Restaurant review: Upstairs At Landrace, Bath

On April 25, 2025April 23, 2025 By ediblereadingIn Reviews1 Comment

I go to Bath too rarely to know it well, but often enough to wish I knew it better. Winding through the sun-bathed stone on a gorgeous Saturday afternoon with my old friend Dave, very much following his lead, I realise how rare it is for me to walk round a city with virtually no idea where I’m going. But Dave has been coming here for years, going all the way back to the best part of thirty years ago when he first met his wife and she was living here, so I put myself in his hands for a change and just enjoy the views, all of which are sensational.

I only have a vague understanding of the city – I know where the Royal Crescent is, and the train station, and Pulteney Bridge, sort of, but beyond that my inner satnav of how all these places join together is fuzzy at best. I’ve probably been to Bath something like four times in ten years, so I follow along like a clueless tourist while Dave takes me to his favourite coffee spot, a little off the beaten track, and a very good beer shop. And then we have a bit of a wander in the growing warmth of the day, and Dave tells me about all the green space in the city, the bookshops we could visit later and, crucially, where we might drink after lunch.

Eventually we walk up Walcot Street, one of the few parts of Bath I know a little better. I would say it’s one of Bath’s most beautiful streets, but in my experience they all are. But I know it from the cheese shop, which feels like it’s been there forever, and Picnic, a café I drank at last time I visited the city. Beyond that, I mostly navigate it by memories of places that are no longer there – a Scandi interiors store I shopped at a lifetime and a marriage ago, a craft beer bar called Brewed Boy that I drank at with Zoë and her friends James and Liz, before they became my friends too.

As we stroll, Dave points out landmarks from his memories in the city, places that have survived better than the ones I recall. One, Schwartz Bros, is a burger place that looks to have been trading for the best part of fifty years – Dave remembers it from courting his wife, and that was so long ago you probably still would have called it courting. But our destination for lunch is a place neither of us has been before: Upstairs at Landrace, the restaurant that sits, as its name suggests, on top of the city’s highly esteemed Landrace Bakery.

I’d wanted to go for ages, and when Dave and I were deciding where to meet up he picked Bath over Oxford or Reading, so I saw my chance. I gave him a few options, half expecting him to go for the wine and small plates of Corkage, or the Basque tapas of Pintxo, but was very pleasantly surprised when he plumped for Upstairs at Landrace, a place I’d always liked the look of.

It received some attention in the national press three years or so ago – I get the feeling national critics pick Bath for a review every couple of years when they fancy expensing a genteel day out – but had since settled back down to just doing its business. All the reviews I’d read talked about a simple, compact, beautifully executed menu and really, what more could you ask for when lunching with a very old friend? The menu changed daily, in fact, and both Dave and I kept an eye on it in the run-up to our trip, identifying dishes we would like to eat and hoping they’d still be on offer when the weekend came.

The restaurant is a wonderfully haphazard place. You go up the stairs and although the two dining rooms are both technically on the first floor they aren’t quite on the same level. You sense that everything in the building is higgledy-piggledy, few straight lines or right angles. We were given a table in the cosier of the two rooms, near the open kitchen, all sloping ceilings and sunlight squeaking in through the windows.

It was doing nicely when we got there, on a bright spring afternoon, and it got busier during our time there. It felt like a very agreeable place for lunch, and the fact that my seat gave me a prime opportunity to snoop on plates being whizzed from the kitchen to other tables didn’t exactly do any harm.

The menu was compact and, although a continuous list of dishes, was clearly designed, by price point, to be broken up into smallest, smaller and bigger. Our excellent server, who did a brilliant job all afternoon, talked us through the whole “small plates for sharing and bigger plates for you to have to yourself” concept and we listened to it the way you listen to the safety demonstration on an airplane, being respectful although we’d both heard it dozens of times before. After all, I suppose this plane might have varied from others we’d flown on in the past. It didn’t, though. It never does.

What that meant, in practice, was the compact menu all the critics had talked about – a couple of snacks, six artists formerly known as starters, three big plates for you to have on your own and one even bigger one for sharing. Just the one side dish, “Fairy Hill mixed leaf salad”, from a place whose leaves are apparently so good the provenance deserved to be listed: we didn’t try it to find out. The small plates were between eight and fourteen pounds, the bigger ones between twenty-four and thirty, the biggest fifty-eight.

All the versions of this menu Dave and I had tantalised ourselves with in the run-up, I can safely say, had more options I fancied on them than this one did. One of the most appealing dishes – involving duck, I think – had been replaced with a “Pembrokeshire cockle vongole”, which I’m sure many people would have loved but appealed to me about as much as the mixed leaf salad. Dave, who treats eating out as a chance to indulge, wanted a bit more red meat on there, but pretty much the only dish that fitted that bill was the ribeye, and we didn’t fancy it enough.

We contemplated our relatively bad fortune while eating an excellent slice each of the bakery’s bread – a nice touch that this was complimentary – with very good, golden room temperature butter and a drink. Dave told me on the walk to the restaurant that he had pretty much given up on wine in favour of beer (and I had mentally scratched a couple of bars off my list of places we could drink later on) so he had a bottled IPA from Gilt & Flint, a Devon brewery I’d never heard of who also, apparently, supply to triple Michelin starred The Ledbury. I had a sip: it was nice enough.

I, a little jaded from a session the previous evening at the Nag’s, was tempted by a wine from Wiltshire of all places but instead had a glass of table perry from Wilding. I know next to nothing about perry except that it’s apparently the best booze we all aren’t drinking yet, and unworthily I’d picked it mostly because it was a small glass of something alcoholic that wasn’t too strong. I don’t think that’s a slogan perry makers are going to scramble to adopt, but on this showing it didn’t have enough about it to generally make me choose it over a crisp white wine. I must try harder.

The first of our sharing plates was a study in simplicity. Four very good anchovies – by Pujadó Solano apparently, seventeen quid per pack online – came glimmering in a pool of unbeatable olive oil, sprinkled with oregano, the whole affair beautified with lemon zest. “Why do I never think of having anchovies with lemon zest?” said Dave. “I’m definitely doing that at home from now on”. Otherwise this was just about buying the best of everything and putting it together, and in that sense you could say that although it was special – and at twelve pounds you’d want it to be – it somehow wasn’t out of the ordinary.

What was out of the ordinary, though, was our server coming back with a basket of little cubes of sourdough so we could personally mop up every last soupçon of that bright, herby olive oil: that I loved.

Anyway, the anchovies were the last – the only – thing we ate that was merely quite good rather than extremely good. I had seen mentions of Upstairs’ cheddar curd fritters in other reviews, I seem to recall, and I’d seen enough of them on their way to other diners before I even placed an order that I knew I had to try them.

I wasn’t quite sure, even after eating them, how they managed to make fried cheese so airy, so ethereal and yet somehow they did. They were stupendous clouds of joy – as if someone had decided to make Wotsits entirely out of cheese, serve them piping hot and cover them in yet more cheese. Eight pounds for these, and I think Upstairs At Landrace needs to rethink this whole “small plates for sharing” concept, or expressly make an exception for the fritters. I otherwise couldn’t fault our server, but she should have said “have you considered having one of those each?” Shame on her.

Although you could just as easily have said the same about the third dish we shared, the cuttlefish and sausage salad. Rarely have four words so comprehensively undersold a dish as they did on the menu. I mean, yes, it was a salad and yes, it contained cuttlefish and sausage. But that didn’t begin to do justice to what I’m already sure will be one of the most enjoyable dishes I eat all year.

I suppose there isn’t room on a menu to say “huge quantities of precisely scored, superbly cooked, tender cuttlefish”, and no room to say “the warm, slightly caramelised discs of sausage, with the tiniest hint of offal, bring a welcome hint or earthiness and, let’s face it, red meat, to proceedings”. The menu didn’t go on to add “by the way, you’ll also have warm bits of waxy potato, and while we’re at it the dressing will be impeccable, with the sharpness of capers thrown in, into the bargain”.

I know Upstairs At Landrace’s menu is in the still fashionable Ingredient A, Ingredient B, Ingredient C format that seems to annoy me more than most, but even at its most fulsome it wouldn’t capture that detail. I suppose that’s what restaurant reviewers are for.

