza by mistake. They were oddly claggy, and the filling felt bulked out with something stodgy like potato. Zoë generously said I could have her last one and I said “no, I insist”, a sad inversion of how those discussions are meant to go with good gyoza.

Ignorance is bliss, and I wonder how I would have felt about the fried chicken if I hadn’t seen it being decanted from tupperware in front of my very eyes. I probably would have liked it more – the edges were nicely gnarly and crispy, and the meat was tender enough. But normally karaage comes with mayonnaise on the side, whereas Sen Sushi slathered the whole thing with wasabi mayo and a fruity sauce. Wasabi is strong enough, and enough of an acquired taste, that they should have left that choice to the diner: I found it off-putting. “You should have the extra piece, you’re hungrier than I am” I said to Zoë: a transparent attempt to dress up my lack of enthusiasm as gallantry.

Soft shell crab is one of my favourite things, so I was sorry that Sen Sushi’s maki also fell short. They looked the part, a fairly generous portion, the rice studded with tobiko, but putting both cucumber and avocado in with the crab and then drizzling the whole thing with mayonnaise and fruity sauce crowded out the flavours and felt like overkill. They were poorly rolled, too – half of the rolls weren’t closed off properly and fell apart when we tried to pick them up with chopsticks. I saw the chef struggling with rolling them: he had a couple of attempts and then clearly thought Fuck it and had one last half-hearted stab at massaging the sushi rice into the gap. Again, there’s no hiding place in an open kitchen.

What I was also quickly discovering about sitting next to an open kitchen was that it was impossible to have an honest conversation with your dining companion about whether the food was any good. “What do you think?” said Zoë. “Mmm” I replied, non-committally and in earshot.

Being overheard was even more of a problem when the mains turned up, because they were the low point of the meal. Zoë’s teriyaki udon noodles with char sui came in a high-sided, thick rimmed ceramic bowl. She whispered something to me which I couldn’t make out but which I was later told was “dog bowl”. And it’s true, it did look like a dog’s bowl. “I expected to get through it and see a picture of a bone on the bottom” she told me.

But there was no danger of getting through it, because it wasn’t nice at all. The noodles were thick, slippery and strangely oleaginous, the sauce bland and thin. And the char siu was nothing of the kind. Fidget & Bob’s exemplary char siu is so beautifully cooked that it falls apart when prodded with a spoon, and comes to the table anointed with a stunning sticky-sweet sauce. Sen Sushi’s char siu, by contrast, is three thick slabs of pre-cooked pork taken out of yet another tupperware container and chucked in the wok at the end to warm through. It was hard even to tear apart with your teeth, and not worth the effort.

My dish wasn’t cooked until after Zoë’s had been served up – an odd course of action in a kitchen with multiple woks and indeed multiple chefs. I had a rice bowl with braised Taiwanese pork and again, it was an unsettling thing to eat. Disturbingly uniform little cubes of pork were served in a dark sauce which managed not to be sweet, or spicy, or even savoury, just a sort of dark brown white noise. There were a few bits of spring onion scattered on top, but they just left me wishing for more food without that mushy texture.

I didn’t want to draw the parallel, but although Zoë’s dish had come in what looked like a dog’s bowl mine – chunks of meat in a thick but strangely flavourless gravy – was the one that felt like it belonged there. I ate as much as I could face. We weren’t asked why we’d left so much of our main courses, which meant that I didn’t have to fib about how full we were. That said, something about those last two dishes did make you feel unpleasantly full: they didn’t sit easily, and it wasn’t until much later the following day that I felt like eating again.

It’s a shame the food was so iffy in so many places, because the service – from the waitress and the chefs – was pleasant, friendly and attentive for most of our meal. Nice enough that I feel like a bit of a shit for slating the food, but not so nice that they asked whether we were happy with everything, or so nice that I volunteered that information. Sen Sushi does a few desserts (mostly mochi and a matcha ice cream) but we felt like we’d given them enough money already, so we paid and made our escape.

Dinner for two – all that food, two bottles of Kirin and two cans of San Pellegrino – came to just shy of sixty pounds. Perhaps I’m a traitor to the cause for pointing out the inconvenient truth that chain doesn’t necessarily mean bad and independent doesn’t necessarily mean wonderful, but I’m afraid you would get a far better return on that sixty pounds eating at Wagamama or Yo! Sushi than you would at Sen Sushi. You’d also be better off eating at Sushimania, or Kokoro, or taking the train to Windsor and eating at Misugo. And I don’t know how good a cook you are, but you’d probably also have a better meal at home doing a stir fry.

One of my favourite Japanese restaurants is a little place called Chez Taeko in Paris. It’s part of the Marché des Enfants Rouges in the Marais, and it’s just a few little benches and tables and a small menu, on a chalkboard, of sushi, bento boxes and rice bowls. All the food there is beautiful, and when I went there last winter I sat uncomfortably close to my fellow diners, under a heater, with limited elbow room in a little temporary structure like a gazebo enjoying terrific crispy chicken and rice, maki and then concrete-grey sesame ice cream, like edible Brutalism. I honestly couldn’t have been happier.

At the end when I went round the corner to pay the bill I saw the tiniest kitchen, the staff in it working flat out, serving up terrific dish after terrific dish to the lunching Parisians. I so wanted Sen Sushi to be like Chez Taeko, to have the potential to become a happy place, but it didn’t even come close.

“It really did look like a dog bowl” said Zoë when we were safely ensconced back in our house, the meal an uncomfortably recent memory. “If my mum or dad had been there when they served that up they would have wet themselves.”

“You didn’t like it at all, did you?” I said. My initial thoughts had been that the sushi was pretty good and perhaps mitigated the disappointment of the other dishes, but the more time passed, the more I felt that I was being too kind.

“No, I really didn’t. I wouldn’t go back. And it was so cold in there – they had a heater on the wall, why the fuck didn’t they switch it on? And what about the gloves?”

“The gloves?”

“Sometimes the chef was wearing blue gloves and sometimes no gloves at all. What was that about?”

“Well, he wore gloves when he was handling raw fish though, didn’t he?”

There was a pause: Zoë was clearly deciding whether to break bad news to me.

“Not always. And I didn’t appreciate one of the chefs taking a fag break while we were eating our main meals with the back door open, so I had my dinner with a side of Benson & Hedges.”

Again, I hadn’t noticed that.

“It’s a real shame,” she went on “because I wanted to like them, but that char sui was just… it wasn’t good at all.”

“You’re right, I’m afraid.”

Zoë’s accompanied me on nearly twenty reviews by now: I’m starting to think she deserves some kind of promotion (or time off for good behaviour, at the very least). As for me, I’m sure I should learn something from this whole experience. But I fear I’m far too contrarian for that.

Sen Sushi – 6.0
199 Wokingham Road, RG6 7DT
0118 9664636

https://sen-sushi-japanese-restaurant.business.site