The Bird In Hand closed in August 2019 with the existing management going on to pastures new after five years running the pub. I’ve left the review up for posterity.
I’ve been thinking about going to the Bird In Hand for ages. It’s been sitting there on my list and I was saving it because I always had a sneaking feeling it would either be really special or crashingly disappointing and I half didn’t want to find out which. There seems to be a bit of a recent trend of country pubs round here taking a detour to Italy – like Buratta’s near Twyford (although I’ve always been a bit deterred by the fact that they’ve spelled “burrata” wrong) and the Red Lion at Mortimer Common – but something about the Bird In Hand felt like it might have star quality.
I normally talk far more about food than I do about chefs, but the Bird In Hand’s back story is an interesting one; the landlord, Santino Busciglio, cooked at various Michelin starred restaurants in London and appeared on one of Gordon Ramsay’s TV shows (don’t worry, the one about good restaurants rather than the one about cockroaches in the kitchen and eighteen page menus where all the sauces come out of a packet) before taking over the Bird In Hand, which reopened at the start of the year.
If it wasn’t the back story, maybe it was the website: in the course of my pre-visit research I decided that it was the most appealing menu I’d seen for a long time. The modish typewriter font made my eyes hurt, but looking beyond that it was an embarrassment of riches – a dizzying range of small sharing dishes to start and then a set of mains which divided their time evenly between Sicily and South Oxfordshire. Braised beef brisket pie rubbed shoulders with roasted sea bream, burger buns cohabiting with focaccia. I almost wanted to keep it on my list forever as some halcyon ideal of what a countryside pub could be, but my curiosity got the better of me so, during the hottest week of the year, my car pulled up outside and I prepared myself to deal with triumph or disaster.
The place has been done up recently and it really showed, but it also achieved the rare trick of managing to feel like a pub that serves food rather than a restaurant which pays lip service to local drinkers. The interior was lovely in that kind of studied rustic way that smart pubs are these days, with a decent-sized chic dining room, but it was completely empty because we’re British and know to make the most of whatever summer weather we actually get. So everyone was sitting outside, under the parasols, rejoicing in the beauty of a sultry English evening. We joined them, marvelling at the red kite circling above and I realised as I sipped a crisp cold pint of cider that choosing from the menu was never going to be an easy task.
It’s actually a cleverer menu than you realise at first – although the twenty or so stuzzichini dishes could seem bewilderingly huge, a lot of them contain components which also turn up in the mains, so you have to carefully pick through and decide how best to try as many different things as possible. We limited ourselves to sharing three before moving on the mains; I deeply regretted not ordering the grilled neck of treacle pork, the crab salt cod and ricotta fish cakes or the chick pea fritters, but it’s a good menu that forces you to make hard choices.
My favourite of them was a couscous salad with green garlic, yellowfin tuna and wild mushrooms – a bloody gorgeous bowl of deliciousness. The couscous was Israeli couscous (the bigger stuff that’s easier to eat and doesn’t go absolutely everywhere the moment you try to eat it), there were lots of little wild mushrooms studded through it, along with sweet cherry tomatoes and plenty of pieces of light, fresh-tasting tuna. It was the first thing I ate and it set a trickily high standard for everything that was to follow.
Caponata was also good: I’ve always been a huge fan and the Bird In Hand’s version was slightly different to ones I’ve had in the past. The aubergine was firm rather than stewed into sticky submission, there was more of a starring role for the celery in the dish and the balance was much more interesting – a more closely-fought battle between the sweet and the sour – than I was used to. Again, it felt like perfect summer food, and I could gladly have eaten a bowl of it on my own.
The least successful of the starters was the trout two ways (line caught Avington rainbow trout, for any provenance buffs out there). Half had been cured in vodka, little beautifully-coloured strips arranged in a whorl. It was pretty but insubstantial. The other half, hot tea smoked, was served on a little smudge of spinach pureé and I liked it but I didn’t love it – it was powerfully smoky but that flavour wasn’t as deep or complex as I’d hoped it would be and, like the cured trout, it was almost over before it began. By serving it two ways, it felt like neither one thing nor the other: I admired the technique a great deal, but it felt a little unrewarding for six pounds (at the risk of sounding like a heathen, I would have liked some bread with it, but there wasn’t enough of it to put on bread anyway).
Plenty of promise in the starters, then, and the mains delivered on it. The menu has so much for vegetarians (plenty of starters and three tempting mains, including a field mushroom and green garlic pie which I would have ordered on a slightly cooler day) that I felt duty bound to try one of them, so I went for the strozzapretti pasta with aubergine caviar, basil, vine tomatoes and salted ricotta cheese. The pasta was al dente and the aubergine caviar (a bit misleading that, as it had collapsed into something approximating to baba ghanoush by the time it was served) was smoky with a touch of citrus and rich enough to make this a very substantial main. There was also some clever chilli in the sauce which built over time and the generous heap of salted ricotta – so nice to see a kitchen advertising a vegetarian dish without blotting their copybook with Parmesan – on top rounded it off nicely. It was still a bowl of pasta, and I think they always run out of steam when eaten as a main course, but it was probably the best vegetarian main course I’ve had this year. I was also impressed to see how much on the menu was gluten free – almost a third of it, and none of it felt like it involved any compromises.