But my goodness, how I loved this. If all salads were like this, or even half as good, I would eat salad all the time. I’ve always loved a warm potato salad, or any potato salad dressed with vinaigrette rather than drowned in mayonnaise, and I really adore cuttlefish, which you don’t see on menus anywhere near often enough. To find all of that coalescing in one glorious plate made me very happy indeed: forget JK Rowling’s recent lamentable cigar-based bigotry: this is what happens when a plan comes together. And the company was so good that I didn’t even resent sharing it.

Although Dave was a little sad about the paucity of meat on the menu, those nubbins of sausage aside, he did console himself with monkfish, one of the meatiest denizens of the sea. And again, trust in Upstairs At Landrace was richly rewarded: this was a phenomenally cooked, very generous piece of monkfish with a beautiful colour, effectively cut into medallions. It came on top of a primavera riot – leeks, peas, celery, all the good stuff, bathed in what was apparently a pastis butter.

I can’t verify that: I did try a little of the monkfish, which I thought was exceptional, but left the shrubbery to Dave. He adored this dish though, and didn’t feel like he had missed out one bit. This was possibly a dish you wished you’d held back bread for, although I’m sure our server would have brought a little more if Dave had asked nicely.

My main, on the other hand, was a symphony of a dish. Agnolotti filled with Jersey Royals could have been starch on starch overkill, but instead were little pockets of silky comfort, the pasta with just enough bite and the filling, pleasingly, with no bite at all. The whole shebang was positively awash with brown butter and wild garlic pesto, because of course it’s the season now, and if that wasn’t enough there was more wild garlic on top. And if that wasn’t enough there was a mountain of cheese, and if that wasn’t enough a dish with more of it was left at the table for you to sprinkle with abandon.

And it was, all in all, enough, and teetering on the brink of too much. But that brink, provided you stay on the right side of it, is where legendary dishes live, and this was one of my favourite things I’ve eaten in a long time. It was so well-judged, so well done, just the right size, everything in the right proportions, everything in exactly the right place. The pesto was so beautiful that I’d have bought a jar the size of my head if I could, the pasta so well done that it’s now, for me, the best thing you could possibly do with Jersey Royals.

I’ve had a few instances recently where the menu, on turning up at a restaurant, wasn’t quite the one I would personally have chosen and yet everything was amazing. I will make the most of those, because I know there’s some Newtonian law of dining whereby, when I review somewhere in the future, the menu will have loads of things I fancy on it, I’ll order them and they won’t be anywhere near as good as I wanted them to be. Buy now, pay later.

Dave and I were fuller but not stuffed, very happy indeed and I was on my second glass of perry, as my hangover became too distant a memory to stop me acquiring another one. The tables about us had ebbed and flowed, but the place had always seemed just comfortably less than rammed. Dave and I got to talking about the times he’s joined me on a review.

“What I find weird is when we go out and have a lovely meal and then weeks later I read your review and you weren’t blown away by the food. Because then I think: are you sitting there having lunch with me and not having that good a time?”

“It’s not that at all! I always enjoy having lunch with you but then when I look back on it, and weigh it all up, the food isn’t the best part of the experience.” I probably won’t be able to convince Dave, even after over thirty years of friendship, that however good the food is his company is usually the best bit.

“I suppose it’s better this way round, though” he replied. “I wouldn’t want you telling me during the meal that you don’t rate it that much.”

“Exactly! Nobody needs someone speaking their truth that way during dinner, it just ruins the whole event.”

“But so when you say this is a really good meal, do you mean that?” Dave wondered. “Or when you eventually write this one up am I going to find it’s got a middling mark?”

“Trust me, Dave. This is going to be a really good review.” There was a pause, and I knew that my old friend wouldn’t completely believe me until he saw it. Nonetheless, I said it again for emphasis. “It’s a really good meal.”

The other thing that happened before we made our assault on dessert was that Dave asked our server where the loos were and was directed towards a door on the same floor as us. He returned eager to share something.

“Mate, before we go you have to try that toilet.”

This was not something I heard every day.

“What’s so special about it?”

“You know how normally if a loo is up some stairs you go up the stairs and then open the door? In this place you open the door, and right in front of you is a staircase. A really steep one. And the loo is at the top and, well, you’re quite close to the edge of the stairs when you do your business.”

“Really?”

“You wouldn’t want to do that after a few drinks, trust me. I expected to see a boulder coming down the stairs at me like something out of Indiana Jones And The Temple Of Doom.”

Upstairs At Landrace’s menu is at its most compact at the end: two desserts and a cheese course is your lot. We’d already had cheese to begin with and one of the desserts, the walnut tart, was a no-go – for me, because I’m generally not wild about walnuts and for Dave because, being allergic, he takes that one step further. That just left us with one option, rhubarb, meringue and cream. Maybe Upstairs At Landrace didn’t call it an Eton mess because they’d like to cancel Eton, in which case I sympathise entirely. Maybe it was a pavlova that had done a bad job of tackling those stairs.

Whatever the explanation was, though, it was a really terrific dessert which brought matters to a close in masterful fashion. The cream, from Ivy House Farm, near Bath, was thick and ambrosial, the rhubarb still had bite, and hadn’t been stewed into sticky submission. The meringue was just the right level of chewiness and the extra touch, toasted, flaked almonds, was the icing on the cake. Twelve pounds for this, so again not cheap but ultimately worth every penny. When I looked back on the meal, now that it was done, I didn’t think there had been a single misstep. That rarely happens.

After we’d finished, I took my life in my hands and ascended the staircase to the loo, which was every bit as vertiginous as Dave had warned me it would be: the very fancy hand soap was almost worth the climb in its own right. We thanked our server and chatted briefly to her about what a good meal it was, and she said that they had a lovely mixture of locals and regulars and out of towners like us who treated it as a destination restaurant.

We both did our best to be enthusiastic and grateful without coming across as creepy uncles, but ultimately as she went to fetch the card machine we knew, as always happens, that she was probably just wondering which of those pleasant middle-aged men was the top and which was the bottom. Our lunch for two came to one hundred and twenty-eight pounds, not including service: we didn’t have a lot to drink, but without alcohol it would have been fifty-five pounds a head.

Bath seemed even lovelier, if that were possible, after such a good lunch and so we did some more ambling, including a brief browse for books at Topping & Co, before having a couple of beers outside at Kingsmead Street Bottle, discovering in the course of drinking them, that it was nowhere near warm enough to sit outside. So we headed back across town and lucked out with a great table at The Raven, one of my favourite Bath pubs. I didn’t realise they had a beer brewed specifically for them by Bristol’s Arbor Ales, a really likeable pale, but once I discovered it I knew I was staying on that for the rest of the day. As my friendship with Dave taught me many moons ago, when you find something you really like, you stick with it.

So it turns out that, like the national restaurant critics I lightly ribbed at the start of this review, I have come to Bath twice in just under two years and both times I’ve had a very good, rather genteel time of it. But I think Upstairs At Landrace is worth going to Bath for all by itself – with or without the shopping, or the coffee, or the beers, or the old friend – because it’s supremely good at what it does.

I read an article about Upstairs At Landrace ages ago, in the Financial Times, that lumped it in with the Bristol restaurant Sonny Stores and breezily dismissed them both as part of a trend of a certain kind of restaurant that’s everywhere just now. Well, the main thing that writer was eating, it seems to me, is mushrooms. Because in reality, away from generic broadsheet sighing or sneering, restaurants as good and as clever as Upstairs At Landrace, places that manage to be sleek and refined without being sterile or soulless, are vanishingly rare. Maybe they’re ten a penny in somebody’s parallel universe, but they certainly aren’t in mine.

Oh, and for the benefit of Dave – who I know occasionally reads this – see that mark below? Told you. It was a really good meal.

Upstairs At Landrace – 8.8
59 Walcot Street, Bath, BA1 5BN
01225 424722

https://landrace.co.uk

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Restaurant review: Branca, Oxford

On February 14, 2025February 14, 2025 By ediblereadingIn Reviews1 Comment

This probably isn’t something I should admit but even now, after nearly twelve years doing this, I’m not always the best judge of which reviews will and won’t prove popular.

I mean, some obviously do well: you all tend to want to know about the new openings and the big names as soon as possible, something I’ve been trying to get to quicker over the last year. And I know from my trips to the likes of TGI Friday and Taco Bell that if it looks like I’m going to have a bad time, you tune in. I don’t take that personally – everyone likes a hatchet job and we can all derive vicarious pleasure from the suffering of others at times.

Beyond that? I have a vague idea at best. Sometimes I can write up a lovely independent place in the middle of town and – well, there aren’t crickets, but it doesn’t go gangbusters in the way that a Siren RG1 or a Rising Sun might. And other times the success of a review takes me completely by surprise.

Take Gordon Ramsay Street Burger, for instance: I didn’t think that many of you would especially care what it was like. On the run up to my visit, I wasn’t even sure I especially cared what it was like. And when I went I found that it was perfectly serviceable, the kind of place you might quite enjoy if you lived in a town without Honest Burgers. Little to write home about all round, you might think, and yet it was my most popular restaurant review of the year: me having a fair to middling time at a big chain in the Oracle. Go figure.

I actually think this might be for the best, that there’s no crystal ball. Because it would get tempting just to write the crowdpleasers, and that would skew the kind of places I go to and the kind of meals I seek out. And part of my – let’s call it a job, just for the sake of argument – job here is to highlight all kinds of establishments.

The ones you know about, but also the ones you don’t. The ones you would never consider going to in a million years, or walk past thinking “I wonder what that’s like?” And the ones you may well have already been to, probably in the first month after opening, before I get round to them. If you always have a pretty good idea what, or where, is coming next then something’s probably gone wrong.

One of the impressions I do get, though, is that collectively speaking you’d like to see more Oxford reviews. I can see why: it’s only half an hour away by train and is almost the anti-Reading. It has everything Reading lacks, yet lacks all the stuff Reading has got. No widespread craft beer, but lots of handsome old boozers, the kind Reading has gradually lost. No street food, but a covered market and cheesemongers and delicatessens galore.

A big shopping mall, yes, but a completely different kind that attracts the chains that Reading still just doesn’t get. More independent retail and two independent cinemas, but crap buses. Better bookshops, but nothing like the Nag’s Head. Did I mention that it also has the Oxford Playhouse, which for all its charm South Street can’t quite match? Anyway, add the two together and you would have the perfect large town slash small city; Oxford even has a couple of universities, would you believe.

All that makes Oxford the perfect place for a weekend lunch or dinner, especially coupled with mooching, shopping, drinking coffee and people watching. So every time I put an Oxford review up it does pretty well, and I get the impression – perhaps wrongly – that you might like to see more of them. My first visit to Oxford on duty was to one of my favourite Oxford spots, The Magdalen Arms on the Iffley Road. I had a lovely time, as I expected to, and resolved to cover the city more often. Two and a half years later, I’ve written the grand total of five reviews of Oxford restaurants: time to pull my socks up.

So last weekend Zoë and I were in Oxford, on her Saturday off, and I had booked a table for two at the Oxford restaurant I’ve possibly eaten at more than any other, Branca. It’s a sort of Italian brasserie – or would be if such a thing isn’t two different kinds of cultural appropriation – and had been trading on Walton Street in Jericho for over twenty years.

And that means that, like Pierre Victoire just round the corner on Little Clarendon Street, it’s part of an elite club of restaurants that have been an ever-present in my dining life. The only thing even comparable in Reading, now that Pepe Sale is gone, is London Street Brasserie, and that tells its own story, that Oxford can hang on to these places when Reading can’t.

It helps that Jericho is such a lovely part of Oxford, less than twenty minutes’ walk from the train station but a world away from both the town and gown of the city centre. It’s all nice cafés and bars, pubs tucked away on sidestreets, the Phoenix cinema where people, me included, queued round the block to see Four Weddings thirty years ago, watering holes like Raoul’s and Jude The Obscure that feel like they’ve been there forever.

I lived in Jericho, for a strange and surreal year halfway through the Nineties, and I didn’t appreciate how gorgeous it was at the time. And now it’s so gentrified that I could never afford to do so again in this life I am struck with brutal clarity by what a terrific part of the world it is. Isn’t it always the way? Never mind. Sitting in Branca, menu in front of me, soaking it all up I could kid myself, for a couple of hours at least, that this was my place and these were my people. Good restaurants, apart from providing you with great food and wonderful drink, have a knack of giving you that, too.

In the years since it opened Branca has expanded into next door, turning it into a cafe and deli more than capable of improving your cupboards and denting your wallet. But the dining room is as it always was, a tasteful if cavernous space.

The tables nearer the front, close to the bar, are nice enough but if you can get one at the back you’re treated to a beautiful room with marble-topped tables, exposed brickwork, what looks like a Bridget Riley on the wall. There’s a view out into their courtyard through full length-windows, and the light in general is quite magical, helped by a skylight and clever use of mirrors. Even on a dreich February day it felt like spring was in touching distance.

This isn’t the criticism it might sound, but Branca’s is simultaneously the biggest and smallest menu I’ve ever seen. Big as in physically big, a one-sided sheet of something like A3 that lists everything they serve. But when you delve into the detail, it’s compact: four starters, a couple of salads, three pasta dishes, four pizzas. Four mains, a burger and a steak and a couple of specials. I felt like I had just enough choice, although if I’d fancied either of the specials I wouldn’t have felt constrained at all.

As it was, this was just on the right side of the border between streamlined and narrow. Starters clustered around the ten pound mark – don’t they always, everywhere, these days – while mains were more scattergun. A pizza was about sixteen quid, with the exception of the sirloin steak the mains stopped at twenty-five. If I hadn’t eaten at Branca before I think the menu would still have inspired confidence, that it was aiming to do fewer things better, but they’d already proved that to me time and time again.

Before any of that, a negroni apiece and some of Branca’s focaccia, which they’ve been dishing out free of charge to diners for as long as I can recall. The focaccia was great stuff, airy and speckled with salt, oily enough to make your fingers shine even before you dipped hunks of it into oil and balsamic vinegar. It made me happy to start a meal in the same way as I always had, knowing that it pretty much always presaged good things. Branca played it straight down the middle with its negroni: no fancy curveballs, just Gordon’s, Campari and Martini Rosso. It was a good reminder that stripped of any whistles and bells, the cocktail just has good bones.

Another reason I’ve always liked Branca enormously is the wine list, and more specifically that they do something so few restaurants in the U.K. do: the majority of the wines on it, around three quarters in fact, can be ordered in a 500ml carafe. So we did that and had a New Zealand sauvignon blanc for thirty quid, which was downright lovely. I got kiwi fruit and gooseberry, Zoë got a hint of melon and, for an hour or so, we managed to kid ourselves that we got wine. We became a little bit more North Oxford with every passing minute.

Most of Branca’s starters are probably a nod to the excellent deli next door: with the exception of the soup they largely involve buying well rather than cooking well. Zoë is an expert at the third part of that triumvirate, ordering well, and she had the edge with her burrata on sourdough, served with olives and cherry tomatoes. Up to a point this is something you could rustle up in your own kitchen, and we often do come summertime, but the transformative element here was a cracking red pesto. Try doing that at home seemed to be the implication and no, I wouldn’t even attempt to.

My starter left me feeling a little deceived. It was described as bresaola with a fennel, rocket and radish salad, and that description made me think it would be a cornucopia of cured beef with a little bit of greenery on top. Just how hoodwinked I had been became apparent when our server – who, I should add, was superb from start to finish – came to our table.

“Who ordered the salad?”

Neither of us, I hope I wanted to say to him, but I realised as he set the plates down that this was exactly what I had unwittingly done. And, truth be told, I felt a little conned. Three pieces of bresaola – I would say “count them”, but that didn’t take long – buried under an ambuscade of foliage is, to be honest, a salad. You can’t roll that in glitter: it is what it is. And eleven pounds for a salad and three pieces of beef felt like it could slightly mar my long and happy relationship with Branca.