The other main turned out to be the perfect synthesis of Sicily and South Oxfordshire, the Bird In Hand’s cover version of fish and chips. The hake was in glorious light batter (billed as Parmesan tempura, although I didn’t really detect that). The chips were crunchy thin straws of courgette, beautifully seasoned and fried, all taste and no oil. And the peas – well, it was a fantastic pea puree, as intense and green to taste as it was to look at. I don’t even like mushy peas, but I couldn’t get enough of this. If I did have a criticism, and it’s only one, the presentation of everything on top of the pea puree made it difficult to make the most of the superlative accompaniments – a lovely piquant pimento ketchup and (a lovely touch, this) a ramekin of malt vinegar jelly. Everything I had had been tasty, but this was clever too.
On a lovely, sunny evening it felt like a waste to head home without making some inroads into the dessert menu, and my companion still had quite a lot of a glass of white wine to finish. Impressively, the Bird In Hand has about ten wines by the glass, nearly all Italian, all costing no more than £3.50 for a small glass or £20 for a bottle, another little detail that made me warm to the place. I didn’t try any, being the designated driver, but I’m told that the Cataratto (an organic Sicilian white) was positively medicinal on a hot day.
This is probably the right place to mention the service, which was the closest my evening came to letting the side down. Sitting outside meant that you ordered at the bar – and when I did Santino, who was working behind the bar, was charm personified and clearly a big hit with locals and diners. He could sell any of his dishes to anyone and was brilliant at bringing the details to life: the tuna cooked with orange zest, the burrata which was arriving later in the week, the salami he gets from small producers in Italy (I imagine he has built up quite a good contacts book), the ice cream which was all made there on the premises. He also lamented the end of the English asparagus season, a subject very close to my heart. The table service was a lot more erratic: the young waiter who was doing the fetching and carrying had a lot to do (serving in the garden means a lot of distance back and forth with plates) but wasn’t the canniest of workers, often bringing out food then returning to the kitchen empty handed despite our empty plates having been in front of us for quite some time. It didn’t mar the evening but I did reach the stage where I had half a mind to taken them inside myself, and that isn’t how it should be.
Santino recommended the ice cream, so naturally I had to try it. They’re all priced by the scoop and, interestingly, the prices all differ so, for example, pistachio is more expensive than chocolate which is more expensive than vanilla. I had two scoops of malt barley ice cream, and I think – no offence to the likes of Tutti Frutti – it’s probably the best ice cream I’ve had in this country. The texture almost defied description because somehow “smooth” isn’t enough but, raiding the thesaurus, smooth is all there is. It was so rich and glossy, with almost a burnt toffee note from the malt, that I just didn’t want it to end. Except I also wished I’d only had one scoop so I could try the chocolate as well: what did I say about good menus and hard choices?
Believe it or not, I’ve saved the best for last. Sfinci, Sicilian cinnamon doughnuts, might well be my dessert of the year so far: three rough little clouds of fried batter, crisp on the outside, soft in the middle, dusted with a little icing sugar and cinnamon and served with the richest, creamiest pistachio ice cream. The irony: in Reading we’re used to being bombarded with a message saying “lovely hot doughnuts, nice and fresh” and yet so many people never get to eat anything of the kind. I was told when I ordered them that they would take fifteen minutes and I’m not sure I can think of a better way of spending fifteen minutes than waiting for that dish.
The total bill, for three courses each, two ciders, a wine and an Averna (it looks like Coke, tastes like cough medicine and, with lots of ice and a slice of orange, is one of the best digestifs you could hope for) was seventy six pounds. Considering the number of separate moments in the meal which had a wow factor, I reckon that was money well spent.
Having written this blog for nearly two years, I’ve come to realise is that life is full of mysteries. Why do cafés persist in putting your napkin between the cake and the plate, thereby guaranteeing you can’t use it? Why is Prezzo always full? Why are the plates for Picnic’s salads so small that it’s almost impossible to eat the salad without dumping half of it on the table? Cosmo: why?
But the biggest mystery of all to me is that people just don’t read the reviews of out of town places – I know, thanks to the joys of WordPress, that every time I publish one quite a few readers decide to take a week off. That’s a real shame, because those people won’t get to find out about the Bird In Hand. They won’t get to experience little flashes of wonder of like the ones I had – that first taste of couscous, wild mushroom and tuna, the tang of the salted ricotta, the big silly smile at something with the texture of jelly and the taste of Sarson’s. That ice cream. Those doughnuts. But never mind – because if you’re reading this you’ll know, and maybe you’ll go. That’s good enough for me.
The Bird In Hand – 8.3
Peppard Road, Sonning Common, RG4 9NP