And maybe it would have done but damn them, it was lovely. I always regret using the adjective “clean” to describe dishes or flavours because, like “dirty”, it’s a dimension that really shouldn’t feature in stuff you stick in your gob. So instead I would say that this was subtle, unfussy and refined, that every flavour in it was distinct, well-realised and harmonious.

Rocket seems to get a lot of stick these days but I still like it, especially compared to the twin horrors of pea shoots and watercress, two of the most pointless green things in creation. The quantity of excellent Parmesan chucked on top felt like it was by way of apology for the whole salad thing. Everything was so well-dressed and well balanced that I decided I could forgive Branca, just about. The eleven quid still felt a bit cheeky, although mainly I just wished they’d chucked some of that red pesto into the mix.

Conscious of a few recent experiences where we’d been rushed, Zoë decided to have The Conversation with our server as he came to take our empty plates. We were having a lovely time, she told him, and were really in no hurry so could they wait a while before bringing our mains? And he was brilliant with that, feeding that back to the kitchen and then coming to check with us, something like twenty-five minutes later, if we were ready for what came next.

I can’t tell you how welcome that was, that a restaurant understood how to put the brakes on. And it really helped to make me appreciate Branca all over again – the room, that light, the chatter from neighbouring tables, that feeling that there was no rush to go anywhere or do anything that comes from a proper, leisurely lunch. Saturdays with Zoë have been at a premium recently, so I felt glad this one was far from squandered.

By the time my main came, I was ready for it, and it helped that it was a treat from start to finish. Rigatoni, giant corrugated tubes of comfort sagging under the weight of their own carbiness, came interlaced with sticky strand after strand of a long-cooked duck ragu. It may not have clung to the pasta, but it was hidden away under every single layer, a glorious, indulgent beast of a sauce.

That along would have made me almost delirious with joy on a winter’s day, but carpeting the whole lot with the crunch of herb and pecorino pangrattato and then leaving a bowl of grated parmesan at the table for you to use as unsparingly as your heart desired? I’d won at lunch. There was simply no question.

Of course, as anybody who’s married knows, you only really win at lunch if your dining companion wins too. So I was glad that Zoë, picking the other dish that jumped out from the menu, was as happy as I was. A colossal slab of pork belly, all fat rendered beautifully, would have been worth the price of admission alone. Add in a deeply savoury jus, an enormous quenelle of root vegetable mash, some firm but delicious tenderstem broccoli and a couple of crispy straws of crackling and you had a dish that could redeem the month of February single-handedly.

And the final element, the icing on the proverbial, was a salsa verde that supplied the zip and verve that stopped this all being a bit too much. Like the red pesto, a little went a long way. It also highlighted, again, that the kitchen had decided to do a few things to the very best of its ability rather than produce a bloated menu that lost its way.

“This is the first Lyndhurst-style dish I’ve had since the Lyndhurst closed” said Zoë, and I knew exactly what she meant. Very few people cooked pork belly as well as Sheldon and Dishon at the Lyndhurst, and this was the first time I’d eaten somewhere that reminded me of that. The room couldn’t have been more different, and the menu couldn’t have been much more different either, but there was that thread of brilliant hospitality that connected a restaurant I’ve loved for years and a restaurant I’ve mourned for nearly twelve months. It was nice to be reminded of it like this.

Branca’s dessert menu was also compact and really, when you stripped away the padding, it was four desserts and a range of ice cream; I’m happy to accept that a chocolate brownie classes as a dessert but things like affogato, chocolate truffles or – as was the case here – Pedro Ximenez poured over vanilla ice cream don’t really count. I found the dessert menu the least exciting bit, with most of it reminiscent of London Street Brasserie, so of course I gave Zoë carte blanche and she picked the dish I’d most likely have chosen, the chocolate nemesis.

She was very happy with it, and I daresay I would have been too. It was a tranche of deep, fudgy decadence, festooned with cocoa and squiggled with sauce, pistachio ice cream on the side. It was exactly the kind of dessert Zoë has been ordering since she first started ordering desserts many years ago, and it did not disappoint. It happens to be exactly the kind of dessert I too have been ordering, for ten years longer than her.

“It looks great” I said, which is usually my attempt to get a spoonful. “Is the texture more like a fondant, or a ganache?”

“It’s more like a brownie” said Zoë. There was to be no spoonful.

I’d asked where Branca got its ice cream from, half hoping they bought local from legendary ice cream parlour George & Davis, round the corner. They didn’t, and instead it was from Purbeck, a maker I don’t think I’ve tried.

My benchmark for these things is Jude’s – I’m still up in arms about Nirvana Spa swapping them out for the kind of stuff you get in the interval at the theatre – but I would say the ice cream at Branca came close. The chocolate was deep and smooth and studded with chocolate chips and the salted caramel was actually salted caramel with more than a hint of salt, rather than an attempt to rebadge something that’s either butterscotch or has tooth-shattering chunks of solid sugar in it. It was a fitting ending to my latest, but by no means my last, meal at Branca.

The best part of a couple of hours after we took our seats, it was time to settle up and sally forth into the streets of Jericho. Our bill for two came to just under one hundred and fifty-five pounds, including the 12.5% service charge, and paying it I thought that Branca was one of the safest bets I know of in the world of restaurants. I suppose after more than two decades it should be, but then I also remember the dwindling handful of Reading restaurants that have been here that long – places like Quattro and Sweeney and Todd – and realise that I’ve never had even a fraction of the affection for them that I do for Branca.

The rest of our afternoon, fortified by that lunch, was idyllic. We stopped at the Old Bookbinders, a ludicrously pretty backstreet boozer, for a quick half and thought that we needed to come back to try the small, perfectly formed French menu they happen to offer. We snuck into St Barnabas’ Church and gawped at the wonder of this little basilica, plonked in the middle of Jericho. We browsed paperbacks at the Last Bookshop, bought phenomenal cheeses in the Covered Market and stopped for a pre-train beer at Tap Social, wanting for nothing except a mobile signal strong enough to allow access to Untappd.

Oxford was at its finest that day, and I had that thought again: I need to come here more often. Yet the thing that really made all of that, you see, was Branca, and a reunion with an old friend of a restaurant. Lots to catch up on, but the news – getting married, moving house – was all mine. Because Branca was as it always is: classy, fetching, welcoming and utterly, utterly reliable. I’m glad I finally got round to reviewing it, and even gladder that I caught it on a day when it was very close to its best.

But if it hadn’t been, with nearly twenty years of history, I probably would have let it off. Because after all, how many restaurants can you say you’ve been going to for twenty years? I used to have more, but the ones in Reading have a habit of closing. Oxford can hold on to its institutions better, I think. But given the institutions that have been defining Oxford for nearly a thousand years, is that really a surprise?

Like I said at the beginning, I can never tell which of my reviews will do well. But I liked Branca so much that all of that feels immaterial: and that, to me, is the best reason there is to write a review.

Branca – 8.6
111 Walton Street, Oxford, OX2 6AJ
01865 807745

https://www.branca.co.uk

CLICK TO SUBSCRIBE

Restaurant review: Good Old Days Hong Kong Ltd

On January 24, 2025February 4, 2026 By ediblereadingIn Reviews2 Comments

If I asked most Reading residents to name Reading’s most famous restaurant, the chances are the majority of them would say either Kungfu Kitchen or Clay’s Kitchen. And that makes sense because those two, the Lennon and McCartney of Reading’s food scene, are the ones that have broken out into the national consciousness, as much as Reading ever does. If we had a round of Reading restaurants on Family Fortunes, asked 100 people to name a restaurant in Reading, those two would top the leaderboard. God knows what else would be on there – Sweeney Todd, probably, and a rogue vote for Munchees.

But that would only happen if you asked Reading residents, and is indicative of the bubble we live in. Because, last year at any rate, the most nationally known restaurant in Reading was Good Old Days Hong Kong Ltd, a nondescript Cantonese restaurant just the other side of Reading Bridge. And the reason for that is that last February it was reviewed in the Observer by journalist, jazz musician, TV show judge, relentless self-publicist and life president of the Jay Rayner Appreciation Society, Mr Jason Rayner.

He raved about the place, and explained that the chef used to cook at the Hong Kong Jockey Club, and Hong Kong’s Four Seasons Hotel. “It feels like finding a senior chef from the Ritz… doing their own thing in your local caff” he declaimed. The unspoken implication was that this was almost as extraordinary as finding the U.K.’s greatest restaurant reviewer doing his own thing in a Chinese restaurant most Reading folk had never heard of, slumming it for the greater good. Lucky us!

Now, don’t be fooled into thinking Rayner had come to Reading specifically to review Good Old Days. He was in Reading recording an episode of his Radio 4 series, and I suspect he decided to kill two birds with one stone before heading back to London: after all, if there’s one thing people like to moan about below the line on his reviews, it’s how many of them are of London restaurants.

That roving Radio 4 series must be a positive boon, as it gives Rayner an excuse to visit parts of the country he otherwise wouldn’t touch with a barge pole. And I think we can include Reading as one of those, given that he described Caversham as “Reading’s Latin Quarter, as nobody has ever called it”. Such a charmer. But anyway, it was close enough to the station and he had a friend who recommended it, so Good Old Days it was, rather than one of Reading’s more high profile restaurants.

And he did seem to enjoy it, sort of. He said that “if… you happen to live nearby, get the food to go. Because in truth Good Old Days is a takeaway that just happens to have a few tables.” And that’s the funny thing about Rayner’s review – it didn’t make me fall over myself to visit. And I don’t think it galvanised Reading either, because I still know relatively few people who have had a takeaway from Good Old Days and fewer still who have eaten in there. The ones who have, that I’ve spoken to, have told me that it was “nice”, or words to that effect. I’ve never had an oh my god, you really must go – can I come?

Especially that last bit. Despite it being on my to do list for almost a year, every time I mention it to someone in terms of joining me there on duty they ask if we can go somewhere else instead; people just didn’t seem to fancy the place. In that respect, Rayner’s review is a remarkable one – if you can praise food and still leave people lukewarm about going to a restaurant you definitely have some kind of skill, albeit not one most restaurant reviewers would want to develop.

Very few of the comments on the Observer review were from people in Reading, and what ones there were were evenly split between Don’t give the secret away and We went there on your recommendation and it was awful. So it looked like there was a gap in the market for a reliable review of Good Old Days, and I was happy to fill it.

Restaurant review: Brutto, Clerkenwell

On November 15, 2024November 20, 2025 By ediblereadingIn ReviewsLeave a comment

Every year, without fail, a handful of new U.K. restaurants get hyped beyond measure. Every critic goes there, usually within the space of a fortnight, and every critic raves in their own hyperbolic way. Those places become impossible to book, if booking them were ever possible in the first place, and move into the heart of smugness: proper “if you know, you know” territory. These London restaurants – it’s always London, of course – are invariably hailed as evidence that it’s the most exciting food city in the entire world, mainly by restaurant reviewers living in London and writing for the national papers (or, perhaps more understandably, the Evening Standard).

So last year, it was all about Mountain in Soho and Tomos Parry’s cooking over fire (“can a dish be too good for itself?” wibbled Tim Hayward in the FT). Or Bouchon Racine, Henry Harris’ bistro. Jay Rayner described himself as a “huge dribbling admirer”, presumably to put people off booking a table, or for that matter ever eating again. And of course, there was Kolae, but you already know whether that’s good, don’t you?

And this year? Everyone has lost their collective marbles over Josephine Bouchon, Claude Bosi’s earthy Lyonnais restaurant on the Fulham Road, and Giles Coren, Tom Parker Bowles and Jay Rayner all went to the Hero in Maida Vale seemingly in the same fortnight. Giles Coren dined with Camilla Long, which means that for once he might have had an even worse time than his dining companion. I have a friend who everybody loves, who never has a bad word to say about anybody: you should hear his vitriol on the subject of Camilla Long.

Of course, the hype beast to end all hype beasts, this year, has been the Devonshire, the Soho pub run by the chap behind Flat Iron and Oisin Rogers, the closest thing the U.K. has to a celebrity pub landlord who isn’t Al Murray. Nearly all of the U.K.’s broadsheet restaurant reviewers descended on the Devonshire, mystifyingly all being able to land a table despite it being nigh-on impossible to do so, unless you’re famous. It’s almost as if there’s one rule for civilians and one rule for everyone else. Almost.

Coren even went all meta, writing in his review about being desperate to file his copy first despite seeing Tom Parker Bowles and Charlotte Ivers in there literally at the same time as him (Grace Dent, always at the cutting edge, finally got round to it last month). Still, nobody was going to match Coren for overstatement: “It’s just insane, what they’re doing” he gushed, about a pub taking the unprecedented steps of serving beer and cooking food.

It would be temping to review The Devonshire, if I could ever get a table. I used to know Rogers, a little, over a decade ago, and even got drunk with him a couple of times; he’s enormous fun, and a very canny operator. You have to take your hat off to someone who has always managed to keep in with whoever is making the weather in the notoriously bitchy world of London food, and Osh has managed simultaneously to be on good terms with everybody from Fay Maschler to the restaurant bloggers of the late Noughties and early Tens, all the way through to those tacky toffs from Topjaw. He’s always known exactly who to have onside, and is possibly even better at doing that than he is at running a pub.

But actually, I’d be more likely to go to his previous place, the Guinea Grill, which everybody thought did the best Guinness in London before Rogers jumped ship, and which also does the kind of steaks, puddings and pies people associate with the likes of Rules. All that without having to bump into the likes of Ed Sheeran? Count me in. And it’s interesting to me, that: you have places like Rules, or St John, that have been there for ever, and you have places like the Devonshire that are the new upstarts. Between those two types of restaurant? Sometimes it feels like there’s nothing at all.

But how can restaurants ever go from being the hot new thing to becoming institutions when everybody’s attention spans have been destroyed by social media, influencers and restaurant critics desperately craving the new? And what becomes of the flavour of the month when things settle down and the bandwagon rolls on to the next place, and the place after that? That’s why this week, after meeting Zoë from work up in the big smoke, catching the Elizabeth Line to Farringdon with what felt like a thousand West Ham fans and gulping down a handful of Belgian beers at the beautiful Dovetail pub, we mooched across to Brutto for our evening reservation there.

Brutto, you see, was one of The Restaurants Of 2021. Critics flocked to it that year, not necessarily because a trattoria modelled on the restaurants of Florence was what the capital was crying out for, but because this was the comeback restaurant of restaurateur Russell Norman. Norman’s Polpo group of restaurants, fifteen years ago – no reservations, small plates, typewritten menus on brown paper, Duralex glasses – probably did as much as any other to change the way people ate in London. It’s just insane what they did, as Giles Coren might have ineptly said.

I went to Polpo a little just after it opened, and offshoot Polpetto after that, and they were brilliant places to eat, although they never entirely overcame that feeling, when the bill arrived, that you’d spent too much on too little. But then came the unwise expansion, including branches in Bristol and Brighton, and then came the crash: Norman made his exit in 2020, and now only two branches remain.

And then, pretty much a year ago, Norman died suddenly and was mourned by seemingly everybody in the food world. Yet even if you never ate at one of his places, the likelihood is that in the last fifteen years you have eaten at least somewhere that has done something differently because of one of Norman’s restaurants from all that time ago, and that in itself is an interesting and far-reaching legacy.

Reading all that back it sounds like a bit of a downer, but I find it hard to imagine anybody walking into Brutto would feel down for long. I can think of few dining rooms that make you feel happier to be in them – it was simultaneously snug and buzzy, with tables full of people thoroughly enjoying their Saturday nights and others sitting up at the bar, making the most of Brutto’s fabled £5 negronis.

The dining room is kind of split level, and I guess the room at the front would be the one you’d ideally want to be sitting in, with its banquette and framed pictures arranged haphazardly on the teal wall behind (“it’s like Alto Lounge, but not shit” was Zoë’s take). But we were closer to the bar at a surprisingly good table next to a pillar, and although there was a distinct hubbub, and an effortlessly cool soundtrack seemingly pitched at Gen X duffers like me, it was never uncomfortably loud.

It really was a marvellous place, from the gingham tablecloths to the napkin lightshades to the candles stuffed into wicker-chianti bottles, and I loved it. It had that feeling of otherness I adore, the restaurant as a cocoon, where for the next couple of hours you could kid yourself that you’d walk out of the door at the end of your meal and be somewhere completely different.

It was, however, and I might as well get this out of the way now, dark. It started out as atmospheric, but as the evening went on it started to reach Dans Le Noir levels of stygian gloom. A lovely spot to be in, to drink and talk, but the practicalities of doing some of the things you ideally want to do in a restaurant, like read your menu or see what you were eating, were severely curtailed.

A solitary votive candle in the middle of our table wasn’t really going to help with that, even if the staff – who were on it throughout – replaced it very efficiently when it sputtered and went out. I got told off for getting the torch out on my phone to try and read the menu. Zoë told me that I was ruining the atmosphere for everybody, and I’ve since discovered that this is allegedly a boomer thing to do, for which I can only apologise.

Once Zoë had taken some pictures with her phone, in night mode, naturally, and AirDropped them over to me, I managed to get a decent look at the menu, which was of course typewritten. It was everything you’d want it to be, mostly: compact, affordable and interesting. Starters were mostly under a tenner, pasta dishes were closer to twenty and so were the secondi, with the exception of Florentine steak which is sold by weight. I think in the past I’ve seen these listed up on a blackboard, so as to say that when they’re gone they’re gone. Maybe they’d already gone, because our server didn’t mention them to us.

The thing you don’t notice on the menu, at first, is that there’s no fish to be seen anywhere. I saw it written on a mirror in the dining room that Brutto doesn’t serve fish, and although it’s often not my first choice it was still odd to see it completely excluded. It gave the dishes on offer a certain brownish hue, or that could have been the dim lighting, but I suppose it worked on a nippy evening with London well on its way to winter. And it’s not as if I minded, much. The negroni was fierce and medicinal and, lest we forget, only a fiver and, on top of those Belgian beers from earlier on, positively knocked the edges off the day.

I don’t sense that Brutto’s menu has changed enormously since it was first reviewed three years ago, because many of the dishes on offer were talked about in those initial reviews. One definitely was – coccoli, which translates as “cuddles”, and is little fried bits of dough with prosciutto and a small pot of tangy stracchino cheese. Remember when I said that these restaurants attract bucketloads of hype? Jimi Famurewa, then of the Standard said that they were “one of the year’s best dishes”.

I don’t know about that, but they were rather enjoyable. More doughnut than doughball, and pleasant enough with little slivers of ham and a small dollop of the cheese; there wasn’t enough stracchino, but I imagine there never is. But the problem with hype, however old it is, is that it almost sets you up against something. I bet the people who raved about these would have sneered at good old Pizza Express. It reminded me of a restaurant in Shoreditch I used to love called Amici Miei which did a similar dish to this, but far better and completely unsung. But then it hadn’t been opened by Russell Norman, that was the problem.

The other starter was three things that in isolation are hard to beat. Very fine, extremely salty anchovies, with decent salted butter and sourdough from St John just down the road. It’s impossible to argue with this really, even if it involves no cooking, and all three things were good. Zoë adored it, I wasn’t convinced it was really any more than the sum of its parts. In fairness though, this dish was just over a tenner and even in Andalusia seven anchovies of this quality might well set you back more than that.

By this point we were on the red wine, The wine list is all Italian, with lots to enjoy, provided you can read the bastard thing. Bottles start at thirty-six pounds and ascend quickly into three figures from there, and we settled for a Montepulciano closer to the shallow end for sixty-two pounds. which retails for eighteen quid online. Was it worth sixty-two pounds? We’ve established over eleven years that I don’t know a lot about wine, but I’d say maybe not.

For me the pasta dishes were probably Brutto’s greatest strength, and easily the thing I most enjoyed. I’d been tempted by pappardelle with rabbit, but in the end the classic tagliatelle with ragu was too hard to resist. And it was as close to perfect as this dish gets in this country, fantastic al dente ribbons of pasta and a rich, sticky ragu that hugged its curves closely. I’ve always been somewhat sniffy about this widely-held belief that there should be more pasta than sauce, but eating this, for once, I got the point. Everything felt like it was completely in order, in absolutely the right proportions.

Because Brutto is a homage to the trattoria of Italy, they left a bowl of grated Parmesan at your table, with a spoon. But because we were still in London, there wasn’t a lot of Parmesan in it.

For me if anything, Zoë chose even better. Her gramigna, a little spiral shape from Emilia-Romagna, came – as it does in that region – tumbled with sausage and friarelli and was a real joy. But don’t be fooled by the brightness of these pictures from Zoë’s iPhone: by this point it was getting more and more difficult to see what was going on. Even so, these two dishes, to me, highlighted that when it came to pasta dishes restaurants like Brutto or Bancone are still light years ahead of well-intentioned pretenders like Little Hollows in Bristol or bandwagon jumpers like Maidenhead’s Sauce And Flour.

I complained recently that Reading was still lacking a really good Italian restaurant and someone popped up and said “what about Vesuvio?”. And I said that I was looking for somewhere more genuinely Italian and less like a better reimagining of Prezzo, with more interesting secondi. But actually, I got that wrong: what’s really missing is brilliant pasta like this. Pepe Sale had that, back in the day. So did San Sicario. But since then, this kind of carb-centric comfort has been missing from Reading, and it’s a poorer place for it.

Speaking of secondi, to eat that course at Brutto it does help if you like beef. Three of the options are beef-driven (possibly four, depending on what’s in the bollito misto) and the roasted squash, virtuous though it doubtless was, just didn’t appeal. I had chosen the peposo, a slow-cooked stew of beef shin in a sticky, reduced sauce shot through with whole black peppercorns. And I liked it – it sort of reminded me of a stifado, although with no reliance on tomato or those maverick shallots that make the Greek dish such a delight.

But you know how you feel when you see a picture of a moment you don’t fully remember and you’re not sure if the photograph itself is inventing a memory you didn’t really have? Usually that experience dates back to childhood, but I have it when I look at the picture Zoë took of my main course. I know this is what I ate, the photo has my hand in it and the date stamp to prove it. But for me it was just a pool of blackness. You never quite knew what you were eating, or whether this would be your last big chunk of beef. I’ve always understood the saying that you eat with your eyes, but maybe not as well as I did after having this dish at Brutto. And however convivial the atmosphere was, this is where it took something away for me.

I didn’t need a great view of the roast potatoes I’d ordered on the side to know that they weren’t the best roast potatoes. Decent enough, but lacking that contrast of crunch and fluff that would have come if they’d been parboiled, and scuffed up, and cooked properly in really hot fat. Without that, they were just ballast.

Zoë infinitely preferred her main, which was a variation on the same theme. The same roast potatoes, which she viewed more kindly than I had. A slab of pink roast beef, the fat on the outside mellow and puckered, sitting in a little pool of jus. It needed the peas with pancetta that she ordered with it – I’d have liked these à la Française, with a little cream, although I know that’s missing the point in a Florentine trattoria. Anyway Zoë loved it, although she did admit that it was a tad dry. But if there’s anything our marriage proves – six months and counting – it’s that she has far lower standards than I do.

We had a fair bit of wine left, so we drank that and chatted about all sorts before making any decisions about desserts. Now Zoë works in London she is there every Saturday, and usually knocks off at eight o’clock, so by the time our evening begins, most weeks, it’s time for bed. A rare date night in the capital was a precious thing, and so neither of us was in a rush to bring it to an end. But desserts also meant digestivi, and that meant a Frangelico for her and an Amaro del Capo for me. It’s one of my favourite amaros, with something like 29 botanicals, though the one that leaps to the surface for me is mint.

I could have nursed that for some time, and maybe even had another, but the dessert menu only had a few things on it (putting pear and almond cake on there twice, once with ice cream and once without isn’t fooling anybody). Anyway, one of the items on the dessert menu was tiramisu, which meant that we were both contractually obligated to have one. Is it the dessert I order most often when I’m on duty? It definitely feels that way, and Brutto’s is up there with the best I’ve had – miles better than Little Hollows’, better than Sonny Stores‘, better than anything I’ve had in Reading, even including the wonder of Sarv’s Slice or the sadly departed Buon Appetito.

It properly contained multitudes, managing to be substantial yet airy, innocent yet boozy, simultaneously just the right size and nowhere near big enough. I loved it, and it reminded me that on the many occasions that I skip dessert when eating on duty I’m leaving the play before the final act, taking the book back to the library with the last fifty pages untouched. Brutto understands that a good meal has a beginning, a middle and an end, and that tiramisu was a more than worthy way to bring the curtain down.

With all that done, it was time to settle up and pray that the Elizabeth Line could get us back to Paddington before we were forced to catch one of those final trains back to the ‘Ding, the ones everybody refers to as the Burger King Express.

Our meal – a couple of negronis each, that bottle of wine, four courses each and a pair of digestivi – came to just over two hundred and fifty pounds, including an optional 12.5% tip. I know that’s a fair amount of money, but we had plenty of food and didn’t stint on the wine. Personally, I think Brutto is keen value, although probably more so in its starters and pasta than in its mains or wine list. I could have spent less and enjoyed myself just as much, and if I went again I imagine I would.

But would I go again? That’s the question, isn’t it. And it prompts the time-honoured answer, which goes like this. London is so blessed with restaurants – there are easily a handful of other great places to eat less than a ten minute walk from Brutto – that places have to be truly amazing to keep you visiting time and again. That drives quality, I’m sure, and it makes restaurants work hard for custom.

And maybe that also goes to answer the other question, of why it’s hard for anything to become an institution when somewhere else is always, always coming down the tracks. Back when I was on Tinder (what a fun three months that was) I deplored the way it effectively made you channel hop human beings, with their own lives and aspirations and back stories. Whatever. Next! But the way the food media works does the same thing with a lot of restaurants: one minute you’re the hottest ticket in town, the next you’re old hat.

So I had a lovely meal at Brutto and it taught me a lot about what restaurants do at their best and their worst. I have rarely felt, in a restaurant in the U.K., more like I was part of something brilliant and bigger than me. But ultimately one of the many things that united us that night was being together in the darkness. If that’s not a metaphor for something I don’t know what is. Maybe I’m just too old for all that.

Brutto felt like a neighbourhood restaurant in search of a neighbourhood. And speaking of neighbourhoods, if somewhere like Brutto opened in Reading you can bet I would be there on its opening night, and often after that. The fact that Reading can’t attract and maintain restaurants like this really puts the lie to all the old tut spouted by the likes of Hicks Baker that the town centre isn’t dying on its arse.

But while Reading still doesn’t have places like this, it still has that one thing Reading-haters always extol the virtues of: a train station you can use to get anywhere else. You could do a lot worse than make a reservation, hop on a train and find yourself here, in a place that isn’t quite Italy, isn’t quite London, but most definitely isn’t Reading. I know that’s not exactly hype, but it’s the best I can do.

Brutto – 8.4
35-37 Greenhill Rents, London, EC1M 6BN
020 45370928

https://brutto.co.uk

Pub review: The Bell, Waltham St Lawrence

On September 20, 2024September 22, 2024 By ediblereadingIn Reviews, Uncategorized2 Comments

This week’s review hasn’t quite gone according to plan. Originally I was going to review The Lyndhurst, which came under new management back in May. It’s fair to say that it’s had a chequered time since then, with the new landlords complaining vociferously to the Reading Chronicle, more than once, about what they said were false claims that they planned to turn the place into a sports bar.

The way they refuted that was interesting, I thought. We’re just installing a fruit machine, just like every other pub, they said. We’re just putting in a jukebox, like every other pub. Nuts, really. They’d replaced the managers of the best food pub Reading had ever seen, and their mission was to be just like everybody else. They missed the obvious point: if you’re just like everybody else, why should we drink at yours?

Anyway, I largely stayed out of it – because I know I could easily be seen as partial – but from their Facebook page they looked a lot like a sports bar to me. During Euro 2024 it was all badly generated AI images of three lions wearing England shirts and drinking pints of lager in a generic pub, or one especially tasteless – and arguably xenophobic – picture of a lion mauling a bull to coincide with the England-Spain match. But I’m probably just a woke snowflake, because I also winced when the pub described the rumours flying around as “Chinese whispers”.

They then decided to do food, so they put a menu up on Facebook and a few people – not me, I should add – were critical of it. “Please keep your comments to yourself” the pub said. Then they closed for nearly a week, not the first time they’d shut at very short notice. As previously, they blamed having work carried out, but it looked suspiciously like a sulk. All very strange, and I’ve lost track of the number of people who have messaged me saying what the fuck is going on at the Lyndhurst? My reply is invariably the same: God only knows.

But then at the end of July they announced that they’d taken on a new chef, Chef Roots. Now, I’ve never had his food but I know of him by reputation – he cooked for a while at the Roebuck, and at the Three Tuns, and in lockdown he ran a street food business called Pattie N’ Pulled which had its fans. I thought this was a very smart move by the new management – take on a known chef and try to recapture your reputation as a food pub. It all sounded very promising.

I was even prepared to overlook just how weird the menu the pub put out was. If anything in it was correct it was by accident, and every time you looked you spotted a different clanger. Some items were in a completely different font for no particular reason. The pricing was random – £11.96 here, £24.97 there, £4.60 somewhere else. And the spelling mistakes – oh my goodness. Buttet milk chicken, paremsan fries, oniom rings, triple cooled chips. It was all a bit Officer Crabtree.

So once I found out that Chef Roots was cooking at the Lyndhurst I was interested in going back, and I had a volunteer to come with me. That was none other than Matt, who made the very wise decision of proposing to my sister in law recently, which means he’s as good as family. So we agreed a date, when I was back from holiday. I was looking forward to it.

Then it all went tits up when I discovered that Chef Roots had barely lasted a week before moving on from the Lyndhurst, a development which the Lyndhurst decided not to report. And then more weirdness emanated from the pub. A recent Google review – one star, of course – was posted by a guy who was just verbally abused by the regulars as he walked past the smoking area with a friend and his dog. He put up footage from his phone which appeared to bear this out: it was a really uncomfortable watch.

And then someone posted on Reddit about the Lyndhurst’s Sunday lunch was, and she wasn’t pulling her punches. “Unseasoned. Small portions. Cold vegetables. Misleading menu. Said ‘homemade’ Yorkshire puddings and when I inquired about allergens the waitress brought out a frozen bag of Aldi’s own Yorkshire pudding” she said. “Actually speechless at how bad the food was.”

So I sent Matt a WhatsApp: Looks like we won’t be reviewing the Lyndhurst, the chef has already sacked it off. And Matt replied. Anywhere else we can review? Well, I can ride shotgun while you do it. And that’s when I thought of the Bell at Waltham St Lawrence, a cosy pub I had loved when I first reviewed it nine years ago. I’d been back since, but not for a long time, and it felt ripe for a revisit. So this week Matt picked me up and we headed off down the A4 in search of dinner. It was the first time I’ve ever been chauffeured to a review in a Porsche, and I very quickly decided that I could get used to it.

Much what I said when I visited the Bell in 2015 is equally true today, on face value at least: Waltham St Lawrence is still a pretty village and the pub is the jewel in its crown. It’s almost the platonic ideal of a village pub, and you got a whiff of woodsmoke as you walked in. But the one thing that was different was a slight change of the guard – back then it was run by twin brothers Iain and Scott Ganson, but last year Iain left to become the new head chef at Thames Lido. So was it business as usual at the Bell, or had things changed?

Paying it a visit on a Tuesday night it was almost empty with just a few regulars at the bar. “You can sit anywhere you like” said the chap after I told him we had a reservation, and although the front room was tempting we decided to go for the dining room, a less casual space up some stairs. Even so, that was stripped back and neutral – I seem to remember on a previous visit that there was feature wallpaper of some kind, but instead it was a calm, tasteful room. We were the only people in it, which gave my dinner date with my future brother-in-law a strangely intimate feel, like they’d opened just for us.

Still, we both enjoyed getting a word in edgeways for a change. I love my in-laws dearly, but the men in the family are like the men in Sex And The City: you might enjoy it when they crop up, but everybody knows they aren’t the feature attraction. It’s all about the women, one-upping one another with their increasingly funny stories, and the best thing you can do is enjoy the ride (or, if you’re my father-in-law, tidy up after everybody and/or hide in the garage). So here Matt and I were, talking for a whole evening in some strange inversion of the Bechdel Test.

The menu the night we visited was decidedly compact: four starters, three mains (one meat, one fish, one vegetarian) and three desserts. I seemed to remember from past experience that there used to be more on offer, and although I may have been wrong the evidence suggested we’d been unlucky that night: a picture on Instagram later in the week showed an additional main course that would have expanded the options a little. But no matter, although the menu was almost narrow enough to be constricting we both found things to order. Starters hovered around a tenner, mains were scattered more widely around the twenty pound mark.

But first, drink – and the first indication of interesting things at the Bell. They won Reading CAMRA Cider Pub Of The Year this year, and it showed, with a blackboard listing plenty of interesting choices including Tilehurst’s Seven Trees Cider. And the wine list was full of temptation, all of it available by the glass. I couldn’t choose between a couple and Ganson, who was behind the bar that night, kindly let me try some of each (even if the locals heckled him, saying that this was uncharacteristic generosity for a Scot). He even didn’t complain when I decided to go for a third instead, although they were all gorgeous, and let me try some of that. It was a Priorat, from Catalunya – Priorat is always worth trying, if you find it on a list – and I thought it was terrific at ten pounds a glass.

I seem to remember years ago having a conversation with the Bell on Twitter saying that more places should bring back the 125ml glass of wine, or the 250ml carafe. Well, although they do serve 125ml glasses they’ve gone one step further by using a Coravin for seemingly all of the bottles on the list. “It means we can offer about forty wines by the glass” said Ganson, which for me would almost be reason enough to visit the Bell on its own, especially if you have a nice chap driving you home in a Porsche.

“I’d also like a pint of bitter shandy please, which bitter do you recommend?”

“Hoppit” said Ganson without hesitation, and so Matt got a shandy made with Loddon’s finest, which he seemed to like.

Matt had the best of the starters, and I didn’t realise until much later that it was essentially the starter I’d ordered and enjoyed nine years ago. A slab of pigeon terrine came bound in bacon, served with a couple of beautifully burnished slices of griddled toast and – always the clincher – a trio of cornichons. Matt enjoyed this, but because his manners were impeccable he let me try some and I thought it was knockout – slightly gamey, the texture spot on, no hint of bounce or jelly to be seen. Matt also let me have all of his cornichons, but I think that was because he didn’t like them, rather than down to his impeccable manners.

I did less well, but only by a whisper. My selection of charcuterie from Cotswold-based Salt Pig had nearly everything you could hope for, and most of it was very enjoyable. Coarse rounds of chorizo, fatty ribbons of pancetta, superb pork collar. Only the spiced pork loin underwhelmed, and although I had enough cornichons, that was partly because I’d inherited Matt’s.

But it felt like something was missing, and I wasn’t sure what it was. I think a little griddled toast would have lifted this, or even some caperberries, or even more cornichons (although more cornichons, like more cowbell, is just my answer to many of life’s problems). WIthout that, it felt a little unbalanced. Looking back at the Bell’s menu I saw that it included something I’d missed, whipped lardo – also from Salt Pig, I presume – on toast. I wish I’d noticed that, because it would have been delicious. Especially if it came with cornichons.

By this point I was on to a second glass of wine. Ganson had suggested another Spanish red, this time from Bierzo, a single varietal Mencia, and it was every bit the equal of the Priorat. I found myself thinking that even though the same time last week I’d been in Granada, in thirty degree heat, sitting outside a bar enjoying cold beer and tapas there were consolations to autumn – red wine, woodsmoke and cosy pubs not least. Besides, Strictly was back on the telly.

My main course bridged the gap between my week in Andalusia and the increasingly autumnal feel of things back home. I rarely order risotto, and I almost never make it myself – who has the time to stand at a stove for thirty minutes? – but the Bell’s version was made with Isle Of Wight tomatoes and Spenwood, and better British ingredients are hard to imagine. I had been spoiled by the exceptional tomatoes you get on the continent, but the ones that come out of the Isle Of Wight are absolutely the next best thing.

And it was mollifying comfort on a plate, a rich dish of sticky, nutty rice, topped with tomatoes that had been roasted and slightly dried, liberally dusted with one of my favourite cheeses which just so happens to be made down the road in Spencer’s Wood, the closest thing Blighty gets to Parmesan. On paper, this was the perfect thing to make you happier about the nights drawing in and being able to see your breath in the air – a gentle but insistent bear hug of a dish.

It was almost perfect, but not quite. I would have liked it to have been a little more seasoned, for a bit more salt to balance out the sweetness of the tomatoes. But I only decided that in hindsight, looking at a completely denuded plate, and hindsight is always a wonderful thing. I can’t remember the last time I ordered a risotto in a restaurant, but I won’t be able to say that next time I do.

Matt chose the Bambi Burger, a dish which has been on the Bell’s menu every single time I’ve visited. He wasn’t sure about it, which is how Matt discovered that he maybe wasn’t wild about venison. That meant I got to try a fair amount of it, and for what it’s worth I really loved it. Venison is a challenging meat to make burgers with, on account of it being so lean and lacking in fat, so to make something so delicious that didn’t fall into the trap of being dry and crumbly was no mean feat.

And again, hats off to the Bell for having a decent, sturdy bun and griddling it to give it the extra heft it needed. If I came back to the Bell, and hopefully I will before too long, I would make a beeline for this. The skinny chips, I suspect, were bought in: it might have been nice to have something chunkier, but they did the job.

Both of us felt like we had permission to order dessert: Matt because his main hadn’t hit the spot and me because mine had. We both gravitated towards the sticky toffee pudding – not something I’d normally order, but as the other two choices were cheese and oatcakes or an affogato I did feel my hand had been forced. I was sorry not to see the beer ice cream the Bell always used to make, which for me was one of the most intriguing and idiosyncratic things they did, but you can’t win them all.

It’s another nice echo of my original visit, because sticky toffee pudding was on the table then too. I think that the Bell has spent the last nine years perfecting it, because I loved this. It was a deep, dense delight, swathed in a cracking toffee sauce and crowned with a sphere of glossy ice cream – no clotted cream or the like here – and it made me wonder how many great sticky toffee puddings I might have missed out on over the years because of my vague prejudice against hot desserts. It was fantastic, and it helped, as the whole evening had, make me feel a little less sad about the changing of the seasons.

I could have stayed and drunk wine and chatted away until they chucked us out. But I’m not sure how much fun that would have been for Matt, who was on the Diet Coke by then. Besides, he had to be in London for work the next day so I settled up and we were on our way. Our dinner – three courses and two drinks apiece – came to ninety-six pounds, not including tip, which I thought was as good value as anything is these days in 2024. We shared trade secrets on how to manage our in-laws all the way home, and if any of them happen to be reading this I absolutely promise I’m kidding.

I was so happy to find the Bell still close to its best self, and if I’d have liked a little more breadth to the menu that was easily outweighed by the pluses – the service, that beautiful spot, the woodsmoke and the exceptional range of wine and cider. For many years, when people have asked me where they could have dinner a little drive away from Reading, the Bell has made my list – a list which shrunk when the Miller Of Mansfield closed, grew when I so enjoyed The Plough earlier in the year.

But we were getting to the point where I was recommending the Bell without having any recent experience to go on, and I felt like a fraud doing that. I’m very happy to have sorted that, and pleased that I can renew my endorsement. That I had a properly agreeable evening and a ride in a Porsche just added to my joy. Reading may have one fewer pub that does really great food and makes you feel welcome. But there are consolations to be found elsewhere, just as there are with the end of summer.

The Bell – 8.0
The Street, Waltham St Lawrence, RG10 0JJ
0118 9341788

https://thebellwalthamstlawrence.co.uk

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